On an ordinary night in early 2020, the family came home to discover a fire burning in the attic of their one-story home. The damage was substantial, and the majority of the home could not be saved. They had lived in the home for 10 years, made it their own, and loved the location. Instead of moving away, they chose to use this as a rare opportunity to rethink the home from the ground up. Could they create a home that represented who they were and how they wanted to live, supported their busy lives, and inspired them every day?

The original home was a single-story, spread-out ranch with low-slung rooflines. They liked the general flow and the position of the primary rooms, but it was a classic home of the 1960s with low ceilings and disconnected rooms. Now, all that was gone. Only the foundation and floorplate remained. The charge was to bring them something new: to envision a completely new home with the same footprint as the original, to provide more light, to explore what might be possible with new soaring rooflines, to relocate the owner’s suite and a home office to a new 2nd floor, and to create a backdrop for their art and objects from around the world.

The home is serious at times and playful at others. It was designed for a family with real stuff who loves space and light as well as the beauty found in things. Craftsmanship is celebrated all through the house, and it makes good company with the vibrant art collection!

Bluebird emerged from the ashes to reach for the daylight, to open to the outside, to create space made from organic, rich materials that flowed with ease, and to beautifully hold an eclectic life full of eclectic things.

Location: St. Louis Park, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Perri Kinsman Sophie Olund

On an ordinary night in early 2020, the family came home to discover a fire burning in the attic of their one-story home. The damage was substantial, and the majority of the home could not be saved. They had lived in the home for 10 years, made it their own, and loved the location. Instead of moving away, they chose to use this as a rare opportunity to rethink the home from the ground up. Could they create a home that represented who they were and how they wanted to live, supported their busy lives, and inspired them every day?

The original home was a single-story, spread-out ranch with low-slung rooflines. They liked the general flow and the position of the primary rooms, but it was a classic home of the 1960s with low ceilings and disconnected rooms. Now, all that was gone. Only the foundation and floorplate remained. The charge was to bring them something new: to envision a completely new home with the same footprint as the original, to provide more light, to explore what might be possible with new soaring rooflines, to relocate the owner’s suite and a home office to a new 2nd floor, and to create a backdrop for their art and objects from around the world.

The home is serious at times and playful at others. It was designed for a family with real stuff who loves space and light as well as the beauty found in things. Craftsmanship is celebrated all through the house, and it makes good company with the vibrant art collection!

Bluebird emerged from the ashes to reach for the daylight, to open to the outside, to create space made from organic, rich materials that flowed with ease, and to beautifully hold an eclectic life full of eclectic things.

Location: St. Louis Park, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Perri Kinsman Sophie Olund

On an ordinary night in early 2020, the family came home to discover a fire burning in the attic of their one-story home. The damage was substantial, and the majority of the home could not be saved. They had lived in the home for 10 years, made it their own, and loved the location. Instead of moving away, they chose to use this as a rare opportunity to rethink the home from the ground up. Could they create a home that represented who they were and how they wanted to live, supported their busy lives, and inspired them every day?

The original home was a single-story, spread-out ranch with low-slung rooflines. They liked the general flow and the position of the primary rooms, but it was a classic home of the 1960s with low ceilings and disconnected rooms. Now, all that was gone. Only the foundation and floorplate remained. The charge was to bring them something new: to envision a completely new home with the same footprint as the original, to provide more light, to explore what might be possible with new soaring rooflines, to relocate the owner’s suite and a home office to a new 2nd floor, and to create a backdrop for their art and objects from around the world.

The home is serious at times and playful at others. It was designed for a family with real stuff who loves space and light as well as the beauty found in things. Craftsmanship is celebrated all through the house, and it makes good company with the vibrant art collection!

Bluebird emerged from the ashes to reach for the daylight, to open to the outside, to create space made from organic, rich materials that flowed with ease, and to beautifully hold an eclectic life full of eclectic things.

Location: St. Louis Park, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Perri Kinsman Sophie Olund

On an ordinary night in early 2020, the family came home to discover a fire burning in the attic of their one-story home. The damage was substantial, and the majority of the home could not be saved. They had lived in the home for 10 years, made it their own, and loved the location. Instead of moving away, they chose to use this as a rare opportunity to rethink the home from the ground up. Could they create a home that represented who they were and how they wanted to live, supported their busy lives, and inspired them every day?

The original home was a single-story, spread-out ranch with low-slung rooflines. They liked the general flow and the position of the primary rooms, but it was a classic home of the 1960s with low ceilings and disconnected rooms. Now, all that was gone. Only the foundation and floorplate remained. The charge was to bring them something new: to envision a completely new home with the same footprint as the original, to provide more light, to explore what might be possible with new soaring rooflines, to relocate the owner’s suite and a home office to a new 2nd floor, and to create a backdrop for their art and objects from around the world.

The home is serious at times and playful at others. It was designed for a family with real stuff who loves space and light as well as the beauty found in things. Craftsmanship is celebrated all through the house, and it makes good company with the vibrant art collection!

Bluebird emerged from the ashes to reach for the daylight, to open to the outside, to create space made from organic, rich materials that flowed with ease, and to beautifully hold an eclectic life full of eclectic things.

Location: St. Louis Park, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Perri Kinsman Sophie Olund

On an ordinary night in early 2020, the family came home to discover a fire burning in the attic of their one-story home. The damage was substantial, and the majority of the home could not be saved. They had lived in the home for 10 years, made it their own, and loved the location. Instead of moving away, they chose to use this as a rare opportunity to rethink the home from the ground up. Could they create a home that represented who they were and how they wanted to live, supported their busy lives, and inspired them every day?

The original home was a single-story, spread-out ranch with low-slung rooflines. They liked the general flow and the position of the primary rooms, but it was a classic home of the 1960s with low ceilings and disconnected rooms. Now, all that was gone. Only the foundation and floorplate remained. The charge was to bring them something new: to envision a completely new home with the same footprint as the original, to provide more light, to explore what might be possible with new soaring rooflines, to relocate the owner’s suite and a home office to a new 2nd floor, and to create a backdrop for their art and objects from around the world.

The home is serious at times and playful at others. It was designed for a family with real stuff who loves space and light as well as the beauty found in things. Craftsmanship is celebrated all through the house, and it makes good company with the vibrant art collection!

Bluebird emerged from the ashes to reach for the daylight, to open to the outside, to create space made from organic, rich materials that flowed with ease, and to beautifully hold an eclectic life full of eclectic things.

Location: St. Louis Park, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Perri Kinsman Sophie Olund

On an ordinary night in early 2020, the family came home to discover a fire burning in the attic of their one-story home. The damage was substantial, and the majority of the home could not be saved. They had lived in the home for 10 years, made it their own, and loved the location. Instead of moving away, they chose to use this as a rare opportunity to rethink the home from the ground up. Could they create a home that represented who they were and how they wanted to live, supported their busy lives, and inspired them every day?

The original home was a single-story, spread-out ranch with low-slung rooflines. They liked the general flow and the position of the primary rooms, but it was a classic home of the 1960s with low ceilings and disconnected rooms. Now, all that was gone. Only the foundation and floorplate remained. The charge was to bring them something new: to envision a completely new home with the same footprint as the original, to provide more light, to explore what might be possible with new soaring rooflines, to relocate the owner’s suite and a home office to a new 2nd floor, and to create a backdrop for their art and objects from around the world.

The home is serious at times and playful at others. It was designed for a family with real stuff who loves space and light as well as the beauty found in things. Craftsmanship is celebrated all through the house, and it makes good company with the vibrant art collection!

Bluebird emerged from the ashes to reach for the daylight, to open to the outside, to create space made from organic, rich materials that flowed with ease, and to beautifully hold an eclectic life full of eclectic things.

Location: St. Louis Park, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Perri Kinsman Sophie Olund

On an ordinary night in early 2020, the family came home to discover a fire burning in the attic of their one-story home. The damage was substantial, and the majority of the home could not be saved. They had lived in the home for 10 years, made it their own, and loved the location. Instead of moving away, they chose to use this as a rare opportunity to rethink the home from the ground up. Could they create a home that represented who they were and how they wanted to live, supported their busy lives, and inspired them every day?

The original home was a single-story, spread-out ranch with low-slung rooflines. They liked the general flow and the position of the primary rooms, but it was a classic home of the 1960s with low ceilings and disconnected rooms. Now, all that was gone. Only the foundation and floorplate remained. The charge was to bring them something new: to envision a completely new home with the same footprint as the original, to provide more light, to explore what might be possible with new soaring rooflines, to relocate the owner’s suite and a home office to a new 2nd floor, and to create a backdrop for their art and objects from around the world.

The home is serious at times and playful at others. It was designed for a family with real stuff who loves space and light as well as the beauty found in things. Craftsmanship is celebrated all through the house, and it makes good company with the vibrant art collection!

Bluebird emerged from the ashes to reach for the daylight, to open to the outside, to create space made from organic, rich materials that flowed with ease, and to beautifully hold an eclectic life full of eclectic things.

Location: St. Louis Park, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Perri Kinsman Sophie Olund

On an ordinary night in early 2020, the family came home to discover a fire burning in the attic of their one-story home. The damage was substantial, and the majority of the home could not be saved. They had lived in the home for 10 years, made it their own, and loved the location. Instead of moving away, they chose to use this as a rare opportunity to rethink the home from the ground up. Could they create a home that represented who they were and how they wanted to live, supported their busy lives, and inspired them every day?

The original home was a single-story, spread-out ranch with low-slung rooflines. They liked the general flow and the position of the primary rooms, but it was a classic home of the 1960s with low ceilings and disconnected rooms. Now, all that was gone. Only the foundation and floorplate remained. The charge was to bring them something new: to envision a completely new home with the same footprint as the original, to provide more light, to explore what might be possible with new soaring rooflines, to relocate the owner’s suite and a home office to a new 2nd floor, and to create a backdrop for their art and objects from around the world.

The home is serious at times and playful at others. It was designed for a family with real stuff who loves space and light as well as the beauty found in things. Craftsmanship is celebrated all through the house, and it makes good company with the vibrant art collection!

Bluebird emerged from the ashes to reach for the daylight, to open to the outside, to create space made from organic, rich materials that flowed with ease, and to beautifully hold an eclectic life full of eclectic things.

Location: St. Louis Park, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Perri Kinsman Sophie Olund

On an ordinary night in early 2020, the family came home to discover a fire burning in the attic of their one-story home. The damage was substantial, and the majority of the home could not be saved. They had lived in the home for 10 years, made it their own, and loved the location. Instead of moving away, they chose to use this as a rare opportunity to rethink the home from the ground up. Could they create a home that represented who they were and how they wanted to live, supported their busy lives, and inspired them every day?

The original home was a single-story, spread-out ranch with low-slung rooflines. They liked the general flow and the position of the primary rooms, but it was a classic home of the 1960s with low ceilings and disconnected rooms. Now, all that was gone. Only the foundation and floorplate remained. The charge was to bring them something new: to envision a completely new home with the same footprint as the original, to provide more light, to explore what might be possible with new soaring rooflines, to relocate the owner’s suite and a home office to a new 2nd floor, and to create a backdrop for their art and objects from around the world.

The home is serious at times and playful at others. It was designed for a family with real stuff who loves space and light as well as the beauty found in things. Craftsmanship is celebrated all through the house, and it makes good company with the vibrant art collection!

Bluebird emerged from the ashes to reach for the daylight, to open to the outside, to create space made from organic, rich materials that flowed with ease, and to beautifully hold an eclectic life full of eclectic things.

Location: St. Louis Park, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Perri Kinsman Sophie Olund

On an ordinary night in early 2020, the family came home to discover a fire burning in the attic of their one-story home. The damage was substantial, and the majority of the home could not be saved. They had lived in the home for 10 years, made it their own, and loved the location. Instead of moving away, they chose to use this as a rare opportunity to rethink the home from the ground up. Could they create a home that represented who they were and how they wanted to live, supported their busy lives, and inspired them every day?

The original home was a single-story, spread-out ranch with low-slung rooflines. They liked the general flow and the position of the primary rooms, but it was a classic home of the 1960s with low ceilings and disconnected rooms. Now, all that was gone. Only the foundation and floorplate remained. The charge was to bring them something new: to envision a completely new home with the same footprint as the original, to provide more light, to explore what might be possible with new soaring rooflines, to relocate the owner’s suite and a home office to a new 2nd floor, and to create a backdrop for their art and objects from around the world.

The home is serious at times and playful at others. It was designed for a family with real stuff who loves space and light as well as the beauty found in things. Craftsmanship is celebrated all through the house, and it makes good company with the vibrant art collection!

Bluebird emerged from the ashes to reach for the daylight, to open to the outside, to create space made from organic, rich materials that flowed with ease, and to beautifully hold an eclectic life full of eclectic things.

Location: St. Louis Park, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Perri Kinsman Sophie Olund

On an ordinary night in early 2020, the family came home to discover a fire burning in the attic of their one-story home. The damage was substantial, and the majority of the home could not be saved. They had lived in the home for 10 years, made it their own, and loved the location. Instead of moving away, they chose to use this as a rare opportunity to rethink the home from the ground up. Could they create a home that represented who they were and how they wanted to live, supported their busy lives, and inspired them every day?

The original home was a single-story, spread-out ranch with low-slung rooflines. They liked the general flow and the position of the primary rooms, but it was a classic home of the 1960s with low ceilings and disconnected rooms. Now, all that was gone. Only the foundation and floorplate remained. The charge was to bring them something new: to envision a completely new home with the same footprint as the original, to provide more light, to explore what might be possible with new soaring rooflines, to relocate the owner’s suite and a home office to a new 2nd floor, and to create a backdrop for their art and objects from around the world.

The home is serious at times and playful at others. It was designed for a family with real stuff who loves space and light as well as the beauty found in things. Craftsmanship is celebrated all through the house, and it makes good company with the vibrant art collection!

Bluebird emerged from the ashes to reach for the daylight, to open to the outside, to create space made from organic, rich materials that flowed with ease, and to beautifully hold an eclectic life full of eclectic things.

Location: St. Louis Park, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Perri Kinsman Sophie Olund

On an ordinary night in early 2020, the family came home to discover a fire burning in the attic of their one-story home. The damage was substantial, and the majority of the home could not be saved. They had lived in the home for 10 years, made it their own, and loved the location. Instead of moving away, they chose to use this as a rare opportunity to rethink the home from the ground up. Could they create a home that represented who they were and how they wanted to live, supported their busy lives, and inspired them every day?

The original home was a single-story, spread-out ranch with low-slung rooflines. They liked the general flow and the position of the primary rooms, but it was a classic home of the 1960s with low ceilings and disconnected rooms. Now, all that was gone. Only the foundation and floorplate remained. The charge was to bring them something new: to envision a completely new home with the same footprint as the original, to provide more light, to explore what might be possible with new soaring rooflines, to relocate the owner’s suite and a home office to a new 2nd floor, and to create a backdrop for their art and objects from around the world.

The home is serious at times and playful at others. It was designed for a family with real stuff who loves space and light as well as the beauty found in things. Craftsmanship is celebrated all through the house, and it makes good company with the vibrant art collection!

Bluebird emerged from the ashes to reach for the daylight, to open to the outside, to create space made from organic, rich materials that flowed with ease, and to beautifully hold an eclectic life full of eclectic things.

Location: St. Louis Park, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Perri Kinsman Sophie Olund

On an ordinary night in early 2020, the family came home to discover a fire burning in the attic of their one-story home. The damage was substantial, and the majority of the home could not be saved. They had lived in the home for 10 years, made it their own, and loved the location. Instead of moving away, they chose to use this as a rare opportunity to rethink the home from the ground up. Could they create a home that represented who they were and how they wanted to live, supported their busy lives, and inspired them every day?

The original home was a single-story, spread-out ranch with low-slung rooflines. They liked the general flow and the position of the primary rooms, but it was a classic home of the 1960s with low ceilings and disconnected rooms. Now, all that was gone. Only the foundation and floorplate remained. The charge was to bring them something new: to envision a completely new home with the same footprint as the original, to provide more light, to explore what might be possible with new soaring rooflines, to relocate the owner’s suite and a home office to a new 2nd floor, and to create a backdrop for their art and objects from around the world.

The home is serious at times and playful at others. It was designed for a family with real stuff who loves space and light as well as the beauty found in things. Craftsmanship is celebrated all through the house, and it makes good company with the vibrant art collection!

Bluebird emerged from the ashes to reach for the daylight, to open to the outside, to create space made from organic, rich materials that flowed with ease, and to beautifully hold an eclectic life full of eclectic things.

Location: St. Louis Park, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Perri Kinsman Sophie Olund

On an ordinary night in early 2020, the family came home to discover a fire burning in the attic of their one-story home. The damage was substantial, and the majority of the home could not be saved. They had lived in the home for 10 years, made it their own, and loved the location. Instead of moving away, they chose to use this as a rare opportunity to rethink the home from the ground up. Could they create a home that represented who they were and how they wanted to live, supported their busy lives, and inspired them every day?

The original home was a single-story, spread-out ranch with low-slung rooflines. They liked the general flow and the position of the primary rooms, but it was a classic home of the 1960s with low ceilings and disconnected rooms. Now, all that was gone. Only the foundation and floorplate remained. The charge was to bring them something new: to envision a completely new home with the same footprint as the original, to provide more light, to explore what might be possible with new soaring rooflines, to relocate the owner’s suite and a home office to a new 2nd floor, and to create a backdrop for their art and objects from around the world.

The home is serious at times and playful at others. It was designed for a family with real stuff who loves space and light as well as the beauty found in things. Craftsmanship is celebrated all through the house, and it makes good company with the vibrant art collection!

Bluebird emerged from the ashes to reach for the daylight, to open to the outside, to create space made from organic, rich materials that flowed with ease, and to beautifully hold an eclectic life full of eclectic things.

Location: St. Louis Park, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Perri Kinsman Sophie Olund

On an ordinary night in early 2020, the family came home to discover a fire burning in the attic of their one-story home. The damage was substantial, and the majority of the home could not be saved. They had lived in the home for 10 years, made it their own, and loved the location. Instead of moving away, they chose to use this as a rare opportunity to rethink the home from the ground up. Could they create a home that represented who they were and how they wanted to live, supported their busy lives, and inspired them every day?

The original home was a single-story, spread-out ranch with low-slung rooflines. They liked the general flow and the position of the primary rooms, but it was a classic home of the 1960s with low ceilings and disconnected rooms. Now, all that was gone. Only the foundation and floorplate remained. The charge was to bring them something new: to envision a completely new home with the same footprint as the original, to provide more light, to explore what might be possible with new soaring rooflines, to relocate the owner’s suite and a home office to a new 2nd floor, and to create a backdrop for their art and objects from around the world.

The home is serious at times and playful at others. It was designed for a family with real stuff who loves space and light as well as the beauty found in things. Craftsmanship is celebrated all through the house, and it makes good company with the vibrant art collection!

Bluebird emerged from the ashes to reach for the daylight, to open to the outside, to create space made from organic, rich materials that flowed with ease, and to beautifully hold an eclectic life full of eclectic things.

Location: St. Louis Park, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Perri Kinsman Sophie Olund

On an ordinary night in early 2020, the family came home to discover a fire burning in the attic of their one-story home. The damage was substantial, and the majority of the home could not be saved. They had lived in the home for 10 years, made it their own, and loved the location. Instead of moving away, they chose to use this as a rare opportunity to rethink the home from the ground up. Could they create a home that represented who they were and how they wanted to live, supported their busy lives, and inspired them every day?

The original home was a single-story, spread-out ranch with low-slung rooflines. They liked the general flow and the position of the primary rooms, but it was a classic home of the 1960s with low ceilings and disconnected rooms. Now, all that was gone. Only the foundation and floorplate remained. The charge was to bring them something new: to envision a completely new home with the same footprint as the original, to provide more light, to explore what might be possible with new soaring rooflines, to relocate the owner’s suite and a home office to a new 2nd floor, and to create a backdrop for their art and objects from around the world.

The home is serious at times and playful at others. It was designed for a family with real stuff who loves space and light as well as the beauty found in things. Craftsmanship is celebrated all through the house, and it makes good company with the vibrant art collection!

Bluebird emerged from the ashes to reach for the daylight, to open to the outside, to create space made from organic, rich materials that flowed with ease, and to beautifully hold an eclectic life full of eclectic things.

Location: St. Louis Park, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Perri Kinsman Sophie Olund

On an ordinary night in early 2020, the family came home to discover a fire burning in the attic of their one-story home. The damage was substantial, and the majority of the home could not be saved. They had lived in the home for 10 years, made it their own, and loved the location. Instead of moving away, they chose to use this as a rare opportunity to rethink the home from the ground up. Could they create a home that represented who they were and how they wanted to live, supported their busy lives, and inspired them every day?

The original home was a single-story, spread-out ranch with low-slung rooflines. They liked the general flow and the position of the primary rooms, but it was a classic home of the 1960s with low ceilings and disconnected rooms. Now, all that was gone. Only the foundation and floorplate remained. The charge was to bring them something new: to envision a completely new home with the same footprint as the original, to provide more light, to explore what might be possible with new soaring rooflines, to relocate the owner’s suite and a home office to a new 2nd floor, and to create a backdrop for their art and objects from around the world.

The home is serious at times and playful at others. It was designed for a family with real stuff who loves space and light as well as the beauty found in things. Craftsmanship is celebrated all through the house, and it makes good company with the vibrant art collection!

Bluebird emerged from the ashes to reach for the daylight, to open to the outside, to create space made from organic, rich materials that flowed with ease, and to beautifully hold an eclectic life full of eclectic things.

Location: St. Louis Park, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Perri Kinsman Sophie Olund

The owners of the mid-century split level loved their home and location and did not need much more square feet. The house already had a remodeled kitchen and opened-up living area, although the space could benefit from additional daylight. The family’s favorite room in the house was the rickety screen porch overlooking the backyard. They also hoped for a master bedroom remodel.

Through the design process three rooms along the back emerged needing additional space. Three new boxes “slipped” out the back to meet these needs. The first was a redesign of the screen porch into a new retreat, keeping them in the trees with wide open views and great connection to the backyard, while doubling as an entertaining space. The second was a much-needed new master bath that maintained privacy but also brought in northern light from up high through the use of transom windows. Third was an extension of the master bedroom to create room for a reading area and a skylight that connected them to the sky directly from bed. All three rooms reached for a connection to the outdoors, all in different ways. For the young family with two active girls, a simple stair would not suffice to connect the main floor to the backyard. A new slide was designed launching directly from the back door giving the whole family a fun way to engage the yard.

Additional features include a newly configured entry, an internal mudroom off the lower-level garage entry, and a slice of sunlight via a skylight through the middle of the living room / dining room to brighten up the space.

This sensitive remodel dramatically demonstrates how whole new experiences can be achieved inside and outside of a house with simple moves.

Location: Edina, MN

Completed: 2021

Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge Perri Kinsman

The owners of the mid-century split level loved their home and location and did not need much more square feet. The house already had a remodeled kitchen and opened-up living area, although the space could benefit from additional daylight. The family’s favorite room in the house was the rickety screen porch overlooking the backyard. They also hoped for a master bedroom remodel.

Through the design process three rooms along the back emerged needing additional space. Three new boxes “slipped” out the back to meet these needs. The first was a redesign of the screen porch into a new retreat, keeping them in the trees with wide open views and great connection to the backyard, while doubling as an entertaining space. The second was a much-needed new master bath that maintained privacy but also brought in northern light from up high through the use of transom windows. Third was an extension of the master bedroom to create room for a reading area and a skylight that connected them to the sky directly from bed. All three rooms reached for a connection to the outdoors, all in different ways. For the young family with two active girls, a simple stair would not suffice to connect the main floor to the backyard. A new slide was designed launching directly from the back door giving the whole family a fun way to engage the yard.

Additional features include a newly configured entry, an internal mudroom off the lower-level garage entry, and a slice of sunlight via a skylight through the middle of the living room / dining room to brighten up the space.

This sensitive remodel dramatically demonstrates how whole new experiences can be achieved inside and outside of a house with simple moves.

Location: Edina, MN

Completed: 2021

Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge Perri Kinsman

The owners of the mid-century split level loved their home and location and did not need much more square feet. The house already had a remodeled kitchen and opened-up living area, although the space could benefit from additional daylight. The family’s favorite room in the house was the rickety screen porch overlooking the backyard. They also hoped for a master bedroom remodel.

Through the design process three rooms along the back emerged needing additional space. Three new boxes “slipped” out the back to meet these needs. The first was a redesign of the screen porch into a new retreat, keeping them in the trees with wide open views and great connection to the backyard, while doubling as an entertaining space. The second was a much-needed new master bath that maintained privacy but also brought in northern light from up high through the use of transom windows. Third was an extension of the master bedroom to create room for a reading area and a skylight that connected them to the sky directly from bed. All three rooms reached for a connection to the outdoors, all in different ways. For the young family with two active girls, a simple stair would not suffice to connect the main floor to the backyard. A new slide was designed launching directly from the back door giving the whole family a fun way to engage the yard.

Additional features include a newly configured entry, an internal mudroom off the lower-level garage entry, and a slice of sunlight via a skylight through the middle of the living room / dining room to brighten up the space.

This sensitive remodel dramatically demonstrates how whole new experiences can be achieved inside and outside of a house with simple moves.

Location: Edina, MN

Completed: 2021

Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge Perri Kinsman

The owners of the mid-century split level loved their home and location and did not need much more square feet. The house already had a remodeled kitchen and opened-up living area, although the space could benefit from additional daylight. The family’s favorite room in the house was the rickety screen porch overlooking the backyard. They also hoped for a master bedroom remodel.

Through the design process three rooms along the back emerged needing additional space. Three new boxes “slipped” out the back to meet these needs. The first was a redesign of the screen porch into a new retreat, keeping them in the trees with wide open views and great connection to the backyard, while doubling as an entertaining space. The second was a much-needed new master bath that maintained privacy but also brought in northern light from up high through the use of transom windows. Third was an extension of the master bedroom to create room for a reading area and a skylight that connected them to the sky directly from bed. All three rooms reached for a connection to the outdoors, all in different ways. For the young family with two active girls, a simple stair would not suffice to connect the main floor to the backyard. A new slide was designed launching directly from the back door giving the whole family a fun way to engage the yard.

Additional features include a newly configured entry, an internal mudroom off the lower-level garage entry, and a slice of sunlight via a skylight through the middle of the living room / dining room to brighten up the space.

This sensitive remodel dramatically demonstrates how whole new experiences can be achieved inside and outside of a house with simple moves.

Location: Edina, MN

Completed: 2021

Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge Perri Kinsman

The owners of the mid-century split level loved their home and location and did not need much more square feet. The house already had a remodeled kitchen and opened-up living area, although the space could benefit from additional daylight. The family’s favorite room in the house was the rickety screen porch overlooking the backyard. They also hoped for a master bedroom remodel.

Through the design process three rooms along the back emerged needing additional space. Three new boxes “slipped” out the back to meet these needs. The first was a redesign of the screen porch into a new retreat, keeping them in the trees with wide open views and great connection to the backyard, while doubling as an entertaining space. The second was a much-needed new master bath that maintained privacy but also brought in northern light from up high through the use of transom windows. Third was an extension of the master bedroom to create room for a reading area and a skylight that connected them to the sky directly from bed. All three rooms reached for a connection to the outdoors, all in different ways. For the young family with two active girls, a simple stair would not suffice to connect the main floor to the backyard. A new slide was designed launching directly from the back door giving the whole family a fun way to engage the yard.

Additional features include a newly configured entry, an internal mudroom off the lower-level garage entry, and a slice of sunlight via a skylight through the middle of the living room / dining room to brighten up the space.

This sensitive remodel dramatically demonstrates how whole new experiences can be achieved inside and outside of a house with simple moves.

Location: Edina, MN

Completed: 2021

Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge Perri Kinsman

The owners of the mid-century split level loved their home and location and did not need much more square feet. The house already had a remodeled kitchen and opened-up living area, although the space could benefit from additional daylight. The family’s favorite room in the house was the rickety screen porch overlooking the backyard. They also hoped for a master bedroom remodel.

Through the design process three rooms along the back emerged needing additional space. Three new boxes “slipped” out the back to meet these needs. The first was a redesign of the screen porch into a new retreat, keeping them in the trees with wide open views and great connection to the backyard, while doubling as an entertaining space. The second was a much-needed new master bath that maintained privacy but also brought in northern light from up high through the use of transom windows. Third was an extension of the master bedroom to create room for a reading area and a skylight that connected them to the sky directly from bed. All three rooms reached for a connection to the outdoors, all in different ways. For the young family with two active girls, a simple stair would not suffice to connect the main floor to the backyard. A new slide was designed launching directly from the back door giving the whole family a fun way to engage the yard.

Additional features include a newly configured entry, an internal mudroom off the lower-level garage entry, and a slice of sunlight via a skylight through the middle of the living room / dining room to brighten up the space.

This sensitive remodel dramatically demonstrates how whole new experiences can be achieved inside and outside of a house with simple moves.

Location: Edina, MN

Completed: 2021

Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge Perri Kinsman

The owners of the mid-century split level loved their home and location and did not need much more square feet. The house already had a remodeled kitchen and opened-up living area, although the space could benefit from additional daylight. The family’s favorite room in the house was the rickety screen porch overlooking the backyard. They also hoped for a master bedroom remodel.

Through the design process three rooms along the back emerged needing additional space. Three new boxes “slipped” out the back to meet these needs. The first was a redesign of the screen porch into a new retreat, keeping them in the trees with wide open views and great connection to the backyard, while doubling as an entertaining space. The second was a much-needed new master bath that maintained privacy but also brought in northern light from up high through the use of transom windows. Third was an extension of the master bedroom to create room for a reading area and a skylight that connected them to the sky directly from bed. All three rooms reached for a connection to the outdoors, all in different ways. For the young family with two active girls, a simple stair would not suffice to connect the main floor to the backyard. A new slide was designed launching directly from the back door giving the whole family a fun way to engage the yard.

Additional features include a newly configured entry, an internal mudroom off the lower-level garage entry, and a slice of sunlight via a skylight through the middle of the living room / dining room to brighten up the space.

This sensitive remodel dramatically demonstrates how whole new experiences can be achieved inside and outside of a house with simple moves.

Location: Edina, MN

Completed: 2021

Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge Perri Kinsman

The owners of the mid-century split level loved their home and location and did not need much more square feet. The house already had a remodeled kitchen and opened-up living area, although the space could benefit from additional daylight. The family’s favorite room in the house was the rickety screen porch overlooking the backyard. They also hoped for a master bedroom remodel.

Through the design process three rooms along the back emerged needing additional space. Three new boxes “slipped” out the back to meet these needs. The first was a redesign of the screen porch into a new retreat, keeping them in the trees with wide open views and great connection to the backyard, while doubling as an entertaining space. The second was a much-needed new master bath that maintained privacy but also brought in northern light from up high through the use of transom windows. Third was an extension of the master bedroom to create room for a reading area and a skylight that connected them to the sky directly from bed. All three rooms reached for a connection to the outdoors, all in different ways. For the young family with two active girls, a simple stair would not suffice to connect the main floor to the backyard. A new slide was designed launching directly from the back door giving the whole family a fun way to engage the yard.

Additional features include a newly configured entry, an internal mudroom off the lower-level garage entry, and a slice of sunlight via a skylight through the middle of the living room / dining room to brighten up the space.

This sensitive remodel dramatically demonstrates how whole new experiences can be achieved inside and outside of a house with simple moves.

Location: Edina, MN

Completed: 2021

Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge Perri Kinsman

The owners of the mid-century split level loved their home and location and did not need much more square feet. The house already had a remodeled kitchen and opened-up living area, although the space could benefit from additional daylight. The family’s favorite room in the house was the rickety screen porch overlooking the backyard. They also hoped for a master bedroom remodel.

Through the design process three rooms along the back emerged needing additional space. Three new boxes “slipped” out the back to meet these needs. The first was a redesign of the screen porch into a new retreat, keeping them in the trees with wide open views and great connection to the backyard, while doubling as an entertaining space. The second was a much-needed new master bath that maintained privacy but also brought in northern light from up high through the use of transom windows. Third was an extension of the master bedroom to create room for a reading area and a skylight that connected them to the sky directly from bed. All three rooms reached for a connection to the outdoors, all in different ways. For the young family with two active girls, a simple stair would not suffice to connect the main floor to the backyard. A new slide was designed launching directly from the back door giving the whole family a fun way to engage the yard.

Additional features include a newly configured entry, an internal mudroom off the lower-level garage entry, and a slice of sunlight via a skylight through the middle of the living room / dining room to brighten up the space.

This sensitive remodel dramatically demonstrates how whole new experiences can be achieved inside and outside of a house with simple moves.

Location: Edina, MN

Completed: 2021

Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge Perri Kinsman

The owners of the mid-century split level loved their home and location and did not need much more square feet. The house already had a remodeled kitchen and opened-up living area, although the space could benefit from additional daylight. The family’s favorite room in the house was the rickety screen porch overlooking the backyard. They also hoped for a master bedroom remodel.

Through the design process three rooms along the back emerged needing additional space. Three new boxes “slipped” out the back to meet these needs. The first was a redesign of the screen porch into a new retreat, keeping them in the trees with wide open views and great connection to the backyard, while doubling as an entertaining space. The second was a much-needed new master bath that maintained privacy but also brought in northern light from up high through the use of transom windows. Third was an extension of the master bedroom to create room for a reading area and a skylight that connected them to the sky directly from bed. All three rooms reached for a connection to the outdoors, all in different ways. For the young family with two active girls, a simple stair would not suffice to connect the main floor to the backyard. A new slide was designed launching directly from the back door giving the whole family a fun way to engage the yard.

Additional features include a newly configured entry, an internal mudroom off the lower-level garage entry, and a slice of sunlight via a skylight through the middle of the living room / dining room to brighten up the space.

This sensitive remodel dramatically demonstrates how whole new experiences can be achieved inside and outside of a house with simple moves.

Location: Edina, MN

Completed: 2021

Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge Perri Kinsman

The Kingfisher is an infill home on a new lot in Roseville created by bisecting the double-deep lot of an adjacent property. The charge was familiar: design a home with three bedrooms and a fourth that serves as an office, create a kitchen that becomes the epicenter around which the family’s life can circle, include hybrid spaces that accommodate both solitude and togetherness, allowing the house to be small, yet live big. This versatility allows the family to connect with each other and the landscape with fresh design that works well in this aging suburb.

The form of the home emerged from a design process that prioritized the programmatic needs for the family. Multiple configurations of the first and second floors were studied independently to accommodate the differing needs of each. In the end the ideal size of the 2nd floor was slightly wider and longer than the 1st, and the ideal 1st floor was narrower and T-shaped. We stacked the plans and allowed the overlaps to create new spaces: an inviting front entry, a rooftop patio, shading for west facing windows, and a covered grilling area opening onto the back. The push and pull of the two floors provide scale and animates the home, and a soaring butterfly roof evokes the sensation of lift and movement.

Central to the design are three focal elements: the stair, the monumental island, and the steel fireplace. Essential to our design process was finding people dedicated to their craft – an iron worker, a cabinet maker, and a trim carpenter to bring these elements to life.

The combination of conventional, cost-effective building practices and a to commitment to fine craftsmanship shows that a great design can be achieved on any budget and at any scale. The homeowners said they wouldn’t change a thing!

Location: Roseville, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA Perri Kinsman

The Kingfisher is an infill home on a new lot in Roseville created by bisecting the double-deep lot of an adjacent property. The charge was familiar: design a home with three bedrooms and a fourth that serves as an office, create a kitchen that becomes the epicenter around which the family’s life can circle, include hybrid spaces that accommodate both solitude and togetherness, allowing the house to be small, yet live big. This versatility allows the family to connect with each other and the landscape with fresh design that works well in this aging suburb.

The form of the home emerged from a design process that prioritized the programmatic needs for the family. Multiple configurations of the first and second floors were studied independently to accommodate the differing needs of each. In the end the ideal size of the 2nd floor was slightly wider and longer than the 1st, and the ideal 1st floor was narrower and T-shaped. We stacked the plans and allowed the overlaps to create new spaces: an inviting front entry, a rooftop patio, shading for west facing windows, and a covered grilling area opening onto the back. The push and pull of the two floors provide scale and animates the home, and a soaring butterfly roof evokes the sensation of lift and movement.

Central to the design are three focal elements: the stair, the monumental island, and the steel fireplace. Essential to our design process was finding people dedicated to their craft – an iron worker, a cabinet maker, and a trim carpenter to bring these elements to life.

The combination of conventional, cost-effective building practices and a to commitment to fine craftsmanship shows that a great design can be achieved on any budget and at any scale. The homeowners said they wouldn’t change a thing!

Location: Roseville, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA Perri Kinsman

The Kingfisher is an infill home on a new lot in Roseville created by bisecting the double-deep lot of an adjacent property. The charge was familiar: design a home with three bedrooms and a fourth that serves as an office, create a kitchen that becomes the epicenter around which the family’s life can circle, include hybrid spaces that accommodate both solitude and togetherness, allowing the house to be small, yet live big. This versatility allows the family to connect with each other and the landscape with fresh design that works well in this aging suburb.

The form of the home emerged from a design process that prioritized the programmatic needs for the family. Multiple configurations of the first and second floors were studied independently to accommodate the differing needs of each. In the end the ideal size of the 2nd floor was slightly wider and longer than the 1st, and the ideal 1st floor was narrower and T-shaped. We stacked the plans and allowed the overlaps to create new spaces: an inviting front entry, a rooftop patio, shading for west facing windows, and a covered grilling area opening onto the back. The push and pull of the two floors provide scale and animates the home, and a soaring butterfly roof evokes the sensation of lift and movement.

Central to the design are three focal elements: the stair, the monumental island, and the steel fireplace. Essential to our design process was finding people dedicated to their craft – an iron worker, a cabinet maker, and a trim carpenter to bring these elements to life.

The combination of conventional, cost-effective building practices and a to commitment to fine craftsmanship shows that a great design can be achieved on any budget and at any scale. The homeowners said they wouldn’t change a thing!

Location: Roseville, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA Perri Kinsman

The Kingfisher is an infill home on a new lot in Roseville created by bisecting the double-deep lot of an adjacent property. The charge was familiar: design a home with three bedrooms and a fourth that serves as an office, create a kitchen that becomes the epicenter around which the family’s life can circle, include hybrid spaces that accommodate both solitude and togetherness, allowing the house to be small, yet live big. This versatility allows the family to connect with each other and the landscape with fresh design that works well in this aging suburb.

The form of the home emerged from a design process that prioritized the programmatic needs for the family. Multiple configurations of the first and second floors were studied independently to accommodate the differing needs of each. In the end the ideal size of the 2nd floor was slightly wider and longer than the 1st, and the ideal 1st floor was narrower and T-shaped. We stacked the plans and allowed the overlaps to create new spaces: an inviting front entry, a rooftop patio, shading for west facing windows, and a covered grilling area opening onto the back. The push and pull of the two floors provide scale and animates the home, and a soaring butterfly roof evokes the sensation of lift and movement.

Central to the design are three focal elements: the stair, the monumental island, and the steel fireplace. Essential to our design process was finding people dedicated to their craft – an iron worker, a cabinet maker, and a trim carpenter to bring these elements to life.

The combination of conventional, cost-effective building practices and a to commitment to fine craftsmanship shows that a great design can be achieved on any budget and at any scale. The homeowners said they wouldn’t change a thing!

Location: Roseville, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA Perri Kinsman

The Kingfisher is an infill home on a new lot in Roseville created by bisecting the double-deep lot of an adjacent property. The charge was familiar: design a home with three bedrooms and a fourth that serves as an office, create a kitchen that becomes the epicenter around which the family’s life can circle, include hybrid spaces that accommodate both solitude and togetherness, allowing the house to be small, yet live big. This versatility allows the family to connect with each other and the landscape with fresh design that works well in this aging suburb.

The form of the home emerged from a design process that prioritized the programmatic needs for the family. Multiple configurations of the first and second floors were studied independently to accommodate the differing needs of each. In the end the ideal size of the 2nd floor was slightly wider and longer than the 1st, and the ideal 1st floor was narrower and T-shaped. We stacked the plans and allowed the overlaps to create new spaces: an inviting front entry, a rooftop patio, shading for west facing windows, and a covered grilling area opening onto the back. The push and pull of the two floors provide scale and animates the home, and a soaring butterfly roof evokes the sensation of lift and movement.

Central to the design are three focal elements: the stair, the monumental island, and the steel fireplace. Essential to our design process was finding people dedicated to their craft – an iron worker, a cabinet maker, and a trim carpenter to bring these elements to life.

The combination of conventional, cost-effective building practices and a to commitment to fine craftsmanship shows that a great design can be achieved on any budget and at any scale. The homeowners said they wouldn’t change a thing!

Location: Roseville, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA Perri Kinsman

The Kingfisher is an infill home on a new lot in Roseville created by bisecting the double-deep lot of an adjacent property. The charge was familiar: design a home with three bedrooms and a fourth that serves as an office, create a kitchen that becomes the epicenter around which the family’s life can circle, include hybrid spaces that accommodate both solitude and togetherness, allowing the house to be small, yet live big. This versatility allows the family to connect with each other and the landscape with fresh design that works well in this aging suburb.

The form of the home emerged from a design process that prioritized the programmatic needs for the family. Multiple configurations of the first and second floors were studied independently to accommodate the differing needs of each. In the end the ideal size of the 2nd floor was slightly wider and longer than the 1st, and the ideal 1st floor was narrower and T-shaped. We stacked the plans and allowed the overlaps to create new spaces: an inviting front entry, a rooftop patio, shading for west facing windows, and a covered grilling area opening onto the back. The push and pull of the two floors provide scale and animates the home, and a soaring butterfly roof evokes the sensation of lift and movement.

Central to the design are three focal elements: the stair, the monumental island, and the steel fireplace. Essential to our design process was finding people dedicated to their craft – an iron worker, a cabinet maker, and a trim carpenter to bring these elements to life.

The combination of conventional, cost-effective building practices and a to commitment to fine craftsmanship shows that a great design can be achieved on any budget and at any scale. The homeowners said they wouldn’t change a thing!

Location: Roseville, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA Perri Kinsman

The Kingfisher is an infill home on a new lot in Roseville created by bisecting the double-deep lot of an adjacent property. The charge was familiar: design a home with three bedrooms and a fourth that serves as an office, create a kitchen that becomes the epicenter around which the family’s life can circle, include hybrid spaces that accommodate both solitude and togetherness, allowing the house to be small, yet live big. This versatility allows the family to connect with each other and the landscape with fresh design that works well in this aging suburb.

The form of the home emerged from a design process that prioritized the programmatic needs for the family. Multiple configurations of the first and second floors were studied independently to accommodate the differing needs of each. In the end the ideal size of the 2nd floor was slightly wider and longer than the 1st, and the ideal 1st floor was narrower and T-shaped. We stacked the plans and allowed the overlaps to create new spaces: an inviting front entry, a rooftop patio, shading for west facing windows, and a covered grilling area opening onto the back. The push and pull of the two floors provide scale and animates the home, and a soaring butterfly roof evokes the sensation of lift and movement.

Central to the design are three focal elements: the stair, the monumental island, and the steel fireplace. Essential to our design process was finding people dedicated to their craft – an iron worker, a cabinet maker, and a trim carpenter to bring these elements to life.

The combination of conventional, cost-effective building practices and a to commitment to fine craftsmanship shows that a great design can be achieved on any budget and at any scale. The homeowners said they wouldn’t change a thing!

Location: Roseville, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA Perri Kinsman

The Kingfisher is an infill home on a new lot in Roseville created by bisecting the double-deep lot of an adjacent property. The charge was familiar: design a home with three bedrooms and a fourth that serves as an office, create a kitchen that becomes the epicenter around which the family’s life can circle, include hybrid spaces that accommodate both solitude and togetherness, allowing the house to be small, yet live big. This versatility allows the family to connect with each other and the landscape with fresh design that works well in this aging suburb.

The form of the home emerged from a design process that prioritized the programmatic needs for the family. Multiple configurations of the first and second floors were studied independently to accommodate the differing needs of each. In the end the ideal size of the 2nd floor was slightly wider and longer than the 1st, and the ideal 1st floor was narrower and T-shaped. We stacked the plans and allowed the overlaps to create new spaces: an inviting front entry, a rooftop patio, shading for west facing windows, and a covered grilling area opening onto the back. The push and pull of the two floors provide scale and animates the home, and a soaring butterfly roof evokes the sensation of lift and movement.

Central to the design are three focal elements: the stair, the monumental island, and the steel fireplace. Essential to our design process was finding people dedicated to their craft – an iron worker, a cabinet maker, and a trim carpenter to bring these elements to life.

The combination of conventional, cost-effective building practices and a to commitment to fine craftsmanship shows that a great design can be achieved on any budget and at any scale. The homeowners said they wouldn’t change a thing!

Location: Roseville, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA Perri Kinsman

The Kingfisher is an infill home on a new lot in Roseville created by bisecting the double-deep lot of an adjacent property. The charge was familiar: design a home with three bedrooms and a fourth that serves as an office, create a kitchen that becomes the epicenter around which the family’s life can circle, include hybrid spaces that accommodate both solitude and togetherness, allowing the house to be small, yet live big. This versatility allows the family to connect with each other and the landscape with fresh design that works well in this aging suburb.

The form of the home emerged from a design process that prioritized the programmatic needs for the family. Multiple configurations of the first and second floors were studied independently to accommodate the differing needs of each. In the end the ideal size of the 2nd floor was slightly wider and longer than the 1st, and the ideal 1st floor was narrower and T-shaped. We stacked the plans and allowed the overlaps to create new spaces: an inviting front entry, a rooftop patio, shading for west facing windows, and a covered grilling area opening onto the back. The push and pull of the two floors provide scale and animates the home, and a soaring butterfly roof evokes the sensation of lift and movement.

Central to the design are three focal elements: the stair, the monumental island, and the steel fireplace. Essential to our design process was finding people dedicated to their craft – an iron worker, a cabinet maker, and a trim carpenter to bring these elements to life.

The combination of conventional, cost-effective building practices and a to commitment to fine craftsmanship shows that a great design can be achieved on any budget and at any scale. The homeowners said they wouldn’t change a thing!

Location: Roseville, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA Perri Kinsman

The Kingfisher is an infill home on a new lot in Roseville created by bisecting the double-deep lot of an adjacent property. The charge was familiar: design a home with three bedrooms and a fourth that serves as an office, create a kitchen that becomes the epicenter around which the family’s life can circle, include hybrid spaces that accommodate both solitude and togetherness, allowing the house to be small, yet live big. This versatility allows the family to connect with each other and the landscape with fresh design that works well in this aging suburb.

The form of the home emerged from a design process that prioritized the programmatic needs for the family. Multiple configurations of the first and second floors were studied independently to accommodate the differing needs of each. In the end the ideal size of the 2nd floor was slightly wider and longer than the 1st, and the ideal 1st floor was narrower and T-shaped. We stacked the plans and allowed the overlaps to create new spaces: an inviting front entry, a rooftop patio, shading for west facing windows, and a covered grilling area opening onto the back. The push and pull of the two floors provide scale and animates the home, and a soaring butterfly roof evokes the sensation of lift and movement.

Central to the design are three focal elements: the stair, the monumental island, and the steel fireplace. Essential to our design process was finding people dedicated to their craft – an iron worker, a cabinet maker, and a trim carpenter to bring these elements to life.

The combination of conventional, cost-effective building practices and a to commitment to fine craftsmanship shows that a great design can be achieved on any budget and at any scale. The homeowners said they wouldn’t change a thing!

Location: Roseville, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA Perri Kinsman

The Kingfisher is an infill home on a new lot in Roseville created by bisecting the double-deep lot of an adjacent property. The charge was familiar: design a home with three bedrooms and a fourth that serves as an office, create a kitchen that becomes the epicenter around which the family’s life can circle, include hybrid spaces that accommodate both solitude and togetherness, allowing the house to be small, yet live big. This versatility allows the family to connect with each other and the landscape with fresh design that works well in this aging suburb.

The form of the home emerged from a design process that prioritized the programmatic needs for the family. Multiple configurations of the first and second floors were studied independently to accommodate the differing needs of each. In the end the ideal size of the 2nd floor was slightly wider and longer than the 1st, and the ideal 1st floor was narrower and T-shaped. We stacked the plans and allowed the overlaps to create new spaces: an inviting front entry, a rooftop patio, shading for west facing windows, and a covered grilling area opening onto the back. The push and pull of the two floors provide scale and animates the home, and a soaring butterfly roof evokes the sensation of lift and movement.

Central to the design are three focal elements: the stair, the monumental island, and the steel fireplace. Essential to our design process was finding people dedicated to their craft – an iron worker, a cabinet maker, and a trim carpenter to bring these elements to life.

The combination of conventional, cost-effective building practices and a to commitment to fine craftsmanship shows that a great design can be achieved on any budget and at any scale. The homeowners said they wouldn’t change a thing!

Location: Roseville, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA Perri Kinsman

The Kingfisher is an infill home on a new lot in Roseville created by bisecting the double-deep lot of an adjacent property. The charge was familiar: design a home with three bedrooms and a fourth that serves as an office, create a kitchen that becomes the epicenter around which the family’s life can circle, include hybrid spaces that accommodate both solitude and togetherness, allowing the house to be small, yet live big. This versatility allows the family to connect with each other and the landscape with fresh design that works well in this aging suburb.

The form of the home emerged from a design process that prioritized the programmatic needs for the family. Multiple configurations of the first and second floors were studied independently to accommodate the differing needs of each. In the end the ideal size of the 2nd floor was slightly wider and longer than the 1st, and the ideal 1st floor was narrower and T-shaped. We stacked the plans and allowed the overlaps to create new spaces: an inviting front entry, a rooftop patio, shading for west facing windows, and a covered grilling area opening onto the back. The push and pull of the two floors provide scale and animates the home, and a soaring butterfly roof evokes the sensation of lift and movement.

Central to the design are three focal elements: the stair, the monumental island, and the steel fireplace. Essential to our design process was finding people dedicated to their craft – an iron worker, a cabinet maker, and a trim carpenter to bring these elements to life.

The combination of conventional, cost-effective building practices and a to commitment to fine craftsmanship shows that a great design can be achieved on any budget and at any scale. The homeowners said they wouldn’t change a thing!

Location: Roseville, MN

Completed: 2022

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA Perri Kinsman

Quite often stripping away and pulling down, uncovering and revealing, is our biggest task. When remodeling a home, the canvas is not blank. The constraints are many and limitations exist in all four directions. This project was no different. The clients held hope that the home could be transformed into something fully new. What we saw was great space, but no light. We believed that if we let the light in the house would transform.

Built in 1962, the house needed some updates, but was in good shape overall. One of the first challenges of this home was that the entry was a story below the main living space. Creating a welcoming, interesting, and functional entry was critical. We added glass to allow more views in and out, created a small area for coats and shoes, and rebuilt the stair into a sculptural element that ties the two floors together.

Through the main level core of the home, we took down walls, added new windows, and brought existing windows down to the floor. This extended the main living area out, borrowing space and air from the private surrounding woods.

Most dramatically, along the ridgeline and central movement spine of the home, we cut a 25-foot clear glass skylight. Through this slice, we left the roof trusses intact. With the dense tree canopy above, the exposed roof structure serves to filter and bounce the light, flooding the middle of the home. The skylight is oriented north south and on sunny days it acts as a sundial revealing the time and seasons.

By adding and enlarging windows wherever possible, opening a portion of the roof to the sky via a dramatic skylight, and combining rooms to create living spaces with views to the adjacent woods in every direction, this modern and elegant renovation transforms a dark and fragmented layout into a light-filled retreat among the trees.

Location: North Oaks, MN

Completed: 2020

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA

Quite often stripping away and pulling down, uncovering and revealing, is our biggest task. When remodeling a home, the canvas is not blank. The constraints are many and limitations exist in all four directions. This project was no different. The clients held hope that the home could be transformed into something fully new. What we saw was great space, but no light. We believed that if we let the light in the house would transform.

Built in 1962, the house needed some updates, but was in good shape overall. One of the first challenges of this home was that the entry was a story below the main living space. Creating a welcoming, interesting, and functional entry was critical. We added glass to allow more views in and out, created a small area for coats and shoes, and rebuilt the stair into a sculptural element that ties the two floors together.

Through the main level core of the home, we took down walls, added new windows, and brought existing windows down to the floor. This extended the main living area out, borrowing space and air from the private surrounding woods.

Most dramatically, along the ridgeline and central movement spine of the home, we cut a 25-foot clear glass skylight. Through this slice, we left the roof trusses intact. With the dense tree canopy above, the exposed roof structure serves to filter and bounce the light, flooding the middle of the home. The skylight is oriented north south and on sunny days it acts as a sundial revealing the time and seasons.

By adding and enlarging windows wherever possible, opening a portion of the roof to the sky via a dramatic skylight, and combining rooms to create living spaces with views to the adjacent woods in every direction, this modern and elegant renovation transforms a dark and fragmented layout into a light-filled retreat among the trees.

Location: North Oaks, MN

Completed: 2020

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA

Quite often stripping away and pulling down, uncovering and revealing, is our biggest task. When remodeling a home, the canvas is not blank. The constraints are many and limitations exist in all four directions. This project was no different. The clients held hope that the home could be transformed into something fully new. What we saw was great space, but no light. We believed that if we let the light in the house would transform.

Built in 1962, the house needed some updates, but was in good shape overall. One of the first challenges of this home was that the entry was a story below the main living space. Creating a welcoming, interesting, and functional entry was critical. We added glass to allow more views in and out, created a small area for coats and shoes, and rebuilt the stair into a sculptural element that ties the two floors together.

Through the main level core of the home, we took down walls, added new windows, and brought existing windows down to the floor. This extended the main living area out, borrowing space and air from the private surrounding woods.

Most dramatically, along the ridgeline and central movement spine of the home, we cut a 25-foot clear glass skylight. Through this slice, we left the roof trusses intact. With the dense tree canopy above, the exposed roof structure serves to filter and bounce the light, flooding the middle of the home. The skylight is oriented north south and on sunny days it acts as a sundial revealing the time and seasons.

By adding and enlarging windows wherever possible, opening a portion of the roof to the sky via a dramatic skylight, and combining rooms to create living spaces with views to the adjacent woods in every direction, this modern and elegant renovation transforms a dark and fragmented layout into a light-filled retreat among the trees.

Location: North Oaks, MN

Completed: 2020

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA

Quite often stripping away and pulling down, uncovering and revealing, is our biggest task. When remodeling a home, the canvas is not blank. The constraints are many and limitations exist in all four directions. This project was no different. The clients held hope that the home could be transformed into something fully new. What we saw was great space, but no light. We believed that if we let the light in the house would transform.

Built in 1962, the house needed some updates, but was in good shape overall. One of the first challenges of this home was that the entry was a story below the main living space. Creating a welcoming, interesting, and functional entry was critical. We added glass to allow more views in and out, created a small area for coats and shoes, and rebuilt the stair into a sculptural element that ties the two floors together.

Through the main level core of the home, we took down walls, added new windows, and brought existing windows down to the floor. This extended the main living area out, borrowing space and air from the private surrounding woods.

Most dramatically, along the ridgeline and central movement spine of the home, we cut a 25-foot clear glass skylight. Through this slice, we left the roof trusses intact. With the dense tree canopy above, the exposed roof structure serves to filter and bounce the light, flooding the middle of the home. The skylight is oriented north south and on sunny days it acts as a sundial revealing the time and seasons.

By adding and enlarging windows wherever possible, opening a portion of the roof to the sky via a dramatic skylight, and combining rooms to create living spaces with views to the adjacent woods in every direction, this modern and elegant renovation transforms a dark and fragmented layout into a light-filled retreat among the trees.

Location: North Oaks, MN

Completed: 2020

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA

Quite often stripping away and pulling down, uncovering and revealing, is our biggest task. When remodeling a home, the canvas is not blank. The constraints are many and limitations exist in all four directions. This project was no different. The clients held hope that the home could be transformed into something fully new. What we saw was great space, but no light. We believed that if we let the light in the house would transform.

Built in 1962, the house needed some updates, but was in good shape overall. One of the first challenges of this home was that the entry was a story below the main living space. Creating a welcoming, interesting, and functional entry was critical. We added glass to allow more views in and out, created a small area for coats and shoes, and rebuilt the stair into a sculptural element that ties the two floors together.

Through the main level core of the home, we took down walls, added new windows, and brought existing windows down to the floor. This extended the main living area out, borrowing space and air from the private surrounding woods.

Most dramatically, along the ridgeline and central movement spine of the home, we cut a 25-foot clear glass skylight. Through this slice, we left the roof trusses intact. With the dense tree canopy above, the exposed roof structure serves to filter and bounce the light, flooding the middle of the home. The skylight is oriented north south and on sunny days it acts as a sundial revealing the time and seasons.

By adding and enlarging windows wherever possible, opening a portion of the roof to the sky via a dramatic skylight, and combining rooms to create living spaces with views to the adjacent woods in every direction, this modern and elegant renovation transforms a dark and fragmented layout into a light-filled retreat among the trees.

Location: North Oaks, MN

Completed: 2020

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA

Quite often stripping away and pulling down, uncovering and revealing, is our biggest task. When remodeling a home, the canvas is not blank. The constraints are many and limitations exist in all four directions. This project was no different. The clients held hope that the home could be transformed into something fully new. What we saw was great space, but no light. We believed that if we let the light in the house would transform.

Built in 1962, the house needed some updates, but was in good shape overall. One of the first challenges of this home was that the entry was a story below the main living space. Creating a welcoming, interesting, and functional entry was critical. We added glass to allow more views in and out, created a small area for coats and shoes, and rebuilt the stair into a sculptural element that ties the two floors together.

Through the main level core of the home, we took down walls, added new windows, and brought existing windows down to the floor. This extended the main living area out, borrowing space and air from the private surrounding woods.

Most dramatically, along the ridgeline and central movement spine of the home, we cut a 25-foot clear glass skylight. Through this slice, we left the roof trusses intact. With the dense tree canopy above, the exposed roof structure serves to filter and bounce the light, flooding the middle of the home. The skylight is oriented north south and on sunny days it acts as a sundial revealing the time and seasons.

By adding and enlarging windows wherever possible, opening a portion of the roof to the sky via a dramatic skylight, and combining rooms to create living spaces with views to the adjacent woods in every direction, this modern and elegant renovation transforms a dark and fragmented layout into a light-filled retreat among the trees.

Location: North Oaks, MN

Completed: 2020

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA

Quite often stripping away and pulling down, uncovering and revealing, is our biggest task. When remodeling a home, the canvas is not blank. The constraints are many and limitations exist in all four directions. This project was no different. The clients held hope that the home could be transformed into something fully new. What we saw was great space, but no light. We believed that if we let the light in the house would transform.

Built in 1962, the house needed some updates, but was in good shape overall. One of the first challenges of this home was that the entry was a story below the main living space. Creating a welcoming, interesting, and functional entry was critical. We added glass to allow more views in and out, created a small area for coats and shoes, and rebuilt the stair into a sculptural element that ties the two floors together.

Through the main level core of the home, we took down walls, added new windows, and brought existing windows down to the floor. This extended the main living area out, borrowing space and air from the private surrounding woods.

Most dramatically, along the ridgeline and central movement spine of the home, we cut a 25-foot clear glass skylight. Through this slice, we left the roof trusses intact. With the dense tree canopy above, the exposed roof structure serves to filter and bounce the light, flooding the middle of the home. The skylight is oriented north south and on sunny days it acts as a sundial revealing the time and seasons.

By adding and enlarging windows wherever possible, opening a portion of the roof to the sky via a dramatic skylight, and combining rooms to create living spaces with views to the adjacent woods in every direction, this modern and elegant renovation transforms a dark and fragmented layout into a light-filled retreat among the trees.

Location: North Oaks, MN

Completed: 2020

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA

Quite often stripping away and pulling down, uncovering and revealing, is our biggest task. When remodeling a home, the canvas is not blank. The constraints are many and limitations exist in all four directions. This project was no different. The clients held hope that the home could be transformed into something fully new. What we saw was great space, but no light. We believed that if we let the light in the house would transform.

Built in 1962, the house needed some updates, but was in good shape overall. One of the first challenges of this home was that the entry was a story below the main living space. Creating a welcoming, interesting, and functional entry was critical. We added glass to allow more views in and out, created a small area for coats and shoes, and rebuilt the stair into a sculptural element that ties the two floors together.

Through the main level core of the home, we took down walls, added new windows, and brought existing windows down to the floor. This extended the main living area out, borrowing space and air from the private surrounding woods.

Most dramatically, along the ridgeline and central movement spine of the home, we cut a 25-foot clear glass skylight. Through this slice, we left the roof trusses intact. With the dense tree canopy above, the exposed roof structure serves to filter and bounce the light, flooding the middle of the home. The skylight is oriented north south and on sunny days it acts as a sundial revealing the time and seasons.

By adding and enlarging windows wherever possible, opening a portion of the roof to the sky via a dramatic skylight, and combining rooms to create living spaces with views to the adjacent woods in every direction, this modern and elegant renovation transforms a dark and fragmented layout into a light-filled retreat among the trees.

Location: North Oaks, MN

Completed: 2020

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA

Quite often stripping away and pulling down, uncovering and revealing, is our biggest task. When remodeling a home, the canvas is not blank. The constraints are many and limitations exist in all four directions. This project was no different. The clients held hope that the home could be transformed into something fully new. What we saw was great space, but no light. We believed that if we let the light in the house would transform.

Built in 1962, the house needed some updates, but was in good shape overall. One of the first challenges of this home was that the entry was a story below the main living space. Creating a welcoming, interesting, and functional entry was critical. We added glass to allow more views in and out, created a small area for coats and shoes, and rebuilt the stair into a sculptural element that ties the two floors together.

Through the main level core of the home, we took down walls, added new windows, and brought existing windows down to the floor. This extended the main living area out, borrowing space and air from the private surrounding woods.

Most dramatically, along the ridgeline and central movement spine of the home, we cut a 25-foot clear glass skylight. Through this slice, we left the roof trusses intact. With the dense tree canopy above, the exposed roof structure serves to filter and bounce the light, flooding the middle of the home. The skylight is oriented north south and on sunny days it acts as a sundial revealing the time and seasons.

By adding and enlarging windows wherever possible, opening a portion of the roof to the sky via a dramatic skylight, and combining rooms to create living spaces with views to the adjacent woods in every direction, this modern and elegant renovation transforms a dark and fragmented layout into a light-filled retreat among the trees.

Location: North Oaks, MN

Completed: 2020

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA

Quite often stripping away and pulling down, uncovering and revealing, is our biggest task. When remodeling a home, the canvas is not blank. The constraints are many and limitations exist in all four directions. This project was no different. The clients held hope that the home could be transformed into something fully new. What we saw was great space, but no light. We believed that if we let the light in the house would transform.

Built in 1962, the house needed some updates, but was in good shape overall. One of the first challenges of this home was that the entry was a story below the main living space. Creating a welcoming, interesting, and functional entry was critical. We added glass to allow more views in and out, created a small area for coats and shoes, and rebuilt the stair into a sculptural element that ties the two floors together.

Through the main level core of the home, we took down walls, added new windows, and brought existing windows down to the floor. This extended the main living area out, borrowing space and air from the private surrounding woods.

Most dramatically, along the ridgeline and central movement spine of the home, we cut a 25-foot clear glass skylight. Through this slice, we left the roof trusses intact. With the dense tree canopy above, the exposed roof structure serves to filter and bounce the light, flooding the middle of the home. The skylight is oriented north south and on sunny days it acts as a sundial revealing the time and seasons.

By adding and enlarging windows wherever possible, opening a portion of the roof to the sky via a dramatic skylight, and combining rooms to create living spaces with views to the adjacent woods in every direction, this modern and elegant renovation transforms a dark and fragmented layout into a light-filled retreat among the trees.

Location: North Oaks, MN

Completed: 2020

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA

Having grown up on the banks of the Mississippi in southern Minnesota, the river was deeply embedded in our client’s lives.

The 3-hour drives along the river valley from the Twin Cities reminded us of the juxtaposition of the expansive and powerful river flowing and carving its way through the always present rocky bluffs, leaving an in-between space, always moving, always sided. The house could reflect this experience, in form, material, and space along the riverside.

Situated on the edge between the rock bluffs and the river, the house took the form of two fractured boulders, tumbled down off the bluff. Up river, a large garage for car and boat storage, and down river, the aptly named “warehouse” wing for children’s rooms and wide-open play. In the void between is the age-in-place living with entry, kitchen, dining, sunken living room, and master suite. Naturally aging materials of concrete, corten steel, and charred cedar were used, echoing the texture, tones, and aging presence of the rocky bluffs.

The house flows left to right and front to back. The entry is beneath a wide and heavy “outcropping” between the large flanking stones. Inside, the house opens towards the river across layers of shoreline. Left to right the house moves from the tranquil stream of the spa-like master suite, through the rapids of a modern and minimal main living space, to the wide-open estuary of the industrial warehouse with exposed bar joists, waxed steel railings, and end grain laser cut plywood stair.

While under construction local residents commented that the house would stick out like a sore thumb in this lazy stretch of the river, but now built and lived in, they have a hard time distinguishing it from the surrounding landscape. Its’ like it’s always been here, part of the bluff itself.

Location: La Crescent, MN

Completed: 2020

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA

Having grown up on the banks of the Mississippi in southern Minnesota, the river was deeply embedded in our client’s lives.

The 3-hour drives along the river valley from the Twin Cities reminded us of the juxtaposition of the expansive and powerful river flowing and carving its way through the always present rocky bluffs, leaving an in-between space, always moving, always sided. The house could reflect this experience, in form, material, and space along the riverside.

Situated on the edge between the rock bluffs and the river, the house took the form of two fractured boulders, tumbled down off the bluff. Up river, a large garage for car and boat storage, and down river, the aptly named “warehouse” wing for children’s rooms and wide-open play. In the void between is the age-in-place living with entry, kitchen, dining, sunken living room, and master suite. Naturally aging materials of concrete, corten steel, and charred cedar were used, echoing the texture, tones, and aging presence of the rocky bluffs.

The house flows left to right and front to back. The entry is beneath a wide and heavy “outcropping” between the large flanking stones. Inside, the house opens towards the river across layers of shoreline. Left to right the house moves from the tranquil stream of the spa-like master suite, through the rapids of a modern and minimal main living space, to the wide-open estuary of the industrial warehouse with exposed bar joists, waxed steel railings, and end grain laser cut plywood stair.

While under construction local residents commented that the house would stick out like a sore thumb in this lazy stretch of the river, but now built and lived in, they have a hard time distinguishing it from the surrounding landscape. Its’ like it’s always been here, part of the bluff itself.

Location: La Crescent, MN

Completed: 2020

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA

Having grown up on the banks of the Mississippi in southern Minnesota, the river was deeply embedded in our client’s lives.

The 3-hour drives along the river valley from the Twin Cities reminded us of the juxtaposition of the expansive and powerful river flowing and carving its way through the always present rocky bluffs, leaving an in-between space, always moving, always sided. The house could reflect this experience, in form, material, and space along the riverside.

Situated on the edge between the rock bluffs and the river, the house took the form of two fractured boulders, tumbled down off the bluff. Up river, a large garage for car and boat storage, and down river, the aptly named “warehouse” wing for children’s rooms and wide-open play. In the void between is the age-in-place living with entry, kitchen, dining, sunken living room, and master suite. Naturally aging materials of concrete, corten steel, and charred cedar were used, echoing the texture, tones, and aging presence of the rocky bluffs.

The house flows left to right and front to back. The entry is beneath a wide and heavy “outcropping” between the large flanking stones. Inside, the house opens towards the river across layers of shoreline. Left to right the house moves from the tranquil stream of the spa-like master suite, through the rapids of a modern and minimal main living space, to the wide-open estuary of the industrial warehouse with exposed bar joists, waxed steel railings, and end grain laser cut plywood stair.

While under construction local residents commented that the house would stick out like a sore thumb in this lazy stretch of the river, but now built and lived in, they have a hard time distinguishing it from the surrounding landscape. Its’ like it’s always been here, part of the bluff itself.

Location: La Crescent, MN

Completed: 2020

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA

Having grown up on the banks of the Mississippi in southern Minnesota, the river was deeply embedded in our client’s lives.

The 3-hour drives along the river valley from the Twin Cities reminded us of the juxtaposition of the expansive and powerful river flowing and carving its way through the always present rocky bluffs, leaving an in-between space, always moving, always sided. The house could reflect this experience, in form, material, and space along the riverside.

Situated on the edge between the rock bluffs and the river, the house took the form of two fractured boulders, tumbled down off the bluff. Up river, a large garage for car and boat storage, and down river, the aptly named “warehouse” wing for children’s rooms and wide-open play. In the void between is the age-in-place living with entry, kitchen, dining, sunken living room, and master suite. Naturally aging materials of concrete, corten steel, and charred cedar were used, echoing the texture, tones, and aging presence of the rocky bluffs.

The house flows left to right and front to back. The entry is beneath a wide and heavy “outcropping” between the large flanking stones. Inside, the house opens towards the river across layers of shoreline. Left to right the house moves from the tranquil stream of the spa-like master suite, through the rapids of a modern and minimal main living space, to the wide-open estuary of the industrial warehouse with exposed bar joists, waxed steel railings, and end grain laser cut plywood stair.

While under construction local residents commented that the house would stick out like a sore thumb in this lazy stretch of the river, but now built and lived in, they have a hard time distinguishing it from the surrounding landscape. Its’ like it’s always been here, part of the bluff itself.

Location: La Crescent, MN

Completed: 2020

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA

Having grown up on the banks of the Mississippi in southern Minnesota, the river was deeply embedded in our client’s lives.

The 3-hour drives along the river valley from the Twin Cities reminded us of the juxtaposition of the expansive and powerful river flowing and carving its way through the always present rocky bluffs, leaving an in-between space, always moving, always sided. The house could reflect this experience, in form, material, and space along the riverside.

Situated on the edge between the rock bluffs and the river, the house took the form of two fractured boulders, tumbled down off the bluff. Up river, a large garage for car and boat storage, and down river, the aptly named “warehouse” wing for children’s rooms and wide-open play. In the void between is the age-in-place living with entry, kitchen, dining, sunken living room, and master suite. Naturally aging materials of concrete, corten steel, and charred cedar were used, echoing the texture, tones, and aging presence of the rocky bluffs.

The house flows left to right and front to back. The entry is beneath a wide and heavy “outcropping” between the large flanking stones. Inside, the house opens towards the river across layers of shoreline. Left to right the house moves from the tranquil stream of the spa-like master suite, through the rapids of a modern and minimal main living space, to the wide-open estuary of the industrial warehouse with exposed bar joists, waxed steel railings, and end grain laser cut plywood stair.

While under construction local residents commented that the house would stick out like a sore thumb in this lazy stretch of the river, but now built and lived in, they have a hard time distinguishing it from the surrounding landscape. Its’ like it’s always been here, part of the bluff itself.

Location: La Crescent, MN

Completed: 2020

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA

Having grown up on the banks of the Mississippi in southern Minnesota, the river was deeply embedded in our client’s lives.

The 3-hour drives along the river valley from the Twin Cities reminded us of the juxtaposition of the expansive and powerful river flowing and carving its way through the always present rocky bluffs, leaving an in-between space, always moving, always sided. The house could reflect this experience, in form, material, and space along the riverside.

Situated on the edge between the rock bluffs and the river, the house took the form of two fractured boulders, tumbled down off the bluff. Up river, a large garage for car and boat storage, and down river, the aptly named “warehouse” wing for children’s rooms and wide-open play. In the void between is the age-in-place living with entry, kitchen, dining, sunken living room, and master suite. Naturally aging materials of concrete, corten steel, and charred cedar were used, echoing the texture, tones, and aging presence of the rocky bluffs.

The house flows left to right and front to back. The entry is beneath a wide and heavy “outcropping” between the large flanking stones. Inside, the house opens towards the river across layers of shoreline. Left to right the house moves from the tranquil stream of the spa-like master suite, through the rapids of a modern and minimal main living space, to the wide-open estuary of the industrial warehouse with exposed bar joists, waxed steel railings, and end grain laser cut plywood stair.

While under construction local residents commented that the house would stick out like a sore thumb in this lazy stretch of the river, but now built and lived in, they have a hard time distinguishing it from the surrounding landscape. Its’ like it’s always been here, part of the bluff itself.

Location: La Crescent, MN

Completed: 2020

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA

Having grown up on the banks of the Mississippi in southern Minnesota, the river was deeply embedded in our client’s lives.

The 3-hour drives along the river valley from the Twin Cities reminded us of the juxtaposition of the expansive and powerful river flowing and carving its way through the always present rocky bluffs, leaving an in-between space, always moving, always sided. The house could reflect this experience, in form, material, and space along the riverside.

Situated on the edge between the rock bluffs and the river, the house took the form of two fractured boulders, tumbled down off the bluff. Up river, a large garage for car and boat storage, and down river, the aptly named “warehouse” wing for children’s rooms and wide-open play. In the void between is the age-in-place living with entry, kitchen, dining, sunken living room, and master suite. Naturally aging materials of concrete, corten steel, and charred cedar were used, echoing the texture, tones, and aging presence of the rocky bluffs.

The house flows left to right and front to back. The entry is beneath a wide and heavy “outcropping” between the large flanking stones. Inside, the house opens towards the river across layers of shoreline. Left to right the house moves from the tranquil stream of the spa-like master suite, through the rapids of a modern and minimal main living space, to the wide-open estuary of the industrial warehouse with exposed bar joists, waxed steel railings, and end grain laser cut plywood stair.

While under construction local residents commented that the house would stick out like a sore thumb in this lazy stretch of the river, but now built and lived in, they have a hard time distinguishing it from the surrounding landscape. Its’ like it’s always been here, part of the bluff itself.

Location: La Crescent, MN

Completed: 2020

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA

Having grown up on the banks of the Mississippi in southern Minnesota, the river was deeply embedded in our client’s lives.

The 3-hour drives along the river valley from the Twin Cities reminded us of the juxtaposition of the expansive and powerful river flowing and carving its way through the always present rocky bluffs, leaving an in-between space, always moving, always sided. The house could reflect this experience, in form, material, and space along the riverside.

Situated on the edge between the rock bluffs and the river, the house took the form of two fractured boulders, tumbled down off the bluff. Up river, a large garage for car and boat storage, and down river, the aptly named “warehouse” wing for children’s rooms and wide-open play. In the void between is the age-in-place living with entry, kitchen, dining, sunken living room, and master suite. Naturally aging materials of concrete, corten steel, and charred cedar were used, echoing the texture, tones, and aging presence of the rocky bluffs.

The house flows left to right and front to back. The entry is beneath a wide and heavy “outcropping” between the large flanking stones. Inside, the house opens towards the river across layers of shoreline. Left to right the house moves from the tranquil stream of the spa-like master suite, through the rapids of a modern and minimal main living space, to the wide-open estuary of the industrial warehouse with exposed bar joists, waxed steel railings, and end grain laser cut plywood stair.

While under construction local residents commented that the house would stick out like a sore thumb in this lazy stretch of the river, but now built and lived in, they have a hard time distinguishing it from the surrounding landscape. Its’ like it’s always been here, part of the bluff itself.

Location: La Crescent, MN

Completed: 2020

Project Team: Ben Awes, AIA, Principal-in-Charge Chris Bach, AIA

Built in 1989, this architect designed home beautifully followed through with its rotated square parti. No room was a completed rectangle, and all rooms had triangular features, creating interesting and unexpected spaces both indoors and out that connected and flowed into and through each other. This was true everywhere except in the center of the house where it was most needed. The kitchen locked itself into a square with one access point and little visual connection to the living room, dining room, family room, or entry. For this young family of 4, the kitchen is the center around which most daily life rotates. They love to cook and remain close and accessible to each other. They wanted to see from one space to the next and to see through the house to the outdoors. They also wanted to allow the entry better connection and openness to the house.

For 30 years the house has lived very well with no changes, but it was time to strengthen the original idea even further. By thinking of the kitchen not as a separate space but rather as a means to stitch it all together, we expanded the footprint beyond the original walls, reaching just slightly across thresholds to adjacent rooms, allowing us to link them all together. To further accentuate the suture, tile and carpet flooring was removed and replaced with hardwood to match existing. The continuous flooring reinforces the idea of the programmatic space becoming less defined.

The centerpiece is a monumental island that bends at 45 degrees, not once but four times as it plants a foot in both the family room and the atrium. This allows the kitchen to bleed into the surrounding spaces, claiming the dramatic space of the atrium to the south while allowing those preparing meals to have a stronger connection to the family space on the north end. The angled island not only works with the direction of the walls of the space it encapsulates, but it also provides different nooks and workspaces for either sitting, washing, or prepping. Around this island family life can occur.

On Either side of the island is flanked by complimentary millwork. To the east is a baking area that molds itself into the existing triangular walls. New windows drop down to counter height providing additional light and views to the natural scenery below. The west end serves as a cooking and prep area where a custom slatted backsplash cooktop doubles as a combination entry bench and shelving. This sculptural piece works to further bleed boundaries by providing a modicum of privacy while also allowing light and air to pass into the kitchen through the glass entry.

Rose painted accent elements are included in each of the larger kitchen pieces that surround the island. Providing a splash of color, these painted elements create a cohesive language that binds the different elements of the kitchen into one cohesive space.

Location: Golden Valley, MN

Completed: 2020

Project Team:
Ben Awes, AIA, Principal-in-Charge
Chris Bach

Built in 1989, this architect designed home beautifully followed through with its rotated square parti. No room was a completed rectangle, and all rooms had triangular features, creating interesting and unexpected spaces both indoors and out that connected and flowed into and through each other. This was true everywhere except in the center of the house where it was most needed. The kitchen locked itself into a square with one access point and little visual connection to the living room, dining room, family room, or entry. For this young family of 4, the kitchen is the center around which most daily life rotates. They love to cook and remain close and accessible to each other. They wanted to see from one space to the next and to see through the house to the outdoors. They also wanted to allow the entry better connection and openness to the house.

For 30 years the house has lived very well with no changes, but it was time to strengthen the original idea even further. By thinking of the kitchen not as a separate space but rather as a means to stitch it all together, we expanded the footprint beyond the original walls, reaching just slightly across thresholds to adjacent rooms, allowing us to link them all together. To further accentuate the suture, tile and carpet flooring was removed and replaced with hardwood to match existing. The continuous flooring reinforces the idea of the programmatic space becoming less defined.

The centerpiece is a monumental island that bends at 45 degrees, not once but four times as it plants a foot in both the family room and the atrium. This allows the kitchen to bleed into the surrounding spaces, claiming the dramatic space of the atrium to the south while allowing those preparing meals to have a stronger connection to the family space on the north end. The angled island not only works with the direction of the walls of the space it encapsulates, but it also provides different nooks and workspaces for either sitting, washing, or prepping. Around this island family life can occur.

On Either side of the island is flanked by complimentary millwork. To the east is a baking area that molds itself into the existing triangular walls. New windows drop down to counter height providing additional light and views to the natural scenery below. The west end serves as a cooking and prep area where a custom slatted backsplash cooktop doubles as a combination entry bench and shelving. This sculptural piece works to further bleed boundaries by providing a modicum of privacy while also allowing light and air to pass into the kitchen through the glass entry.

Rose painted accent elements are included in each of the larger kitchen pieces that surround the island. Providing a splash of color, these painted elements create a cohesive language that binds the different elements of the kitchen into one cohesive space.

Location: Golden Valley, MN

Completed: 2020

Project Team:
Ben Awes, AIA, Principal-in-Charge
Chris Bach

Built in 1989, this architect designed home beautifully followed through with its rotated square parti. No room was a completed rectangle, and all rooms had triangular features, creating interesting and unexpected spaces both indoors and out that connected and flowed into and through each other. This was true everywhere except in the center of the house where it was most needed. The kitchen locked itself into a square with one access point and little visual connection to the living room, dining room, family room, or entry. For this young family of 4, the kitchen is the center around which most daily life rotates. They love to cook and remain close and accessible to each other. They wanted to see from one space to the next and to see through the house to the outdoors. They also wanted to allow the entry better connection and openness to the house.

For 30 years the house has lived very well with no changes, but it was time to strengthen the original idea even further. By thinking of the kitchen not as a separate space but rather as a means to stitch it all together, we expanded the footprint beyond the original walls, reaching just slightly across thresholds to adjacent rooms, allowing us to link them all together. To further accentuate the suture, tile and carpet flooring was removed and replaced with hardwood to match existing. The continuous flooring reinforces the idea of the programmatic space becoming less defined.

The centerpiece is a monumental island that bends at 45 degrees, not once but four times as it plants a foot in both the family room and the atrium. This allows the kitchen to bleed into the surrounding spaces, claiming the dramatic space of the atrium to the south while allowing those preparing meals to have a stronger connection to the family space on the north end. The angled island not only works with the direction of the walls of the space it encapsulates, but it also provides different nooks and workspaces for either sitting, washing, or prepping. Around this island family life can occur.

On Either side of the island is flanked by complimentary millwork. To the east is a baking area that molds itself into the existing triangular walls. New windows drop down to counter height providing additional light and views to the natural scenery below. The west end serves as a cooking and prep area where a custom slatted backsplash cooktop doubles as a combination entry bench and shelving. This sculptural piece works to further bleed boundaries by providing a modicum of privacy while also allowing light and air to pass into the kitchen through the glass entry.

Rose painted accent elements are included in each of the larger kitchen pieces that surround the island. Providing a splash of color, these painted elements create a cohesive language that binds the different elements of the kitchen into one cohesive space.

Location: Golden Valley, MN

Completed: 2020

Project Team:
Ben Awes, AIA, Principal-in-Charge
Chris Bach

Built in 1989, this architect designed home beautifully followed through with its rotated square parti. No room was a completed rectangle, and all rooms had triangular features, creating interesting and unexpected spaces both indoors and out that connected and flowed into and through each other. This was true everywhere except in the center of the house where it was most needed. The kitchen locked itself into a square with one access point and little visual connection to the living room, dining room, family room, or entry. For this young family of 4, the kitchen is the center around which most daily life rotates. They love to cook and remain close and accessible to each other. They wanted to see from one space to the next and to see through the house to the outdoors. They also wanted to allow the entry better connection and openness to the house.

For 30 years the house has lived very well with no changes, but it was time to strengthen the original idea even further. By thinking of the kitchen not as a separate space but rather as a means to stitch it all together, we expanded the footprint beyond the original walls, reaching just slightly across thresholds to adjacent rooms, allowing us to link them all together. To further accentuate the suture, tile and carpet flooring was removed and replaced with hardwood to match existing. The continuous flooring reinforces the idea of the programmatic space becoming less defined.

The centerpiece is a monumental island that bends at 45 degrees, not once but four times as it plants a foot in both the family room and the atrium. This allows the kitchen to bleed into the surrounding spaces, claiming the dramatic space of the atrium to the south while allowing those preparing meals to have a stronger connection to the family space on the north end. The angled island not only works with the direction of the walls of the space it encapsulates, but it also provides different nooks and workspaces for either sitting, washing, or prepping. Around this island family life can occur.

On Either side of the island is flanked by complimentary millwork. To the east is a baking area that molds itself into the existing triangular walls. New windows drop down to counter height providing additional light and views to the natural scenery below. The west end serves as a cooking and prep area where a custom slatted backsplash cooktop doubles as a combination entry bench and shelving. This sculptural piece works to further bleed boundaries by providing a modicum of privacy while also allowing light and air to pass into the kitchen through the glass entry.

Rose painted accent elements are included in each of the larger kitchen pieces that surround the island. Providing a splash of color, these painted elements create a cohesive language that binds the different elements of the kitchen into one cohesive space.

Location: Golden Valley, MN

Completed: 2020

Project Team:
Ben Awes, AIA, Principal-in-Charge
Chris Bach

Built in 1989, this architect designed home beautifully followed through with its rotated square parti. No room was a completed rectangle, and all rooms had triangular features, creating interesting and unexpected spaces both indoors and out that connected and flowed into and through each other. This was true everywhere except in the center of the house where it was most needed. The kitchen locked itself into a square with one access point and little visual connection to the living room, dining room, family room, or entry. For this young family of 4, the kitchen is the center around which most daily life rotates. They love to cook and remain close and accessible to each other. They wanted to see from one space to the next and to see through the house to the outdoors. They also wanted to allow the entry better connection and openness to the house.

For 30 years the house has lived very well with no changes, but it was time to strengthen the original idea even further. By thinking of the kitchen not as a separate space but rather as a means to stitch it all together, we expanded the footprint beyond the original walls, reaching just slightly across thresholds to adjacent rooms, allowing us to link them all together. To further accentuate the suture, tile and carpet flooring was removed and replaced with hardwood to match existing. The continuous flooring reinforces the idea of the programmatic space becoming less defined.

The centerpiece is a monumental island that bends at 45 degrees, not once but four times as it plants a foot in both the family room and the atrium. This allows the kitchen to bleed into the surrounding spaces, claiming the dramatic space of the atrium to the south while allowing those preparing meals to have a stronger connection to the family space on the north end. The angled island not only works with the direction of the walls of the space it encapsulates, but it also provides different nooks and workspaces for either sitting, washing, or prepping. Around this island family life can occur.

On Either side of the island is flanked by complimentary millwork. To the east is a baking area that molds itself into the existing triangular walls. New windows drop down to counter height providing additional light and views to the natural scenery below. The west end serves as a cooking and prep area where a custom slatted backsplash cooktop doubles as a combination entry bench and shelving. This sculptural piece works to further bleed boundaries by providing a modicum of privacy while also allowing light and air to pass into the kitchen through the glass entry.

Rose painted accent elements are included in each of the larger kitchen pieces that surround the island. Providing a splash of color, these painted elements create a cohesive language that binds the different elements of the kitchen into one cohesive space.

Location: Golden Valley, MN

Completed: 2020

Project Team:
Ben Awes, AIA, Principal-in-Charge
Chris Bach

Built in 1989, this architect designed home beautifully followed through with its rotated square parti. No room was a completed rectangle, and all rooms had triangular features, creating interesting and unexpected spaces both indoors and out that connected and flowed into and through each other. This was true everywhere except in the center of the house where it was most needed. The kitchen locked itself into a square with one access point and little visual connection to the living room, dining room, family room, or entry. For this young family of 4, the kitchen is the center around which most daily life rotates. They love to cook and remain close and accessible to each other. They wanted to see from one space to the next and to see through the house to the outdoors. They also wanted to allow the entry better connection and openness to the house.

For 30 years the house has lived very well with no changes, but it was time to strengthen the original idea even further. By thinking of the kitchen not as a separate space but rather as a means to stitch it all together, we expanded the footprint beyond the original walls, reaching just slightly across thresholds to adjacent rooms, allowing us to link them all together. To further accentuate the suture, tile and carpet flooring was removed and replaced with hardwood to match existing. The continuous flooring reinforces the idea of the programmatic space becoming less defined.

The centerpiece is a monumental island that bends at 45 degrees, not once but four times as it plants a foot in both the family room and the atrium. This allows the kitchen to bleed into the surrounding spaces, claiming the dramatic space of the atrium to the south while allowing those preparing meals to have a stronger connection to the family space on the north end. The angled island not only works with the direction of the walls of the space it encapsulates, but it also provides different nooks and workspaces for either sitting, washing, or prepping. Around this island family life can occur.

On Either side of the island is flanked by complimentary millwork. To the east is a baking area that molds itself into the existing triangular walls. New windows drop down to counter height providing additional light and views to the natural scenery below. The west end serves as a cooking and prep area where a custom slatted backsplash cooktop doubles as a combination entry bench and shelving. This sculptural piece works to further bleed boundaries by providing a modicum of privacy while also allowing light and air to pass into the kitchen through the glass entry.

Rose painted accent elements are included in each of the larger kitchen pieces that surround the island. Providing a splash of color, these painted elements create a cohesive language that binds the different elements of the kitchen into one cohesive space.

Location: Golden Valley, MN

Completed: 2020

Project Team:
Ben Awes, AIA, Principal-in-Charge
Chris Bach

Built in 1989, this architect designed home beautifully followed through with its rotated square parti. No room was a completed rectangle, and all rooms had triangular features, creating interesting and unexpected spaces both indoors and out that connected and flowed into and through each other. This was true everywhere except in the center of the house where it was most needed. The kitchen locked itself into a square with one access point and little visual connection to the living room, dining room, family room, or entry. For this young family of 4, the kitchen is the center around which most daily life rotates. They love to cook and remain close and accessible to each other. They wanted to see from one space to the next and to see through the house to the outdoors. They also wanted to allow the entry better connection and openness to the house.

For 30 years the house has lived very well with no changes, but it was time to strengthen the original idea even further. By thinking of the kitchen not as a separate space but rather as a means to stitch it all together, we expanded the footprint beyond the original walls, reaching just slightly across thresholds to adjacent rooms, allowing us to link them all together. To further accentuate the suture, tile and carpet flooring was removed and replaced with hardwood to match existing. The continuous flooring reinforces the idea of the programmatic space becoming less defined.

The centerpiece is a monumental island that bends at 45 degrees, not once but four times as it plants a foot in both the family room and the atrium. This allows the kitchen to bleed into the surrounding spaces, claiming the dramatic space of the atrium to the south while allowing those preparing meals to have a stronger connection to the family space on the north end. The angled island not only works with the direction of the walls of the space it encapsulates, but it also provides different nooks and workspaces for either sitting, washing, or prepping. Around this island family life can occur.

On Either side of the island is flanked by complimentary millwork. To the east is a baking area that molds itself into the existing triangular walls. New windows drop down to counter height providing additional light and views to the natural scenery below. The west end serves as a cooking and prep area where a custom slatted backsplash cooktop doubles as a combination entry bench and shelving. This sculptural piece works to further bleed boundaries by providing a modicum of privacy while also allowing light and air to pass into the kitchen through the glass entry.

Rose painted accent elements are included in each of the larger kitchen pieces that surround the island. Providing a splash of color, these painted elements create a cohesive language that binds the different elements of the kitchen into one cohesive space.

Location: Golden Valley, MN

Completed: 2020

Project Team:
Ben Awes, AIA, Principal-in-Charge
Chris Bach

Built in 1989, this architect designed home beautifully followed through with its rotated square parti. No room was a completed rectangle, and all rooms had triangular features, creating interesting and unexpected spaces both indoors and out that connected and flowed into and through each other. This was true everywhere except in the center of the house where it was most needed. The kitchen locked itself into a square with one access point and little visual connection to the living room, dining room, family room, or entry. For this young family of 4, the kitchen is the center around which most daily life rotates. They love to cook and remain close and accessible to each other. They wanted to see from one space to the next and to see through the house to the outdoors. They also wanted to allow the entry better connection and openness to the house.

For 30 years the house has lived very well with no changes, but it was time to strengthen the original idea even further. By thinking of the kitchen not as a separate space but rather as a means to stitch it all together, we expanded the footprint beyond the original walls, reaching just slightly across thresholds to adjacent rooms, allowing us to link them all together. To further accentuate the suture, tile and carpet flooring was removed and replaced with hardwood to match existing. The continuous flooring reinforces the idea of the programmatic space becoming less defined.

The centerpiece is a monumental island that bends at 45 degrees, not once but four times as it plants a foot in both the family room and the atrium. This allows the kitchen to bleed into the surrounding spaces, claiming the dramatic space of the atrium to the south while allowing those preparing meals to have a stronger connection to the family space on the north end. The angled island not only works with the direction of the walls of the space it encapsulates, but it also provides different nooks and workspaces for either sitting, washing, or prepping. Around this island family life can occur.

On Either side of the island is flanked by complimentary millwork. To the east is a baking area that molds itself into the existing triangular walls. New windows drop down to counter height providing additional light and views to the natural scenery below. The west end serves as a cooking and prep area where a custom slatted backsplash cooktop doubles as a combination entry bench and shelving. This sculptural piece works to further bleed boundaries by providing a modicum of privacy while also allowing light and air to pass into the kitchen through the glass entry.

Rose painted accent elements are included in each of the larger kitchen pieces that surround the island. Providing a splash of color, these painted elements create a cohesive language that binds the different elements of the kitchen into one cohesive space.

Location: Golden Valley, MN

Completed: 2020

Project Team:
Ben Awes, AIA, Principal-in-Charge
Chris Bach

Built in 1989, this architect designed home beautifully followed through with its rotated square parti. No room was a completed rectangle, and all rooms had triangular features, creating interesting and unexpected spaces both indoors and out that connected and flowed into and through each other. This was true everywhere except in the center of the house where it was most needed. The kitchen locked itself into a square with one access point and little visual connection to the living room, dining room, family room, or entry. For this young family of 4, the kitchen is the center around which most daily life rotates. They love to cook and remain close and accessible to each other. They wanted to see from one space to the next and to see through the house to the outdoors. They also wanted to allow the entry better connection and openness to the house.

For 30 years the house has lived very well with no changes, but it was time to strengthen the original idea even further. By thinking of the kitchen not as a separate space but rather as a means to stitch it all together, we expanded the footprint beyond the original walls, reaching just slightly across thresholds to adjacent rooms, allowing us to link them all together. To further accentuate the suture, tile and carpet flooring was removed and replaced with hardwood to match existing. The continuous flooring reinforces the idea of the programmatic space becoming less defined.

The centerpiece is a monumental island that bends at 45 degrees, not once but four times as it plants a foot in both the family room and the atrium. This allows the kitchen to bleed into the surrounding spaces, claiming the dramatic space of the atrium to the south while allowing those preparing meals to have a stronger connection to the family space on the north end. The angled island not only works with the direction of the walls of the space it encapsulates, but it also provides different nooks and workspaces for either sitting, washing, or prepping. Around this island family life can occur.

On Either side of the island is flanked by complimentary millwork. To the east is a baking area that molds itself into the existing triangular walls. New windows drop down to counter height providing additional light and views to the natural scenery below. The west end serves as a cooking and prep area where a custom slatted backsplash cooktop doubles as a combination entry bench and shelving. This sculptural piece works to further bleed boundaries by providing a modicum of privacy while also allowing light and air to pass into the kitchen through the glass entry.

Rose painted accent elements are included in each of the larger kitchen pieces that surround the island. Providing a splash of color, these painted elements create a cohesive language that binds the different elements of the kitchen into one cohesive space.

Location: Golden Valley, MN

Completed: 2020

Project Team:
Ben Awes, AIA, Principal-in-Charge
Chris Bach

Built in 1989, this architect designed home beautifully followed through with its rotated square parti. No room was a completed rectangle, and all rooms had triangular features, creating interesting and unexpected spaces both indoors and out that connected and flowed into and through each other. This was true everywhere except in the center of the house where it was most needed. The kitchen locked itself into a square with one access point and little visual connection to the living room, dining room, family room, or entry. For this young family of 4, the kitchen is the center around which most daily life rotates. They love to cook and remain close and accessible to each other. They wanted to see from one space to the next and to see through the house to the outdoors. They also wanted to allow the entry better connection and openness to the house.

For 30 years the house has lived very well with no changes, but it was time to strengthen the original idea even further. By thinking of the kitchen not as a separate space but rather as a means to stitch it all together, we expanded the footprint beyond the original walls, reaching just slightly across thresholds to adjacent rooms, allowing us to link them all together. To further accentuate the suture, tile and carpet flooring was removed and replaced with hardwood to match existing. The continuous flooring reinforces the idea of the programmatic space becoming less defined.

The centerpiece is a monumental island that bends at 45 degrees, not once but four times as it plants a foot in both the family room and the atrium. This allows the kitchen to bleed into the surrounding spaces, claiming the dramatic space of the atrium to the south while allowing those preparing meals to have a stronger connection to the family space on the north end. The angled island not only works with the direction of the walls of the space it encapsulates, but it also provides different nooks and workspaces for either sitting, washing, or prepping. Around this island family life can occur.

On Either side of the island is flanked by complimentary millwork. To the east is a baking area that molds itself into the existing triangular walls. New windows drop down to counter height providing additional light and views to the natural scenery below. The west end serves as a cooking and prep area where a custom slatted backsplash cooktop doubles as a combination entry bench and shelving. This sculptural piece works to further bleed boundaries by providing a modicum of privacy while also allowing light and air to pass into the kitchen through the glass entry.

Rose painted accent elements are included in each of the larger kitchen pieces that surround the island. Providing a splash of color, these painted elements create a cohesive language that binds the different elements of the kitchen into one cohesive space.

Location: Golden Valley, MN

Completed: 2020

Project Team:
Ben Awes, AIA, Principal-in-Charge
Chris Bach

Built in 1989, this architect designed home beautifully followed through with its rotated square parti. No room was a completed rectangle, and all rooms had triangular features, creating interesting and unexpected spaces both indoors and out that connected and flowed into and through each other. This was true everywhere except in the center of the house where it was most needed. The kitchen locked itself into a square with one access point and little visual connection to the living room, dining room, family room, or entry. For this young family of 4, the kitchen is the center around which most daily life rotates. They love to cook and remain close and accessible to each other. They wanted to see from one space to the next and to see through the house to the outdoors. They also wanted to allow the entry better connection and openness to the house.

For 30 years the house has lived very well with no changes, but it was time to strengthen the original idea even further. By thinking of the kitchen not as a separate space but rather as a means to stitch it all together, we expanded the footprint beyond the original walls, reaching just slightly across thresholds to adjacent rooms, allowing us to link them all together. To further accentuate the suture, tile and carpet flooring was removed and replaced with hardwood to match existing. The continuous flooring reinforces the idea of the programmatic space becoming less defined.

The centerpiece is a monumental island that bends at 45 degrees, not once but four times as it plants a foot in both the family room and the atrium. This allows the kitchen to bleed into the surrounding spaces, claiming the dramatic space of the atrium to the south while allowing those preparing meals to have a stronger connection to the family space on the north end. The angled island not only works with the direction of the walls of the space it encapsulates, but it also provides different nooks and workspaces for either sitting, washing, or prepping. Around this island family life can occur.

On Either side of the island is flanked by complimentary millwork. To the east is a baking area that molds itself into the existing triangular walls. New windows drop down to counter height providing additional light and views to the natural scenery below. The west end serves as a cooking and prep area where a custom slatted backsplash cooktop doubles as a combination entry bench and shelving. This sculptural piece works to further bleed boundaries by providing a modicum of privacy while also allowing light and air to pass into the kitchen through the glass entry.

Rose painted accent elements are included in each of the larger kitchen pieces that surround the island. Providing a splash of color, these painted elements create a cohesive language that binds the different elements of the kitchen into one cohesive space.

Location: Golden Valley, MN

Completed: 2020

Project Team:
Ben Awes, AIA, Principal-in-Charge
Chris Bach

Location: Plymouth, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge
Damien
Max Ouellette-Howitz

Location: Plymouth, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge
Damien
Max Ouellette-Howitz

Location: Plymouth, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge
Damien
Max Ouellette-Howitz

Location: Plymouth, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge
Damien
Max Ouellette-Howitz

Location: Plymouth, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge
Damien
Max Ouellette-Howitz

Location: Plymouth, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge
Damien
Max Ouellette-Howitz

Location: Plymouth, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge
Damien
Max Ouellette-Howitz

Location: Plymouth, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge
Damien
Max Ouellette-Howitz

Location: Plymouth, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge
Damien
Max Ouellette-Howitz

Location: Plymouth, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principle- in- Charge
Nate Dodge
Damien
Max Ouellette-Howitz

Location: Plymouth, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge
Damien
Max Ouellette-Howitz

Location: Plymouth, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principle- in- Charge
Nate Dodge
Damien
Max Ouellette-Howitz

Location: Plymouth, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principle- in- Charge
Nate Dodge
Damien
Max Ouellette-Howitz

Location: Plymouth, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principle- in- Charge
Nate Dodge
Damien
Max Ouellette-Howitz

Location: Plymouth, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principle- in- Charge
Nate Dodge
Damien
Max Ouellette-Howitz

Location: Plymouth, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge
Damien
Max Ouellette-Howitz

Location: Plymouth, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge
Damien
Max Ouellette-Howitz

Location: Minnetonka, MN

Complete: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetonka, MN

Complete: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetonka, MN

Complete: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetonka, MN

Complete: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetonka, MN

Complete: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetonka, MN

Complete: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetonka, MN

Complete: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetonka, MN

Complete: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetonka, MN

Complete: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetonka, MN

Complete: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetonka, MN

Complete: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetonka, MN

Complete: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetonka, MN

Complete: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetonka, MN

Complete: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetonka, MN

Complete: 2019

Project Team:
|Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetonka, MN

Complete: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetonka, MN

Complete: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetonka, MN

Complete: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetonka, MN

Complete: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Max Ouellette-Howitz
Damien

Location: Minnetrista, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-in-Charge
Chris Bach
Damien

Location: Minnetrista, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-in-Charge
Chris Bach
Damien

Location: Minnetrista, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-in-Charge
Chris Bach
Damien

Location: Minnetrista, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-in-Charge
Chris Bach
Damien

Location: Minnetrista, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-in-Charge
Chris Bach
Damien

Location: Minnetrista, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-in-Charge
Chris Bach
Damien

Location: Minnetrista, MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-in-Charge
Chris Bach
Damien

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).

After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.

The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.

This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.

Location: Excelsior ,MN

Completed: 2019
Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).

After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.

The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.

This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.

Location: Excelsior ,MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).

After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.

The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.

This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.

Location: Excelsior ,MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).

After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.

The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.

This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.

Location: Excelsior ,MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).

After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.

The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.

This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.

Location: Excelsior ,MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).

After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.

The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.

This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.

Location: Excelsior ,MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).

After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.

The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.

This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.

Location: Excelsior ,MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).

After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.

The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.

This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.

Location: Excelsior ,MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).

After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.

The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.

This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.

Location: Excelsior ,MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).

After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.

The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.

This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.

Location: Excelsior , MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).

After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.

The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.

This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.

Location: Excelsior ,MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).

After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.

The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.

This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.

Location: Excelsior ,MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).

After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.

The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.

This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.

Location: Excelsior ,MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).

After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.

The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.

This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.

Location: Excelsior ,MN

Completed: 2019

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

Perched on a ridge 20 feet above a private lake in Stillwater, Minnesota, the clients wanted an age-in-place home where strong design influenced by the natural surroundings informed the space and shape of the project. CITYDESKSTUDIO carefully sited the home in one of the many natural clearings within their wooded property alongside a private lake, maximizing connection to the land, while preserving trees and natural topography. The home is distinguished by a light-filled, vaulted living area, a continuous timber loggia forming the entry court and connection to the garage, and a landscape design filled with rain gardens and indigenous rocks and plantings.
 
The home features one-level living with a walk-out lower level which maintains a low profile upon approach, allowing the home to fit gracefully within its context. Sustainable features include landscaping with rain gardens to control rainwater, thermal mass concrete, geothermal in-floor heating, and a 10 kilowatt photovoltaic array with home batteries to allow fully off-grid living. Locally sourced building materials were used where possible for cedar siding and patio paving, including re-used soapstone counters. Select trees were harvested directly off the land for the staircase, interior wall finishes and the 10-foot dining table.
 

Project Team:
Ben Awes AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz

Perched on a ridge 20 feet above a private lake in Stillwater, Minnesota, the clients wanted an age-in-place home where strong design influenced by the natural surroundings informed the space and shape of the project. CITYDESKSTUDIO carefully sited the home in one of the many natural clearings within their wooded property alongside a private lake, maximizing connection to the land, while preserving trees and natural topography. The home is distinguished by a light-filled, vaulted living area, a continuous timber loggia forming the entry court and connection to the garage, and a landscape design filled with rain gardens and indigenous rocks and plantings.
 
The home features one-level living with a walk-out lower level which maintains a low profile upon approach, allowing the home to fit gracefully within its context. Sustainable features include landscaping with rain gardens to control rainwater, thermal mass concrete, geothermal in-floor heating, and a 10 kilowatt photovoltaic array with home batteries to allow fully off-grid living. Locally sourced building materials were used where possible for cedar siding and patio paving, including re-used soapstone counters. Select trees were harvested directly off the land for the staircase, interior wall finishes and the 10-foot dining table.
 

Project Team:
Ben Awes AIA, Principal-In-Charge
Nate Dodge
Chris Bach
Max Ouellette-Howitz

Perched on a ridge 20 feet above a private lake in Stillwater, Minnesota, the clients wanted an age-in-place home where strong design influenced by the natural surroundings informed the space and shape of the project. CITYDESKSTUDIO carefully sited the home in one of the many natural clearings within their wooded property alongside a private lake, maximizing connection to the land, while preserving trees and natural topography. The home is distinguished by a light-filled, vaulted living area, a continuous timber loggia forming the entry court and connection to the garage, and a landscape design filled with rain gardens and indigenous rocks and plantings.
 
The home features one-level living with a walk-out lower level which maintains a low profile upon approach, allowing the home to fit gracefully within its context. Sustainable features include landscaping with rain gardens to control rainwater, thermal mass concrete, geothermal in-floor heating, and a 10 kilowatt photovoltaic array with home batteries to allow fully off-grid living. Locally sourced building materials were used where possible for cedar siding and patio paving, including re-used soapstone counters. Select trees were harvested directly off the land for the staircase, interior wall finishes and the 10-foot dining table.
 

Project Team:
Ben Awes AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz

Perched on a ridge 20 feet above a private lake in Stillwater, Minnesota, the clients wanted an age-in-place home where strong design influenced by the natural surroundings informed the space and shape of the project. CITYDESKSTUDIO carefully sited the home in one of the many natural clearings within their wooded property alongside a private lake, maximizing connection to the land, while preserving trees and natural topography. The home is distinguished by a light-filled, vaulted living area, a continuous timber loggia forming the entry court and connection to the garage, and a landscape design filled with rain gardens and indigenous rocks and plantings.
 
The home features one-level living with a walk-out lower level which maintains a low profile upon approach, allowing the home to fit gracefully within its context. Sustainable features include landscaping with rain gardens to control rainwater, thermal mass concrete, geothermal in-floor heating, and a 10 kilowatt photovoltaic array with home batteries to allow fully off-grid living. Locally sourced building materials were used where possible for cedar siding and patio paving, including re-used soapstone counters. Select trees were harvested directly off the land for the staircase, interior wall finishes and the 10-foot dining table.
 

Project Team:
Ben Awes AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz

Perched on a ridge 20 feet above a private lake in Stillwater, Minnesota, the clients wanted an age-in-place home where strong design influenced by the natural surroundings informed the space and shape of the project. CITYDESKSTUDIO carefully sited the home in one of the many natural clearings within their wooded property alongside a private lake, maximizing connection to the land, while preserving trees and natural topography. The home is distinguished by a light-filled, vaulted living area, a continuous timber loggia forming the entry court and connection to the garage, and a landscape design filled with rain gardens and indigenous rocks and plantings.
 
The home features one-level living with a walk-out lower level which maintains a low profile upon approach, allowing the home to fit gracefully within its context. Sustainable features include landscaping with rain gardens to control rainwater, thermal mass concrete, geothermal in-floor heating, and a 10 kilowatt photovoltaic array with home batteries to allow fully off-grid living. Locally sourced building materials were used where possible for cedar siding and patio paving, including re-used soapstone counters. Select trees were harvested directly off the land for the staircase, interior wall finishes and the 10-foot dining table.
 

Project Team:
Ben Awes AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz

Perched on a ridge 20 feet above a private lake in Stillwater, Minnesota, the clients wanted an age-in-place home where strong design influenced by the natural surroundings informed the space and shape of the project. CITYDESKSTUDIO carefully sited the home in one of the many natural clearings within their wooded property alongside a private lake, maximizing connection to the land, while preserving trees and natural topography. The home is distinguished by a light-filled, vaulted living area, a continuous timber loggia forming the entry court and connection to the garage, and a landscape design filled with rain gardens and indigenous rocks and plantings.
 
The home features one-level living with a walk-out lower level which maintains a low profile upon approach, allowing the home to fit gracefully within its context. Sustainable features include landscaping with rain gardens to control rainwater, thermal mass concrete, geothermal in-floor heating, and a 10 kilowatt photovoltaic array with home batteries to allow fully off-grid living. Locally sourced building materials were used where possible for cedar siding and patio paving, including re-used soapstone counters. Select trees were harvested directly off the land for the staircase, interior wall finishes and the 10-foot dining table.
 

Project Team:
Ben Awes AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz

Perched on a ridge 20 feet above a private lake in Stillwater, Minnesota, the clients wanted an age-in-place home where strong design influenced by the natural surroundings informed the space and shape of the project. CITYDESKSTUDIO carefully sited the home in one of the many natural clearings within their wooded property alongside a private lake, maximizing connection to the land, while preserving trees and natural topography. The home is distinguished by a light-filled, vaulted living area, a continuous timber loggia forming the entry court and connection to the garage, and a landscape design filled with rain gardens and indigenous rocks and plantings.
 
The home features one-level living with a walk-out lower level which maintains a low profile upon approach, allowing the home to fit gracefully within its context. Sustainable features include landscaping with rain gardens to control rainwater, thermal mass concrete, geothermal in-floor heating, and a 10 kilowatt photovoltaic array with home batteries to allow fully off-grid living. Locally sourced building materials were used where possible for cedar siding and patio paving, including re-used soapstone counters. Select trees were harvested directly off the land for the staircase, interior wall finishes and the 10-foot dining table.
 

Project Team:
Ben Awes AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz

Perched on a ridge 20 feet above a private lake in Stillwater, Minnesota, the clients wanted an age-in-place home where strong design influenced by the natural surroundings informed the space and shape of the project. CITYDESKSTUDIO carefully sited the home in one of the many natural clearings within their wooded property alongside a private lake, maximizing connection to the land, while preserving trees and natural topography. The home is distinguished by a light-filled, vaulted living area, a continuous timber loggia forming the entry court and connection to the garage, and a landscape design filled with rain gardens and indigenous rocks and plantings.
 
The home features one-level living with a walk-out lower level which maintains a low profile upon approach, allowing the home to fit gracefully within its context. Sustainable features include landscaping with rain gardens to control rainwater, thermal mass concrete, geothermal in-floor heating, and a 10 kilowatt photovoltaic array with home batteries to allow fully off-grid living. Locally sourced building materials were used where possible for cedar siding and patio paving, including re-used soapstone counters. Select trees were harvested directly off the land for the staircase, interior wall finishes and the 10-foot dining table.
 

Project Team:
Ben Awes AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz

Perched on a ridge 20 feet above a private lake in Stillwater, Minnesota, the clients wanted an age-in-place home where strong design influenced by the natural surroundings informed the space and shape of the project. CITYDESKSTUDIO carefully sited the home in one of the many natural clearings within their wooded property alongside a private lake, maximizing connection to the land, while preserving trees and natural topography. The home is distinguished by a light-filled, vaulted living area, a continuous timber loggia forming the entry court and connection to the garage, and a landscape design filled with rain gardens and indigenous rocks and plantings.
 
The home features one-level living with a walk-out lower level which maintains a low profile upon approach, allowing the home to fit gracefully within its context. Sustainable features include landscaping with rain gardens to control rainwater, thermal mass concrete, geothermal in-floor heating, and a 10 kilowatt photovoltaic array with home batteries to allow fully off-grid living. Locally sourced building materials were used where possible for cedar siding and patio paving, including re-used soapstone counters. Select trees were harvested directly off the land for the staircase, interior wall finishes and the 10-foot dining table.
 

Project Team:
Ben Awes AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz

Perched on a ridge 20 feet above a private lake in Stillwater, Minnesota, the clients wanted an age-in-place home where strong design influenced by the natural surroundings informed the space and shape of the project. CITYDESKSTUDIO carefully sited the home in one of the many natural clearings within their wooded property alongside a private lake, maximizing connection to the land, while preserving trees and natural topography. The home is distinguished by a light-filled, vaulted living area, a continuous timber loggia forming the entry court and connection to the garage, and a landscape design filled with rain gardens and indigenous rocks and plantings.
 
The home features one-level living with a walk-out lower level which maintains a low profile upon approach, allowing the home to fit gracefully within its context. Sustainable features include landscaping with rain gardens to control rainwater, thermal mass concrete, geothermal in-floor heating, and a 10 kilowatt photovoltaic array with home batteries to allow fully off-grid living. Locally sourced building materials were used where possible for cedar siding and patio paving, including re-used soapstone counters. Select trees were harvested directly off the land for the staircase, interior wall finishes and the 10-foot dining table.
 

Project Team:
Ben Awes AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz

Perched on a ridge 20 feet above a private lake in Stillwater, Minnesota, the clients wanted an age-in-place home where strong design influenced by the natural surroundings informed the space and shape of the project. CITYDESKSTUDIO carefully sited the home in one of the many natural clearings within their wooded property alongside a private lake, maximizing connection to the land, while preserving trees and natural topography. The home is distinguished by a light-filled, vaulted living area, a continuous timber loggia forming the entry court and connection to the garage, and a landscape design filled with rain gardens and indigenous rocks and plantings.
 
The home features one-level living with a walk-out lower level which maintains a low profile upon approach, allowing the home to fit gracefully within its context. Sustainable features include landscaping with rain gardens to control rainwater, thermal mass concrete, geothermal in-floor heating, and a 10 kilowatt photovoltaic array with home batteries to allow fully off-grid living. Locally sourced building materials were used where possible for cedar siding and patio paving, including re-used soapstone counters. Select trees were harvested directly off the land for the staircase, interior wall finishes and the 10-foot dining table.
 

Project Team:
Ben Awes AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz

Perched on a ridge 20 feet above a private lake in Stillwater, Minnesota, the clients wanted an age-in-place home where strong design influenced by the natural surroundings informed the space and shape of the project. CITYDESKSTUDIO carefully sited the home in one of the many natural clearings within their wooded property alongside a private lake, maximizing connection to the land, while preserving trees and natural topography. The home is distinguished by a light-filled, vaulted living area, a continuous timber loggia forming the entry court and connection to the garage, and a landscape design filled with rain gardens and indigenous rocks and plantings.
 
The home features one-level living with a walk-out lower level which maintains a low profile upon approach, allowing the home to fit gracefully within its context. Sustainable features include landscaping with rain gardens to control rainwater, thermal mass concrete, geothermal in-floor heating, and a 10 kilowatt photovoltaic array with home batteries to allow fully off-grid living. Locally sourced building materials were used where possible for cedar siding and patio paving, including re-used soapstone counters. Select trees were harvested directly off the land for the staircase, interior wall finishes and the 10-foot dining table.
 

Project Team:
Ben Awes AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz

Perched on a ridge 20 feet above a private lake in Stillwater, Minnesota, the clients wanted an age-in-place home where strong design influenced by the natural surroundings informed the space and shape of the project. CITYDESKSTUDIO carefully sited the home in one of the many natural clearings within their wooded property alongside a private lake, maximizing connection to the land, while preserving trees and natural topography. The home is distinguished by a light-filled, vaulted living area, a continuous timber loggia forming the entry court and connection to the garage, and a landscape design filled with rain gardens and indigenous rocks and plantings.
 
The home features one-level living with a walk-out lower level which maintains a low profile upon approach, allowing the home to fit gracefully within its context. Sustainable features include landscaping with rain gardens to control rainwater, thermal mass concrete, geothermal in-floor heating, and a 10 kilowatt photovoltaic array with home batteries to allow fully off-grid living. Locally sourced building materials were used where possible for cedar siding and patio paving, including re-used soapstone counters. Select trees were harvested directly off the land for the staircase, interior wall finishes and the 10-foot dining table.
 

Project Team:
Ben Awes AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz

Perched on a ridge 20 feet above a private lake in Stillwater, Minnesota, the clients wanted an age-in-place home where strong design influenced by the natural surroundings informed the space and shape of the project. CITYDESKSTUDIO carefully sited the home in one of the many natural clearings within their wooded property alongside a private lake, maximizing connection to the land, while preserving trees and natural topography. The home is distinguished by a light-filled, vaulted living area, a continuous timber loggia forming the entry court and connection to the garage, and a landscape design filled with rain gardens and indigenous rocks and plantings.
 
The home features one-level living with a walk-out lower level which maintains a low profile upon approach, allowing the home to fit gracefully within its context. Sustainable features include landscaping with rain gardens to control rainwater, thermal mass concrete, geothermal in-floor heating, and a 10 kilowatt photovoltaic array with home batteries to allow fully off-grid living. Locally sourced building materials were used where possible for cedar siding and patio paving, including re-used soapstone counters. Select trees were harvested directly off the land for the staircase, interior wall finishes and the 10-foot dining table.
 

Project Team:
Ben Awes AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz

Perched on a ridge 20 feet above a private lake in Stillwater, Minnesota, the clients wanted an age-in-place home where strong design influenced by the natural surroundings informed the space and shape of the project. CITYDESKSTUDIO carefully sited the home in one of the many natural clearings within their wooded property alongside a private lake, maximizing connection to the land, while preserving trees and natural topography. The home is distinguished by a light-filled, vaulted living area, a continuous timber loggia forming the entry court and connection to the garage, and a landscape design filled with rain gardens and indigenous rocks and plantings.
 
The home features one-level living with a walk-out lower level which maintains a low profile upon approach, allowing the home to fit gracefully within its context. Sustainable features include landscaping with rain gardens to control rainwater, thermal mass concrete, geothermal in-floor heating, and a 10 kilowatt photovoltaic array with home batteries to allow fully off-grid living. Locally sourced building materials were used where possible for cedar siding and patio paving, including re-used soapstone counters. Select trees were harvested directly off the land for the staircase, interior wall finishes and the 10-foot dining table.
 

Project Team:
Ben Awes AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz

Perched on a ridge 20 feet above a private lake in Stillwater, Minnesota, the clients wanted an age-in-place home where strong design influenced by the natural surroundings informed the space and shape of the project. CITYDESKSTUDIO carefully sited the home in one of the many natural clearings within their wooded property alongside a private lake, maximizing connection to the land, while preserving trees and natural topography. The home is distinguished by a light-filled, vaulted living area, a continuous timber loggia forming the entry court and connection to the garage, and a landscape design filled with rain gardens and indigenous rocks and plantings.
 
The home features one-level living with a walk-out lower level which maintains a low profile upon approach, allowing the home to fit gracefully within its context. Sustainable features include landscaping with rain gardens to control rainwater, thermal mass concrete, geothermal in-floor heating, and a 10 kilowatt photovoltaic array with home batteries to allow fully off-grid living. Locally sourced building materials were used where possible for cedar siding and patio paving, including re-used soapstone counters. Select trees were harvested directly off the land for the staircase, interior wall finishes and the 10-foot dining table.
 

Project Team:
Ben Awes AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz

Aspect 221 is a multi-experiential home designed for a multi-generational family. Set on a sloping corner property in a 1960's Golden Valley neighborhood, this home offers a variety of ways to connect to the immediate landscapes and distant views. The house itself is divided vertically with interaction between families occurring through the centrally located sculptural stair. Horizontal movement in each direction leads to distinct environments provided for the families; multiple habitats offering variety of space, light, and privacy.

Expanding towards the west, the property takes advantage of the sweeping views and provides a perfect opportunity for a walk-out lower level and tuck under garage. The young family occupies the middle and upper floors, while the parents occupy the lower level. Each family has their own private entry and dedicated outdoor space. The home has 4 distinct outdoor spaces; a north shade deck and south sun deck, as well as an upper east lawn and lower west lawn. These spaces provide multiple habitats for the families to come together or move apart, offering variety and privacy.

We designed Aspect 221 with a nod to the various “aspects” offered by the site and its natural context. The base of the house is a black monolithic plinth anchored into the hillside, containing the garage and older parent’s home. This allows the upper two floors, enclosed in a fractured white and wood box, to remain humanly scaled and to move and gesture freely by twisting the middle floor off axis, and then twisting the upper floor off axis again. Each level offers views in varied directions revealing the site in different ways as you rise in elevation.

Location: Golden Valley, MN

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz
Damien

Aspect 221 is a multi-experiential home designed for a multi-generational family. Set on a sloping corner property in a 1960's Golden Valley neighborhood, this home offers a variety of ways to connect to the immediate landscapes and distant views. The house itself is divided vertically with interaction between families occurring through the centrally located sculptural stair. Horizontal movement in each direction leads to distinct environments provided for the families; multiple habitats offering variety of space, light, and privacy.

Expanding towards the west, the property takes advantage of the sweeping views and provides a perfect opportunity for a walk-out lower level and tuck under garage. The young family occupies the middle and upper floors, while the parents occupy the lower level. Each family has their own private entry and dedicated outdoor space. The home has 4 distinct outdoor spaces; a north shade deck and south sun deck, as well as an upper east lawn and lower west lawn. These spaces provide multiple habitats for the families to come together or move apart, offering variety and privacy.

We designed Aspect 221 with a nod to the various “aspects” offered by the site and its natural context. The base of the house is a black monolithic plinth anchored into the hillside, containing the garage and older parent’s home. This allows the upper two floors, enclosed in a fractured white and wood box, to remain humanly scaled and to move and gesture freely by twisting the middle floor off axis, and then twisting the upper floor off axis again. Each level offers views in varied directions revealing the site in different ways as you rise in elevation.

Location: Golden Valley, MN

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz
Damien

Aspect 221 is a multi-experiential home designed for a multi-generational family. Set on a sloping corner property in a 1960's Golden Valley neighborhood, this home offers a variety of ways to connect to the immediate landscapes and distant views. The house itself is divided vertically with interaction between families occurring through the centrally located sculptural stair. Horizontal movement in each direction leads to distinct environments provided for the families; multiple habitats offering variety of space, light, and privacy.

Expanding towards the west, the property takes advantage of the sweeping views and provides a perfect opportunity for a walk-out lower level and tuck under garage. The young family occupies the middle and upper floors, while the parents occupy the lower level. Each family has their own private entry and dedicated outdoor space. The home has 4 distinct outdoor spaces; a north shade deck and south sun deck, as well as an upper east lawn and lower west lawn. These spaces provide multiple habitats for the families to come together or move apart, offering variety and privacy.

We designed Aspect 221 with a nod to the various “aspects” offered by the site and its natural context. The base of the house is a black monolithic plinth anchored into the hillside, containing the garage and older parent’s home. This allows the upper two floors, enclosed in a fractured white and wood box, to remain humanly scaled and to move and gesture freely by twisting the middle floor off axis, and then twisting the upper floor off axis again. Each level offers views in varied directions revealing the site in different ways as you rise in elevation.

Location: Golden Valley, MN

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz
Damien

Aspect 221 is a multi-experiential home designed for a multi-generational family. Set on a sloping corner property in a 1960's Golden Valley neighborhood, this home offers a variety of ways to connect to the immediate landscapes and distant views. The house itself is divided vertically with interaction between families occurring through the centrally located sculptural stair. Horizontal movement in each direction leads to distinct environments provided for the families; multiple habitats offering variety of space, light, and privacy.

Expanding towards the west, the property takes advantage of the sweeping views and provides a perfect opportunity for a walk-out lower level and tuck under garage. The young family occupies the middle and upper floors, while the parents occupy the lower level. Each family has their own private entry and dedicated outdoor space. The home has 4 distinct outdoor spaces; a north shade deck and south sun deck, as well as an upper east lawn and lower west lawn. These spaces provide multiple habitats for the families to come together or move apart, offering variety and privacy.

We designed Aspect 221 with a nod to the various “aspects” offered by the site and its natural context. The base of the house is a black monolithic plinth anchored into the hillside, containing the garage and older parent’s home. This allows the upper two floors, enclosed in a fractured white and wood box, to remain humanly scaled and to move and gesture freely by twisting the middle floor off axis, and then twisting the upper floor off axis again. Each level offers views in varied directions revealing the site in different ways as you rise in elevation.

Location: Golden Valley, MN

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz
Damien

Aspect 221 is a multi-experiential home designed for a multi-generational family. Set on a sloping corner property in a 1960's Golden Valley neighborhood, this home offers a variety of ways to connect to the immediate landscapes and distant views. The house itself is divided vertically with interaction between families occurring through the centrally located sculptural stair. Horizontal movement in each direction leads to distinct environments provided for the families; multiple habitats offering variety of space, light, and privacy.

Expanding towards the west, the property takes advantage of the sweeping views and provides a perfect opportunity for a walk-out lower level and tuck under garage. The young family occupies the middle and upper floors, while the parents occupy the lower level. Each family has their own private entry and dedicated outdoor space. The home has 4 distinct outdoor spaces; a north shade deck and south sun deck, as well as an upper east lawn and lower west lawn. These spaces provide multiple habitats for the families to come together or move apart, offering variety and privacy.

We designed Aspect 221 with a nod to the various “aspects” offered by the site and its natural context. The base of the house is a black monolithic plinth anchored into the hillside, containing the garage and older parent’s home. This allows the upper two floors, enclosed in a fractured white and wood box, to remain humanly scaled and to move and gesture freely by twisting the middle floor off axis, and then twisting the upper floor off axis again. Each level offers views in varied directions revealing the site in different ways as you rise in elevation.

Location: Golden Valley, MN

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz
Damien

Aspect 221 is a multi-experiential home designed for a multi-generational family. Set on a sloping corner property in a 1960's Golden Valley neighborhood, this home offers a variety of ways to connect to the immediate landscapes and distant views. The house itself is divided vertically with interaction between families occurring through the centrally located sculptural stair. Horizontal movement in each direction leads to distinct environments provided for the families; multiple habitats offering variety of space, light, and privacy.

Expanding towards the west, the property takes advantage of the sweeping views and provides a perfect opportunity for a walk-out lower level and tuck under garage. The young family occupies the middle and upper floors, while the parents occupy the lower level. Each family has their own private entry and dedicated outdoor space. The home has 4 distinct outdoor spaces; a north shade deck and south sun deck, as well as an upper east lawn and lower west lawn. These spaces provide multiple habitats for the families to come together or move apart, offering variety and privacy.

We designed Aspect 221 with a nod to the various “aspects” offered by the site and its natural context. The base of the house is a black monolithic plinth anchored into the hillside, containing the garage and older parent’s home. This allows the upper two floors, enclosed in a fractured white and wood box, to remain humanly scaled and to move and gesture freely by twisting the middle floor off axis, and then twisting the upper floor off axis again. Each level offers views in varied directions revealing the site in different ways as you rise in elevation.

Location: Golden Valley, MN

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz
Damien

Aspect 221 is a multi-experiential home designed for a multi-generational family. Set on a sloping corner property in a 1960's Golden Valley neighborhood, this home offers a variety of ways to connect to the immediate landscapes and distant views. The house itself is divided vertically with interaction between families occurring through the centrally located sculptural stair. Horizontal movement in each direction leads to distinct environments provided for the families; multiple habitats offering variety of space, light, and privacy.

Expanding towards the west, the property takes advantage of the sweeping views and provides a perfect opportunity for a walk-out lower level and tuck under garage. The young family occupies the middle and upper floors, while the parents occupy the lower level. Each family has their own private entry and dedicated outdoor space. The home has 4 distinct outdoor spaces; a north shade deck and south sun deck, as well as an upper east lawn and lower west lawn. These spaces provide multiple habitats for the families to come together or move apart, offering variety and privacy.

We designed Aspect 221 with a nod to the various “aspects” offered by the site and its natural context. The base of the house is a black monolithic plinth anchored into the hillside, containing the garage and older parent’s home. This allows the upper two floors, enclosed in a fractured white and wood box, to remain humanly scaled and to move and gesture freely by twisting the middle floor off axis, and then twisting the upper floor off axis again. Each level offers views in varied directions revealing the site in different ways as you rise in elevation.

Location: Golden Valley, MN

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz
Damien

Aspect 221 is a multi-experiential home designed for a multi-generational family. Set on a sloping corner property in a 1960's Golden Valley neighborhood, this home offers a variety of ways to connect to the immediate landscapes and distant views. The house itself is divided vertically with interaction between families occurring through the centrally located sculptural stair. Horizontal movement in each direction leads to distinct environments provided for the families; multiple habitats offering variety of space, light, and privacy.

Expanding towards the west, the property takes advantage of the sweeping views and provides a perfect opportunity for a walk-out lower level and tuck under garage. The young family occupies the middle and upper floors, while the parents occupy the lower level. Each family has their own private entry and dedicated outdoor space. The home has 4 distinct outdoor spaces; a north shade deck and south sun deck, as well as an upper east lawn and lower west lawn. These spaces provide multiple habitats for the families to come together or move apart, offering variety and privacy.

We designed Aspect 221 with a nod to the various “aspects” offered by the site and its natural context. The base of the house is a black monolithic plinth anchored into the hillside, containing the garage and older parent’s home. This allows the upper two floors, enclosed in a fractured white and wood box, to remain humanly scaled and to move and gesture freely by twisting the middle floor off axis, and then twisting the upper floor off axis again. Each level offers views in varied directions revealing the site in different ways as you rise in elevation.

Location: Golden Valley, MN

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz
Damien

Aspect 221 is a multi-experiential home designed for a multi-generational family. Set on a sloping corner property in a 1960's Golden Valley neighborhood, this home offers a variety of ways to connect to the immediate landscapes and distant views. The house itself is divided vertically with interaction between families occurring through the centrally located sculptural stair. Horizontal movement in each direction leads to distinct environments provided for the families; multiple habitats offering variety of space, light, and privacy.

Expanding towards the west, the property takes advantage of the sweeping views and provides a perfect opportunity for a walk-out lower level and tuck under garage. The young family occupies the middle and upper floors, while the parents occupy the lower level. Each family has their own private entry and dedicated outdoor space. The home has 4 distinct outdoor spaces; a north shade deck and south sun deck, as well as an upper east lawn and lower west lawn. These spaces provide multiple habitats for the families to come together or move apart, offering variety and privacy.

We designed Aspect 221 with a nod to the various “aspects” offered by the site and its natural context. The base of the house is a black monolithic plinth anchored into the hillside, containing the garage and older parent’s home. This allows the upper two floors, enclosed in a fractured white and wood box, to remain humanly scaled and to move and gesture freely by twisting the middle floor off axis, and then twisting the upper floor off axis again. Each level offers views in varied directions revealing the site in different ways as you rise in elevation.

Location: Golden Valley, MN

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz
Damien

Aspect 221 is a multi-experiential home designed for a multi-generational family. Set on a sloping corner property in a 1960's Golden Valley neighborhood, this home offers a variety of ways to connect to the immediate landscapes and distant views. The house itself is divided vertically with interaction between families occurring through the centrally located sculptural stair. Horizontal movement in each direction leads to distinct environments provided for the families; multiple habitats offering variety of space, light, and privacy.

Expanding towards the west, the property takes advantage of the sweeping views and provides a perfect opportunity for a walk-out lower level and tuck under garage. The young family occupies the middle and upper floors, while the parents occupy the lower level. Each family has their own private entry and dedicated outdoor space. The home has 4 distinct outdoor spaces; a north shade deck and south sun deck, as well as an upper east lawn and lower west lawn. These spaces provide multiple habitats for the families to come together or move apart, offering variety and privacy.

We designed Aspect 221 with a nod to the various “aspects” offered by the site and its natural context. The base of the house is a black monolithic plinth anchored into the hillside, containing the garage and older parent’s home. This allows the upper two floors, enclosed in a fractured white and wood box, to remain humanly scaled and to move and gesture freely by twisting the middle floor off axis, and then twisting the upper floor off axis again. Each level offers views in varied directions revealing the site in different ways as you rise in elevation.

Location: Golden Valley, MN

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz
Damien

Aspect 221 is a multi-experiential home designed for a multi-generational family. Set on a sloping corner property in a 1960's Golden Valley neighborhood, this home offers a variety of ways to connect to the immediate landscapes and distant views. The house itself is divided vertically with interaction between families occurring through the centrally located sculptural stair. Horizontal movement in each direction leads to distinct environments provided for the families; multiple habitats offering variety of space, light, and privacy.

Expanding towards the west, the property takes advantage of the sweeping views and provides a perfect opportunity for a walk-out lower level and tuck under garage. The young family occupies the middle and upper floors, while the parents occupy the lower level. Each family has their own private entry and dedicated outdoor space. The home has 4 distinct outdoor spaces; a north shade deck and south sun deck, as well as an upper east lawn and lower west lawn. These spaces provide multiple habitats for the families to come together or move apart, offering variety and privacy.

We designed Aspect 221 with a nod to the various “aspects” offered by the site and its natural context. The base of the house is a black monolithic plinth anchored into the hillside, containing the garage and older parent’s home. This allows the upper two floors, enclosed in a fractured white and wood box, to remain humanly scaled and to move and gesture freely by twisting the middle floor off axis, and then twisting the upper floor off axis again. Each level offers views in varied directions revealing the site in different ways as you rise in elevation.

Location: Golden Valley, MN

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz
Damien

Aspect 221 is a multi-experiential home designed for a multi-generational family. Set on a sloping corner property in a 1960's Golden Valley neighborhood, this home offers a variety of ways to connect to the immediate landscapes and distant views. The house itself is divided vertically with interaction between families occurring through the centrally located sculptural stair. Horizontal movement in each direction leads to distinct environments provided for the families; multiple habitats offering variety of space, light, and privacy.

Expanding towards the west, the property takes advantage of the sweeping views and provides a perfect opportunity for a walk-out lower level and tuck under garage. The young family occupies the middle and upper floors, while the parents occupy the lower level. Each family has their own private entry and dedicated outdoor space. The home has 4 distinct outdoor spaces; a north shade deck and south sun deck, as well as an upper east lawn and lower west lawn. These spaces provide multiple habitats for the families to come together or move apart, offering variety and privacy.

We designed Aspect 221 with a nod to the various “aspects” offered by the site and its natural context. The base of the house is a black monolithic plinth anchored into the hillside, containing the garage and older parent’s home. This allows the upper two floors, enclosed in a fractured white and wood box, to remain humanly scaled and to move and gesture freely by twisting the middle floor off axis, and then twisting the upper floor off axis again. Each level offers views in varied directions revealing the site in different ways as you rise in elevation.

Location: Golden Valley, MN

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz
Damien

Aspect 221 is a multi-experiential home designed for a multi-generational family. Set on a sloping corner property in a 1960's Golden Valley neighborhood, this home offers a variety of ways to connect to the immediate landscapes and distant views. The house itself is divided vertically with interaction between families occurring through the centrally located sculptural stair. Horizontal movement in each direction leads to distinct environments provided for the families; multiple habitats offering variety of space, light, and privacy.

Expanding towards the west, the property takes advantage of the sweeping views and provides a perfect opportunity for a walk-out lower level and tuck under garage. The young family occupies the middle and upper floors, while the parents occupy the lower level. Each family has their own private entry and dedicated outdoor space. The home has 4 distinct outdoor spaces; a north shade deck and south sun deck, as well as an upper east lawn and lower west lawn. These spaces provide multiple habitats for the families to come together or move apart, offering variety and privacy.

We designed Aspect 221 with a nod to the various “aspects” offered by the site and its natural context. The base of the house is a black monolithic plinth anchored into the hillside, containing the garage and older parent’s home. This allows the upper two floors, enclosed in a fractured white and wood box, to remain humanly scaled and to move and gesture freely by twisting the middle floor off axis, and then twisting the upper floor off axis again. Each level offers views in varied directions revealing the site in different ways as you rise in elevation.

Location: Golden Valley, MN

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz
Damien

Aspect 221 is a multi-experiential home designed for a multi-generational family. Set on a sloping corner property in a 1960's Golden Valley neighborhood, this home offers a variety of ways to connect to the immediate landscapes and distant views. The house itself is divided vertically with interaction between families occurring through the centrally located sculptural stair. Horizontal movement in each direction leads to distinct environments provided for the families; multiple habitats offering variety of space, light, and privacy.

Expanding towards the west, the property takes advantage of the sweeping views and provides a perfect opportunity for a walk-out lower level and tuck under garage. The young family occupies the middle and upper floors, while the parents occupy the lower level. Each family has their own private entry and dedicated outdoor space. The home has 4 distinct outdoor spaces; a north shade deck and south sun deck, as well as an upper east lawn and lower west lawn. These spaces provide multiple habitats for the families to come together or move apart, offering variety and privacy.

We designed Aspect 221 with a nod to the various “aspects” offered by the site and its natural context. The base of the house is a black monolithic plinth anchored into the hillside, containing the garage and older parent’s home. This allows the upper two floors, enclosed in a fractured white and wood box, to remain humanly scaled and to move and gesture freely by twisting the middle floor off axis, and then twisting the upper floor off axis again. Each level offers views in varied directions revealing the site in different ways as you rise in elevation.

Location: Golden Valley, MN

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz
Damien

Aspect 221 is a multi-experiential home designed for a multi-generational family. Set on a sloping corner property in a 1960's Golden Valley neighborhood, this home offers a variety of ways to connect to the immediate landscapes and distant views. The house itself is divided vertically with interaction between families occurring through the centrally located sculptural stair. Horizontal movement in each direction leads to distinct environments provided for the families; multiple habitats offering variety of space, light, and privacy.

Expanding towards the west, the property takes advantage of the sweeping views and provides a perfect opportunity for a walk-out lower level and tuck under garage. The young family occupies the middle and upper floors, while the parents occupy the lower level. Each family has their own private entry and dedicated outdoor space. The home has 4 distinct outdoor spaces; a north shade deck and south sun deck, as well as an upper east lawn and lower west lawn. These spaces provide multiple habitats for the families to come together or move apart, offering variety and privacy.

We designed Aspect 221 with a nod to the various “aspects” offered by the site and its natural context. The base of the house is a black monolithic plinth anchored into the hillside, containing the garage and older parent’s home. This allows the upper two floors, enclosed in a fractured white and wood box, to remain humanly scaled and to move and gesture freely by twisting the middle floor off axis, and then twisting the upper floor off axis again. Each level offers views in varied directions revealing the site in different ways as you rise in elevation.

Location: Golden Valley, MN

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz
Damien

Aspect 221 is a multi-experiential home designed for a multi-generational family. Set on a sloping corner property in a 1960's Golden Valley neighborhood, this home offers a variety of ways to connect to the immediate landscapes and distant views. The house itself is divided vertically with interaction between families occurring through the centrally located sculptural stair. Horizontal movement in each direction leads to distinct environments provided for the families; multiple habitats offering variety of space, light, and privacy.

Expanding towards the west, the property takes advantage of the sweeping views and provides a perfect opportunity for a walk-out lower level and tuck under garage. The young family occupies the middle and upper floors, while the parents occupy the lower level. Each family has their own private entry and dedicated outdoor space. The home has 4 distinct outdoor spaces; a north shade deck and south sun deck, as well as an upper east lawn and lower west lawn. These spaces provide multiple habitats for the families to come together or move apart, offering variety and privacy.

We designed Aspect 221 with a nod to the various “aspects” offered by the site and its natural context. The base of the house is a black monolithic plinth anchored into the hillside, containing the garage and older parent’s home. This allows the upper two floors, enclosed in a fractured white and wood box, to remain humanly scaled and to move and gesture freely by twisting the middle floor off axis, and then twisting the upper floor off axis again. Each level offers views in varied directions revealing the site in different ways as you rise in elevation.

Location: Golden Valley, MN

Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge
Max Ouellette-Howitz
Damien

Built in the 1950’s, this Ralph Rapson gem was placed on a hillside.…and around a young Red Oak. In the original design an open breezeway connected a garage on one side to the house on the other. At some point the breezeway was filled in and the garage was converted to living space. The front door was placed on the breezeway facing the street, almost directly behind the tree.

Over the years the tree grew, as they tend to do, to the point where the front door became mostly obscured by the tree. It was already difficult to find the door between two buildings set back from the front. The tree made it more difficult still.

Our charge was simple – improve the sense of entry, provide a way to draw people in, keep the tree, keep the door, and above-all-else be sensitive to Rapson’s original idea.

We love the tree and its’ unique relationship with the house. Entry is “around” this tree and should remain so. Experiencing the tree is integral to the threshold of the home.

Our solution is a simple sidewalk. Precast white concrete pavers, 3’ x 3’, are placed in sequence leading to the front door. The ground plane is covered in a thin layer of blue/grey trap rock, allowing the pavers to stand out clearly as the path. Once the front door is reached, the pavers turn, are raised to the level of the floor, and become a stoop to more gracefully transition from inside to out.

Here the stoop mediates between the tree and the house. The concrete is carved out conforming to the shape of the tree and a wood band is placed between them, both softening the edge and referencing the ever-changing organic nature of the space.

Location: Chanhassen, MN.

Project Team:
Ben Awes, AIA, Principal-in -Charge
Nate Dodge

Built in the 1950’s, this Ralph Rapson gem was placed on a hillside.…and around a young Red Oak. In the original design an open breezeway connected a garage on one side to the house on the other. At some point the breezeway was filled in and the garage was converted to living space. The front door was placed on the breezeway facing the street, almost directly behind the tree.

Over the years the tree grew, as they tend to do, to the point where the front door became mostly obscured by the tree. It was already difficult to find the door between two buildings set back from the front. The tree made it more difficult still.

Our charge was simple – improve the sense of entry, provide a way to draw people in, keep the tree, keep the door, and above-all-else be sensitive to Rapson’s original idea.

We love the tree and its’ unique relationship with the house. Entry is “around” this tree and should remain so. Experiencing the tree is integral to the threshold of the home.

Our solution is a simple sidewalk. Precast white concrete pavers, 3’ x 3’, are placed in sequence leading to the front door. The ground plane is covered in a thin layer of blue/grey trap rock, allowing the pavers to stand out clearly as the path. Once the front door is reached, the pavers turn, are raised to the level of the floor, and become a stoop to more gracefully transition from inside to out.

Here the stoop mediates between the tree and the house. The concrete is carved out conforming to the shape of the tree and a wood band is placed between them, both softening the edge and referencing the ever-changing organic nature of the space.

Location: Chanhassen, MN.

Project Team:
Ben Awes, AIA, Principal-in -Charge
Nate Dodge

Built in the 1950’s, this Ralph Rapson gem was placed on a hillside.…and around a young Red Oak. In the original design an open breezeway connected a garage on one side to the house on the other. At some point the breezeway was filled in and the garage was converted to living space. The front door was placed on the breezeway facing the street, almost directly behind the tree.

Over the years the tree grew, as they tend to do, to the point where the front door became mostly obscured by the tree. It was already difficult to find the door between two buildings set back from the front. The tree made it more difficult still.

Our charge was simple – improve the sense of entry, provide a way to draw people in, keep the tree, keep the door, and above-all-else be sensitive to Rapson’s original idea.

We love the tree and its’ unique relationship with the house. Entry is “around” this tree and should remain so. Experiencing the tree is integral to the threshold of the home.

Our solution is a simple sidewalk. Precast white concrete pavers, 3’ x 3’, are placed in sequence leading to the front door. The ground plane is covered in a thin layer of blue/grey trap rock, allowing the pavers to stand out clearly as the path. Once the front door is reached, the pavers turn, are raised to the level of the floor, and become a stoop to more gracefully transition from inside to out.

Here the stoop mediates between the tree and the house. The concrete is carved out conforming to the shape of the tree and a wood band is placed between them, both softening the edge and referencing the ever-changing organic nature of the space.

Location: Chanhassen, MN.

Project Team:
Ben Awes, AIA, Principal-in -Charge
Nate Dodge

Built in the 1950’s, this Ralph Rapson gem was placed on a hillside.…and around a young Red Oak. In the original design an open breezeway connected a garage on one side to the house on the other. At some point the breezeway was filled in and the garage was converted to living space. The front door was placed on the breezeway facing the street, almost directly behind the tree.

Over the years the tree grew, as they tend to do, to the point where the front door became mostly obscured by the tree. It was already difficult to find the door between two buildings set back from the front. The tree made it more difficult still.

Our charge was simple – improve the sense of entry, provide a way to draw people in, keep the tree, keep the door, and above-all-else be sensitive to Rapson’s original idea.

We love the tree and its’ unique relationship with the house. Entry is “around” this tree and should remain so. Experiencing the tree is integral to the threshold of the home.

Our solution is a simple sidewalk. Precast white concrete pavers, 3’ x 3’, are placed in sequence leading to the front door. The ground plane is covered in a thin layer of blue/grey trap rock, allowing the pavers to stand out clearly as the path. Once the front door is reached, the pavers turn, are raised to the level of the floor, and become a stoop to more gracefully transition from inside to out.

Here the stoop mediates between the tree and the house. The concrete is carved out conforming to the shape of the tree and a wood band is placed between them, both softening the edge and referencing the ever-changing organic nature of the space.

Location: Chanhassen, MN.

Project Team:
Ben Awes, AIA, Principal-in -Charge
Nate Dodge

Built in the 1950’s, this Ralph Rapson gem was placed on a hillside.…and around a young Red Oak. In the original design an open breezeway connected a garage on one side to the house on the other. At some point the breezeway was filled in and the garage was converted to living space. The front door was placed on the breezeway facing the street, almost directly behind the tree.

Over the years the tree grew, as they tend to do, to the point where the front door became mostly obscured by the tree. It was already difficult to find the door between two buildings set back from the front. The tree made it more difficult still.

Our charge was simple – improve the sense of entry, provide a way to draw people in, keep the tree, keep the door, and above-all-else be sensitive to Rapson’s original idea.

We love the tree and its’ unique relationship with the house. Entry is “around” this tree and should remain so. Experiencing the tree is integral to the threshold of the home.

Our solution is a simple sidewalk. Precast white concrete pavers, 3’ x 3’, are placed in sequence leading to the front door. The ground plane is covered in a thin layer of blue/grey trap rock, allowing the pavers to stand out clearly as the path. Once the front door is reached, the pavers turn, are raised to the level of the floor, and become a stoop to more gracefully transition from inside to out.

Here the stoop mediates between the tree and the house. The concrete is carved out conforming to the shape of the tree and a wood band is placed between them, both softening the edge and referencing the ever-changing organic nature of the space.

Location: Chanhassen, MN.

Project Team:
Ben Awes, AIA, Principal-in -Charge
Nate Dodge

So often our task as residential architects is not to create something out of nothing. Instead, it is to help evolve, or bring forward something that is already there; to see with new eyes the best of what exists and to clarify and expand it, so that the house supports and celebrates how the client lives, and hopes to live, in the home.

So was the case with our House of Blues. The house was already wonderful. There was plenty of space, good views, a functioning floor plan, and the home was in overall good condition. The best features however, were embedded in the time it was built – mid 1960’s. The views were good, but too small. The kitchen location worked well, but is was closed off, cramped, and lacking counter space. The dining room was elegant, but too large and isolated. The graceful central hallway remained the homes most unique feature, but it was dark and the entry to the rooms on either side were accessed via small doorways. The bathrooms were large enough, and in the right locations, but they were tired and dated, and there was no mudroom.

We created something out of something. Beautiful shades of blue permeated the owner’s things and became a central theme in new elements. Daylight was expanded and brought deeper into the space. Doorways were widened and walls removed. The central hallway was fully opened at the end with two-story glass to improve on an already good idea. The kitchen was wholly new and expanded by borrowing space from the dining room. A mudroom was carved out of the garage. All the bathrooms were remodeled with fresh materials and new features. The gracious concrete stoop was reclad in stone and the front door was changed out for a splash of color. Light now permeates all the rooms and spaces flow together without losing their identity or function. The owners no longer feel blue in their House of Blues!

Location: St Paul, MN

Project Team:
Ben Awes, AIA, Principal- in -Charge
Nate Dodge

So often our task as residential architects is not to create something out of nothing. Instead, it is to help evolve, or bring forward something that is already there; to see with new eyes the best of what exists and to clarify and expand it, so that the house supports and celebrates how the client lives, and hopes to live, in the home.

So was the case with our House of Blues. The house was already wonderful. There was plenty of space, good views, a functioning floor plan, and the home was in overall good condition. The best features however, were embedded in the time it was built – mid 1960’s. The views were good, but too small. The kitchen location worked well, but is was closed off, cramped, and lacking counter space. The dining room was elegant, but too large and isolated. The graceful central hallway remained the homes most unique feature, but it was dark and the entry to the rooms on either side were accessed via small doorways. The bathrooms were large enough, and in the right locations, but they were tired and dated, and there was no mudroom.

We created something out of something. Beautiful shades of blue permeated the owner’s things and became a central theme in new elements. Daylight was expanded and brought deeper into the space. Doorways were widened and walls removed. The central hallway was fully opened at the end with two-story glass to improve on an already good idea. The kitchen was wholly new and expanded by borrowing space from the dining room. A mudroom was carved out of the garage. All the bathrooms were remodeled with fresh materials and new features. The gracious concrete stoop was reclad in stone and the front door was changed out for a splash of color. Light now permeates all the rooms and spaces flow together without losing their identity or function. The owners no longer feel blue in their House of Blues!

Location: St Paul, MN

Project Team:
Ben Awes, AIA, Principal- in -Charge
Nate Dodge

So often our task as residential architects is not to create something out of nothing. Instead, it is to help evolve, or bring forward something that is already there; to see with new eyes the best of what exists and to clarify and expand it, so that the house supports and celebrates how the client lives, and hopes to live, in the home.

So was the case with our House of Blues. The house was already wonderful. There was plenty of space, good views, a functioning floor plan, and the home was in overall good condition. The best features however, were embedded in the time it was built – mid 1960’s. The views were good, but too small. The kitchen location worked well, but is was closed off, cramped, and lacking counter space. The dining room was elegant, but too large and isolated. The graceful central hallway remained the homes most unique feature, but it was dark and the entry to the rooms on either side were accessed via small doorways. The bathrooms were large enough, and in the right locations, but they were tired and dated, and there was no mudroom.

We created something out of something. Beautiful shades of blue permeated the owner’s things and became a central theme in new elements. Daylight was expanded and brought deeper into the space. Doorways were widened and walls removed. The central hallway was fully opened at the end with two-story glass to improve on an already good idea. The kitchen was wholly new and expanded by borrowing space from the dining room. A mudroom was carved out of the garage. All the bathrooms were remodeled with fresh materials and new features. The gracious concrete stoop was reclad in stone and the front door was changed out for a splash of color. Light now permeates all the rooms and spaces flow together without losing their identity or function. The owners no longer feel blue in their House of Blues!

Location: St Paul, MN

Project Team:
Ben Awes, AIA, Principal- in -Charge
Nate Dodge

So often our task as residential architects is not to create something out of nothing. Instead, it is to help evolve, or bring forward something that is already there; to see with new eyes the best of what exists and to clarify and expand it, so that the house supports and celebrates how the client lives, and hopes to live, in the home.

So was the case with our House of Blues. The house was already wonderful. There was plenty of space, good views, a functioning floor plan, and the home was in overall good condition. The best features however, were embedded in the time it was built – mid 1960’s. The views were good, but too small. The kitchen location worked well, but is was closed off, cramped, and lacking counter space. The dining room was elegant, but too large and isolated. The graceful central hallway remained the homes most unique feature, but it was dark and the entry to the rooms on either side were accessed via small doorways. The bathrooms were large enough, and in the right locations, but they were tired and dated, and there was no mudroom.

We created something out of something. Beautiful shades of blue permeated the owner’s things and became a central theme in new elements. Daylight was expanded and brought deeper into the space. Doorways were widened and walls removed. The central hallway was fully opened at the end with two-story glass to improve on an already good idea. The kitchen was wholly new and expanded by borrowing space from the dining room. A mudroom was carved out of the garage. All the bathrooms were remodeled with fresh materials and new features. The gracious concrete stoop was reclad in stone and the front door was changed out for a splash of color. Light now permeates all the rooms and spaces flow together without losing their identity or function. The owners no longer feel blue in their House of Blues!

Location: St Paul, MN

Project Team:
Ben Awes, AIA, Principal- in -Charge
Nate Dodge

So often our task as residential architects is not to create something out of nothing. Instead, it is to help evolve, or bring forward something that is already there; to see with new eyes the best of what exists and to clarify and expand it, so that the house supports and celebrates how the client lives, and hopes to live, in the home.

So was the case with our House of Blues. The house was already wonderful. There was plenty of space, good views, a functioning floor plan, and the home was in overall good condition. The best features however, were embedded in the time it was built – mid 1960’s. The views were good, but too small. The kitchen location worked well, but is was closed off, cramped, and lacking counter space. The dining room was elegant, but too large and isolated. The graceful central hallway remained the homes most unique feature, but it was dark and the entry to the rooms on either side were accessed via small doorways. The bathrooms were large enough, and in the right locations, but they were tired and dated, and there was no mudroom.

We created something out of something. Beautiful shades of blue permeated the owner’s things and became a central theme in new elements. Daylight was expanded and brought deeper into the space. Doorways were widened and walls removed. The central hallway was fully opened at the end with two-story glass to improve on an already good idea. The kitchen was wholly new and expanded by borrowing space from the dining room. A mudroom was carved out of the garage. All the bathrooms were remodeled with fresh materials and new features. The gracious concrete stoop was reclad in stone and the front door was changed out for a splash of color. Light now permeates all the rooms and spaces flow together without losing their identity or function. The owners no longer feel blue in their House of Blues!

Location: St Paul, MN

Project Team:
Ben Awes, AIA, Principal- in -Charge
Nate Dodge

So often our task as residential architects is not to create something out of nothing. Instead, it is to help evolve, or bring forward something that is already there; to see with new eyes the best of what exists and to clarify and expand it, so that the house supports and celebrates how the client lives, and hopes to live, in the home.

So was the case with our House of Blues. The house was already wonderful. There was plenty of space, good views, a functioning floor plan, and the home was in overall good condition. The best features however, were embedded in the time it was built – mid 1960’s. The views were good, but too small. The kitchen location worked well, but is was closed off, cramped, and lacking counter space. The dining room was elegant, but too large and isolated. The graceful central hallway remained the homes most unique feature, but it was dark and the entry to the rooms on either side were accessed via small doorways. The bathrooms were large enough, and in the right locations, but they were tired and dated, and there was no mudroom.

We created something out of something. Beautiful shades of blue permeated the owner’s things and became a central theme in new elements. Daylight was expanded and brought deeper into the space. Doorways were widened and walls removed. The central hallway was fully opened at the end with two-story glass to improve on an already good idea. The kitchen was wholly new and expanded by borrowing space from the dining room. A mudroom was carved out of the garage. All the bathrooms were remodeled with fresh materials and new features. The gracious concrete stoop was reclad in stone and the front door was changed out for a splash of color. Light now permeates all the rooms and spaces flow together without losing their identity or function. The owners no longer feel blue in their House of Blues!

Location: St Paul, MN

Project Team:
Ben Awes, AIA, Principal- in -Charge
Nate Dodge

So often our task as residential architects is not to create something out of nothing. Instead, it is to help evolve, or bring forward something that is already there; to see with new eyes the best of what exists and to clarify and expand it, so that the house supports and celebrates how the client lives, and hopes to live, in the home.

So was the case with our House of Blues. The house was already wonderful. There was plenty of space, good views, a functioning floor plan, and the home was in overall good condition. The best features however, were embedded in the time it was built – mid 1960’s. The views were good, but too small. The kitchen location worked well, but is was closed off, cramped, and lacking counter space. The dining room was elegant, but too large and isolated. The graceful central hallway remained the homes most unique feature, but it was dark and the entry to the rooms on either side were accessed via small doorways. The bathrooms were large enough, and in the right locations, but they were tired and dated, and there was no mudroom.

We created something out of something. Beautiful shades of blue permeated the owner’s things and became a central theme in new elements. Daylight was expanded and brought deeper into the space. Doorways were widened and walls removed. The central hallway was fully opened at the end with two-story glass to improve on an already good idea. The kitchen was wholly new and expanded by borrowing space from the dining room. A mudroom was carved out of the garage. All the bathrooms were remodeled with fresh materials and new features. The gracious concrete stoop was reclad in stone and the front door was changed out for a splash of color. Light now permeates all the rooms and spaces flow together without losing their identity or function. The owners no longer feel blue in their House of Blues!

Location: St Paul, MN

Project Team:
Ben Awes, AIA, Principal- in -Charge
Nate Dodge

So often our task as residential architects is not to create something out of nothing. Instead, it is to help evolve, or bring forward something that is already there; to see with new eyes the best of what exists and to clarify and expand it, so that the house supports and celebrates how the client lives, and hopes to live, in the home.

So was the case with our House of Blues. The house was already wonderful. There was plenty of space, good views, a functioning floor plan, and the home was in overall good condition. The best features however, were embedded in the time it was built – mid 1960’s. The views were good, but too small. The kitchen location worked well, but is was closed off, cramped, and lacking counter space. The dining room was elegant, but too large and isolated. The graceful central hallway remained the homes most unique feature, but it was dark and the entry to the rooms on either side were accessed via small doorways. The bathrooms were large enough, and in the right locations, but they were tired and dated, and there was no mudroom.

We created something out of something. Beautiful shades of blue permeated the owner’s things and became a central theme in new elements. Daylight was expanded and brought deeper into the space. Doorways were widened and walls removed. The central hallway was fully opened at the end with two-story glass to improve on an already good idea. The kitchen was wholly new and expanded by borrowing space from the dining room. A mudroom was carved out of the garage. All the bathrooms were remodeled with fresh materials and new features. The gracious concrete stoop was reclad in stone and the front door was changed out for a splash of color. Light now permeates all the rooms and spaces flow together without losing their identity or function. The owners no longer feel blue in their House of Blues!

Location: St Paul, MN

Project Team:
Ben Awes, AIA, Principal- in -Charge
Nate Dodge

So often our task as residential architects is not to create something out of nothing. Instead, it is to help evolve, or bring forward something that is already there; to see with new eyes the best of what exists and to clarify and expand it, so that the house supports and celebrates how the client lives, and hopes to live, in the home.

So was the case with our House of Blues. The house was already wonderful. There was plenty of space, good views, a functioning floor plan, and the home was in overall good condition. The best features however, were embedded in the time it was built – mid 1960’s. The views were good, but too small. The kitchen location worked well, but is was closed off, cramped, and lacking counter space. The dining room was elegant, but too large and isolated. The graceful central hallway remained the homes most unique feature, but it was dark and the entry to the rooms on either side were accessed via small doorways. The bathrooms were large enough, and in the right locations, but they were tired and dated, and there was no mudroom.

We created something out of something. Beautiful shades of blue permeated the owner’s things and became a central theme in new elements. Daylight was expanded and brought deeper into the space. Doorways were widened and walls removed. The central hallway was fully opened at the end with two-story glass to improve on an already good idea. The kitchen was wholly new and expanded by borrowing space from the dining room. A mudroom was carved out of the garage. All the bathrooms were remodeled with fresh materials and new features. The gracious concrete stoop was reclad in stone and the front door was changed out for a splash of color. Light now permeates all the rooms and spaces flow together without losing their identity or function. The owners no longer feel blue in their House of Blues!

Location: St Paul, MN

Project Team:
Ben Awes, AIA, Principal- in -Charge
Nate Dodge

So often our task as residential architects is not to create something out of nothing. Instead, it is to help evolve, or bring forward something that is already there; to see with new eyes the best of what exists and to clarify and expand it, so that the house supports and celebrates how the client lives, and hopes to live, in the home.

So was the case with our House of Blues. The house was already wonderful. There was plenty of space, good views, a functioning floor plan, and the home was in overall good condition. The best features however, were embedded in the time it was built – mid 1960’s. The views were good, but too small. The kitchen location worked well, but is was closed off, cramped, and lacking counter space. The dining room was elegant, but too large and isolated. The graceful central hallway remained the homes most unique feature, but it was dark and the entry to the rooms on either side were accessed via small doorways. The bathrooms were large enough, and in the right locations, but they were tired and dated, and there was no mudroom.

We created something out of something. Beautiful shades of blue permeated the owner’s things and became a central theme in new elements. Daylight was expanded and brought deeper into the space. Doorways were widened and walls removed. The central hallway was fully opened at the end with two-story glass to improve on an already good idea. The kitchen was wholly new and expanded by borrowing space from the dining room. A mudroom was carved out of the garage. All the bathrooms were remodeled with fresh materials and new features. The gracious concrete stoop was reclad in stone and the front door was changed out for a splash of color. Light now permeates all the rooms and spaces flow together without losing their identity or function. The owners no longer feel blue in their House of Blues!

Location: St Paul, MN

Project Team:
Ben Awes, AIA, Principal- in -Charge
Nate Dodge

So often our task as residential architects is not to create something out of nothing. Instead, it is to help evolve, or bring forward something that is already there; to see with new eyes the best of what exists and to clarify and expand it, so that the house supports and celebrates how the client lives, and hopes to live, in the home.

So was the case with our House of Blues. The house was already wonderful. There was plenty of space, good views, a functioning floor plan, and the home was in overall good condition. The best features however, were embedded in the time it was built – mid 1960’s. The views were good, but too small. The kitchen location worked well, but is was closed off, cramped, and lacking counter space. The dining room was elegant, but too large and isolated. The graceful central hallway remained the homes most unique feature, but it was dark and the entry to the rooms on either side were accessed via small doorways. The bathrooms were large enough, and in the right locations, but they were tired and dated, and there was no mudroom.

We created something out of something. Beautiful shades of blue permeated the owner’s things and became a central theme in new elements. Daylight was expanded and brought deeper into the space. Doorways were widened and walls removed. The central hallway was fully opened at the end with two-story glass to improve on an already good idea. The kitchen was wholly new and expanded by borrowing space from the dining room. A mudroom was carved out of the garage. All the bathrooms were remodeled with fresh materials and new features. The gracious concrete stoop was reclad in stone and the front door was changed out for a splash of color. Light now permeates all the rooms and spaces flow together without losing their identity or function. The owners no longer feel blue in their House of Blues!

Location: St Paul, MN

Project Team:
Ben Awes, AIA, Principal- in -Charge
Nate Dodge

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home.

The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home.

The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principal-in-Charge
Nate Dodge

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home.

The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home.

The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principal-in-Charge
Nate Dodge

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home.

The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home.

The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principal-in-Charge
Nate Dodge

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home.

The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home.

The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principal-in-Charge
Nate Dodge

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home.

The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home.

The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principal-in-Charge
Nate Dodge

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home.

The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home.

The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principal-in-Charge
Nate Dodge

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home.

The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home.

The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principal-in-Charge
Nate Dodge

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home.

The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home.

The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home.

The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home.

The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principal-in-Charge
Nate Dodge

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home.

The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home.

The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principal-in-Charge
Nate Dodge

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home.

The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home.

The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principal-in-Charge
Nate Dodge

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home.

The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home.

The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principal-in-Charge
Nate Dodge

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home.

The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home.

The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principal-in-Charge
Nate Dodge

Built in the 1970’s, this Mediterranean style ranch walk-out is typical of its rolling western Edina neighborhood. The home is wonderfully sized and did not need any additional square feet. With a 3-car garage, living, dining, kitchen, laundry, mudroom, powder, generous entry, and family room all on the main floor, the house met all the client’s needs for space.

The organization and flow through these spaces however, was a product of the times. The rooms were divided and separate; the kitchen cramped and dark; the connection to the outdoors was limited; and the finishes were tired. The Mediterranean character was expressed with textured stucco, and a series of arches across the front that were never fully realized. The arch over the front entry seemed additive and without conviction.

We transformed the exterior of the home and the entry with a few simple, mostly material moves. This was done by strengthening the arch motif. By removing the applied stucco arch and recladding the 4 portals across the front façade with warm wood and entry sidelight glass, the homes weaknesses are now its defining features. Instead of a drawback for the owners, it is an expression of who they are.

The main floor was rebuilt with an open floor plan, placing the kitchen at the center of the gathering space. This gave view to the backyard for the first time. A new stretched pinwheel island affords place to cook, eat, study, and gather. While the island anchors all this activity, it also responds to (inflects) and connects the still distinct spaces of the main floor; dining, living, entry, mudroom, and family rooms, all without adding a foot to the size of the home.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principial- in -Charge
Nate Dodge

Built in the 1970’s, this Mediterranean style ranch walk-out is typical of its rolling western Edina neighborhood. The home is wonderfully sized and did not need any additional square feet. With a 3-car garage, living, dining, kitchen, laundry, mudroom, powder, generous entry, and family room all on the main floor, the house met all the client’s needs for space.

The organization and flow through these spaces however, was a product of the times. The rooms were divided and separate; the kitchen cramped and dark; the connection to the outdoors was limited; and the finishes were tired. The Mediterranean character was expressed with textured stucco, and a series of arches across the front that were never fully realized. The arch over the front entry seemed additive and without conviction.

We transformed the exterior of the home and the entry with a few simple, mostly material moves. This was done by strengthening the arch motif. By removing the applied stucco arch and recladding the 4 portals across the front façade with warm wood and entry sidelight glass, the homes weaknesses are now its defining features. Instead of a drawback for the owners, it is an expression of who they are.

The main floor was rebuilt with an open floor plan, placing the kitchen at the center of the gathering space. This gave view to the backyard for the first time. A new stretched pinwheel island affords place to cook, eat, study, and gather. While the island anchors all this activity, it also responds to (inflects) and connects the still distinct spaces of the main floor; dining, living, entry, mudroom, and family rooms, all without adding a foot to the size of the home.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principial- in -Charge
Nate Dodge

Built in the 1970’s, this Mediterranean style ranch walk-out is typical of its rolling western Edina neighborhood. The home is wonderfully sized and did not need any additional square feet. With a 3-car garage, living, dining, kitchen, laundry, mudroom, powder, generous entry, and family room all on the main floor, the house met all the client’s needs for space.

The organization and flow through these spaces however, was a product of the times. The rooms were divided and separate; the kitchen cramped and dark; the connection to the outdoors was limited; and the finishes were tired. The Mediterranean character was expressed with textured stucco, and a series of arches across the front that were never fully realized. The arch over the front entry seemed additive and without conviction.

We transformed the exterior of the home and the entry with a few simple, mostly material moves. This was done by strengthening the arch motif. By removing the applied stucco arch and recladding the 4 portals across the front façade with warm wood and entry sidelight glass, the homes weaknesses are now its defining features. Instead of a drawback for the owners, it is an expression of who they are.

The main floor was rebuilt with an open floor plan, placing the kitchen at the center of the gathering space. This gave view to the backyard for the first time. A new stretched pinwheel island affords place to cook, eat, study, and gather. While the island anchors all this activity, it also responds to (inflects) and connects the still distinct spaces of the main floor; dining, living, entry, mudroom, and family rooms, all without adding a foot to the size of the home.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principial-in-Charge
Nate Dodge

Built in the 1970’s, this Mediterranean style ranch walk-out is typical of its rolling western Edina neighborhood. The home is wonderfully sized and did not need any additional square feet. With a 3-car garage, living, dining, kitchen, laundry, mudroom, powder, generous entry, and family room all on the main floor, the house met all the client’s needs for space.

The organization and flow through these spaces however, was a product of the times. The rooms were divided and separate; the kitchen cramped and dark; the connection to the outdoors was limited; and the finishes were tired. The Mediterranean character was expressed with textured stucco, and a series of arches across the front that were never fully realized. The arch over the front entry seemed additive and without conviction.

We transformed the exterior of the home and the entry with a few simple, mostly material moves. This was done by strengthening the arch motif. By removing the applied stucco arch and recladding the 4 portals across the front façade with warm wood and entry sidelight glass, the homes weaknesses are now its defining features. Instead of a drawback for the owners, it is an expression of who they are.

The main floor was rebuilt with an open floor plan, placing the kitchen at the center of the gathering space. This gave view to the backyard for the first time. A new stretched pinwheel island affords place to cook, eat, study, and gather. While the island anchors all this activity, it also responds to (inflects) and connects the still distinct spaces of the main floor; dining, living, entry, mudroom, and family rooms, all without adding a foot to the size of the home.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principial-in- Charge
Nate Dodge

Built in the 1970’s, this Mediterranean style ranch walk-out is typical of its rolling western Edina neighborhood. The home is wonderfully sized and did not need any additional square feet. With a 3-car garage, living, dining, kitchen, laundry, mudroom, powder, generous entry, and family room all on the main floor, the house met all the client’s needs for space.

The organization and flow through these spaces however, was a product of the times. The rooms were divided and separate; the kitchen cramped and dark; the connection to the outdoors was limited; and the finishes were tired. The Mediterranean character was expressed with textured stucco, and a series of arches across the front that were never fully realized. The arch over the front entry seemed additive and without conviction.

We transformed the exterior of the home and the entry with a few simple, mostly material moves. This was done by strengthening the arch motif. By removing the applied stucco arch and recladding the 4 portals across the front façade with warm wood and entry sidelight glass, the homes weaknesses are now its defining features. Instead of a drawback for the owners, it is an expression of who they are.

The main floor was rebuilt with an open floor plan, placing the kitchen at the center of the gathering space. This gave view to the backyard for the first time. A new stretched pinwheel island affords place to cook, eat, study, and gather. While the island anchors all this activity, it also responds to (inflects) and connects the still distinct spaces of the main floor; dining, living, entry, mudroom, and family rooms, all without adding a foot to the size of the home.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principial- in- Charge
Nate Dodge

Built in the 1970’s, this Mediterranean style ranch walk-out is typical of its rolling western Edina neighborhood. The home is wonderfully sized and did not need any additional square feet. With a 3-car garage, living, dining, kitchen, laundry, mudroom, powder, generous entry, and family room all on the main floor, the house met all the client’s needs for space.

The organization and flow through these spaces however, was a product of the times. The rooms were divided and separate; the kitchen cramped and dark; the connection to the outdoors was limited; and the finishes were tired. The Mediterranean character was expressed with textured stucco, and a series of arches across the front that were never fully realized. The arch over the front entry seemed additive and without conviction.

We transformed the exterior of the home and the entry with a few simple, mostly material moves. This was done by strengthening the arch motif. By removing the applied stucco arch and recladding the 4 portals across the front façade with warm wood and entry sidelight glass, the homes weaknesses are now its defining features. Instead of a drawback for the owners, it is an expression of who they are.

The main floor was rebuilt with an open floor plan, placing the kitchen at the center of the gathering space. This gave view to the backyard for the first time. A new stretched pinwheel island affords place to cook, eat, study, and gather. While the island anchors all this activity, it also responds to (inflects) and connects the still distinct spaces of the main floor; dining, living, entry, mudroom, and family rooms, all without adding a foot to the size of the home.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principial- in- Charge
Nate Dodge

Built in the 1970’s, this Mediterranean style ranch walk-out is typical of its rolling western Edina neighborhood. The home is wonderfully sized and did not need any additional square feet. With a 3-car garage, living, dining, kitchen, laundry, mudroom, powder, generous entry, and family room all on the main floor, the house met all the client’s needs for space.

The organization and flow through these spaces however, was a product of the times. The rooms were divided and separate; the kitchen cramped and dark; the connection to the outdoors was limited; and the finishes were tired. The Mediterranean character was expressed with textured stucco, and a series of arches across the front that were never fully realized. The arch over the front entry seemed additive and without conviction.

We transformed the exterior of the home and the entry with a few simple, mostly material moves. This was done by strengthening the arch motif. By removing the applied stucco arch and recladding the 4 portals across the front façade with warm wood and entry sidelight glass, the homes weaknesses are now its defining features. Instead of a drawback for the owners, it is an expression of who they are.

The main floor was rebuilt with an open floor plan, placing the kitchen at the center of the gathering space. This gave view to the backyard for the first time. A new stretched pinwheel island affords place to cook, eat, study, and gather. While the island anchors all this activity, it also responds to (inflects) and connects the still distinct spaces of the main floor; dining, living, entry, mudroom, and family rooms, all without adding a foot to the size of the home.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principial- in- Charge
Nate Dodge

Built in the 1970’s, this Mediterranean style ranch walk-out is typical of its rolling western Edina neighborhood. The home is wonderfully sized and did not need any additional square feet. With a 3-car garage, living, dining, kitchen, laundry, mudroom, powder, generous entry, and family room all on the main floor, the house met all the client’s needs for space.

The organization and flow through these spaces however, was a product of the times. The rooms were divided and separate; the kitchen cramped and dark; the connection to the outdoors was limited; and the finishes were tired. The Mediterranean character was expressed with textured stucco, and a series of arches across the front that were never fully realized. The arch over the front entry seemed additive and without conviction.

We transformed the exterior of the home and the entry with a few simple, mostly material moves. This was done by strengthening the arch motif. By removing the applied stucco arch and recladding the 4 portals across the front façade with warm wood and entry sidelight glass, the homes weaknesses are now its defining features. Instead of a drawback for the owners, it is an expression of who they are.

The main floor was rebuilt with an open floor plan, placing the kitchen at the center of the gathering space. This gave view to the backyard for the first time. A new stretched pinwheel island affords place to cook, eat, study, and gather. While the island anchors all this activity, it also responds to (inflects) and connects the still distinct spaces of the main floor; dining, living, entry, mudroom, and family rooms, all without adding a foot to the size of the home.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principial- in- Charge
Nate Dodge

Built in the 1970’s, this Mediterranean style ranch walk-out is typical of its rolling western Edina neighborhood. The home is wonderfully sized and did not need any additional square feet. With a 3-car garage, living, dining, kitchen, laundry, mudroom, powder, generous entry, and family room all on the main floor, the house met all the client’s needs for space.

The organization and flow through these spaces however, was a product of the times. The rooms were divided and separate; the kitchen cramped and dark; the connection to the outdoors was limited; and the finishes were tired. The Mediterranean character was expressed with textured stucco, and a series of arches across the front that were never fully realized. The arch over the front entry seemed additive and without conviction.

We transformed the exterior of the home and the entry with a few simple, mostly material moves. This was done by strengthening the arch motif. By removing the applied stucco arch and recladding the 4 portals across the front façade with warm wood and entry sidelight glass, the homes weaknesses are now its defining features. Instead of a drawback for the owners, it is an expression of who they are.

The main floor was rebuilt with an open floor plan, placing the kitchen at the center of the gathering space. This gave view to the backyard for the first time. A new stretched pinwheel island affords place to cook, eat, study, and gather. While the island anchors all this activity, it also responds to (inflects) and connects the still distinct spaces of the main floor; dining, living, entry, mudroom, and family rooms, all without adding a foot to the size of the home.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principial- in- Charge
Nate Dodge

Built in the 1970’s, this Mediterranean style ranch walk-out is typical of its rolling western Edina neighborhood. The home is wonderfully sized and did not need any additional square feet. With a 3-car garage, living, dining, kitchen, laundry, mudroom, powder, generous entry, and family room all on the main floor, the house met all the client’s needs for space.

The organization and flow through these spaces however, was a product of the times. The rooms were divided and separate; the kitchen cramped and dark; the connection to the outdoors was limited; and the finishes were tired. The Mediterranean character was expressed with textured stucco, and a series of arches across the front that were never fully realized. The arch over the front entry seemed additive and without conviction.

We transformed the exterior of the home and the entry with a few simple, mostly material moves. This was done by strengthening the arch motif. By removing the applied stucco arch and recladding the 4 portals across the front façade with warm wood and entry sidelight glass, the homes weaknesses are now its defining features. Instead of a drawback for the owners, it is an expression of who they are.

The main floor was rebuilt with an open floor plan, placing the kitchen at the center of the gathering space. This gave view to the backyard for the first time. A new stretched pinwheel island affords place to cook, eat, study, and gather. While the island anchors all this activity, it also responds to (inflects) and connects the still distinct spaces of the main floor; dining, living, entry, mudroom, and family rooms, all without adding a foot to the size of the home.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principial- in- Charge
Nate Dodge

Built in the 1970’s, this Mediterranean style ranch walk-out is typical of its rolling western Edina neighborhood. The home is wonderfully sized and did not need any additional square feet. With a 3-car garage, living, dining, kitchen, laundry, mudroom, powder, generous entry, and family room all on the main floor, the house met all the client’s needs for space.

The organization and flow through these spaces however, was a product of the times. The rooms were divided and separate; the kitchen cramped and dark; the connection to the outdoors was limited; and the finishes were tired. The Mediterranean character was expressed with textured stucco, and a series of arches across the front that were never fully realized. The arch over the front entry seemed additive and without conviction.

We transformed the exterior of the home and the entry with a few simple, mostly material moves. This was done by strengthening the arch motif. By removing the applied stucco arch and recladding the 4 portals across the front façade with warm wood and entry sidelight glass, the homes weaknesses are now its defining features. Instead of a drawback for the owners, it is an expression of who they are.

The main floor was rebuilt with an open floor plan, placing the kitchen at the center of the gathering space. This gave view to the backyard for the first time. A new stretched pinwheel island affords place to cook, eat, study, and gather. While the island anchors all this activity, it also responds to (inflects) and connects the still distinct spaces of the main floor; dining, living, entry, mudroom, and family rooms, all without adding a foot to the size of the home.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principial-in-Charge
Nate Dodge

Built in the 1970’s, this Mediterranean style ranch walk-out is typical of its rolling western Edina neighborhood. The home is wonderfully sized and did not need any additional square feet. With a 3-car garage, living, dining, kitchen, laundry, mudroom, powder, generous entry, and family room all on the main floor, the house met all the client’s needs for space.

The organization and flow through these spaces however, was a product of the times. The rooms were divided and separate; the kitchen cramped and dark; the connection to the outdoors was limited; and the finishes were tired. The Mediterranean character was expressed with textured stucco, and a series of arches across the front that were never fully realized. The arch over the front entry seemed additive and without conviction.

We transformed the exterior of the home and the entry with a few simple, mostly material moves. This was done by strengthening the arch motif. By removing the applied stucco arch and recladding the 4 portals across the front façade with warm wood and entry sidelight glass, the homes weaknesses are now its defining features. Instead of a drawback for the owners, it is an expression of who they are.

The main floor was rebuilt with an open floor plan, placing the kitchen at the center of the gathering space. This gave view to the backyard for the first time. A new stretched pinwheel island affords place to cook, eat, study, and gather. While the island anchors all this activity, it also responds to (inflects) and connects the still distinct spaces of the main floor; dining, living, entry, mudroom, and family rooms, all without adding a foot to the size of the home.

Location: Edina, MN

Project Team:
Ben Awes, AIA, Principial-in-Charge
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

This 1958 split-level home featured a kitchen typical of its era - small and cut off from the rest of the home. In the traditional enclosed kitchen of these older houses, seating space is limited. Where the kitchen tends to be the place of the home for family gatherings and get togethers, an inviting, wide-open floor plan became the solution. The addition of a three-season screened back porch presented a design challenge, requiring a variance from the city of Edina. The city appreciated the sensitivity to the neighborhood in the fact that it wasn’t a tear down.

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

Located on the site of a former farmhouse, this compact modern home takes formal and material cues from the landscape and agricultural structures of the surrounding area. The massing of the home is monolithic to the north and west, protecting it from prevailing winter winds. Openings were selectively placed to allow some filtered northern light, and framed views of the wetland to the east, with the primary focus of the large window areas being toward the south. Deep overhangs prevent solar heat gain during summer months, while floor to ceiling glass allows sunlight deep into the spaces of the home during winter months.

The primary shed-like forms of the building further relate to local agricultural structures in a material and textural sense. The home is constructed with thermal mass concrete walls and corrugated core-ten siding. Inside the home features materials such as hand scraped wood and stained plywood floors. All cabinetry in the kitchen and bathrooms, as well as bedroom closets were designed using IKEA products – as a means of keeping the overall cost of the project down.

Location:          Independence, MN

Completed:     June 2014

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge
Michelle Ney

A family that spends a lot of time in and around their beautiful saltwater pool, did not have a place in their home that provided them a visual or physical connection.  They also lacked any storage for all their pool “stuff”.  With small children and a love for entertaining, they needed a room that served and supported their watery lifestyle.  We took over an empty and unused notch along the back of the house adjacent to the pool patio to create a new bright and airy pool house.

The new out building attempts to unify 4 areas; an existing deck, an upper master bedroom balcony, a lower lawn, and the pool itself, and provide the missing storage.  By locating the pool house at the juxtaposition of these areas, the new room was able to provide a new expanded rooftop balcony for the master, anchor and define the dining and barbeque deck, extend and connect to the pool and patio, and create a new access to integrate the lower lawn – and carve out the much needed storage for the variety of pool toys and equipment. 

The building itself is 400 sf with bath, laundry, storage, mechanical, kitchen, and living.  A single new secure connection is made into the house through the existing mudroom.  Clad with crisply detailed ship lap cedar, it draws on the existing material palate of the house and nods to the boat aesthetic in expression and efficiency.  With pocketing glass walls the pool house is both the utility building needed, and an expansion of the vibrant pool scene itself, inside and outside, along the poolside.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          Edina, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

A family that spends a lot of time in and around their beautiful saltwater pool, did not have a place in their home that provided them a visual or physical connection.  They also lacked any storage for all their pool “stuff”.  With small children and a love for entertaining, they needed a room that served and supported their watery lifestyle.  We took over an empty and unused notch along the back of the house adjacent to the pool patio to create a new bright and airy pool house.

The new out building attempts to unify 4 areas; an existing deck, an upper master bedroom balcony, a lower lawn, and the pool itself, and provide the missing storage.  By locating the pool house at the juxtaposition of these areas, the new room was able to provide a new expanded rooftop balcony for the master, anchor and define the dining and barbeque deck, extend and connect to the pool and patio, and create a new access to integrate the lower lawn – and carve out the much needed storage for the variety of pool toys and equipment. 

The building itself is 400 sf with bath, laundry, storage, mechanical, kitchen, and living.  A single new secure connection is made into the house through the existing mudroom.  Clad with crisply detailed ship lap cedar, it draws on the existing material palate of the house and nods to the boat aesthetic in expression and efficiency.  With pocketing glass walls the pool house is both the utility building needed, and an expansion of the vibrant pool scene itself, inside and outside, along the poolside.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          Edina, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

A family that spends a lot of time in and around their beautiful saltwater pool, did not have a place in their home that provided them a visual or physical connection.  They also lacked any storage for all their pool “stuff”.  With small children and a love for entertaining, they needed a room that served and supported their watery lifestyle.  We took over an empty and unused notch along the back of the house adjacent to the pool patio to create a new bright and airy pool house.

The new out building attempts to unify 4 areas; an existing deck, an upper master bedroom balcony, a lower lawn, and the pool itself, and provide the missing storage.  By locating the pool house at the juxtaposition of these areas, the new room was able to provide a new expanded rooftop balcony for the master, anchor and define the dining and barbeque deck, extend and connect to the pool and patio, and create a new access to integrate the lower lawn – and carve out the much needed storage for the variety of pool toys and equipment. 

The building itself is 400 sf with bath, laundry, storage, mechanical, kitchen, and living.  A single new secure connection is made into the house through the existing mudroom.  Clad with crisply detailed ship lap cedar, it draws on the existing material palate of the house and nods to the boat aesthetic in expression and efficiency.  With pocketing glass walls the pool house is both the utility building needed, and an expansion of the vibrant pool scene itself, inside and outside, along the poolside.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          Edina, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

A family that spends a lot of time in and around their beautiful saltwater pool, did not have a place in their home that provided them a visual or physical connection.  They also lacked any storage for all their pool “stuff”.  With small children and a love for entertaining, they needed a room that served and supported their watery lifestyle.  We took over an empty and unused notch along the back of the house adjacent to the pool patio to create a new bright and airy pool house.

The new out building attempts to unify 4 areas; an existing deck, an upper master bedroom balcony, a lower lawn, and the pool itself, and provide the missing storage.  By locating the pool house at the juxtaposition of these areas, the new room was able to provide a new expanded rooftop balcony for the master, anchor and define the dining and barbeque deck, extend and connect to the pool and patio, and create a new access to integrate the lower lawn – and carve out the much needed storage for the variety of pool toys and equipment. 

The building itself is 400 sf with bath, laundry, storage, mechanical, kitchen, and living.  A single new secure connection is made into the house through the existing mudroom.  Clad with crisply detailed ship lap cedar, it draws on the existing material palate of the house and nods to the boat aesthetic in expression and efficiency.  With pocketing glass walls the pool house is both the utility building needed, and an expansion of the vibrant pool scene itself, inside and outside, along the poolside.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          Edina, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

A family that spends a lot of time in and around their beautiful saltwater pool, did not have a place in their home that provided them a visual or physical connection.  They also lacked any storage for all their pool “stuff”.  With small children and a love for entertaining, they needed a room that served and supported their watery lifestyle.  We took over an empty and unused notch along the back of the house adjacent to the pool patio to create a new bright and airy pool house.

The new out building attempts to unify 4 areas; an existing deck, an upper master bedroom balcony, a lower lawn, and the pool itself, and provide the missing storage.  By locating the pool house at the juxtaposition of these areas, the new room was able to provide a new expanded rooftop balcony for the master, anchor and define the dining and barbeque deck, extend and connect to the pool and patio, and create a new access to integrate the lower lawn – and carve out the much needed storage for the variety of pool toys and equipment. 

The building itself is 400 sf with bath, laundry, storage, mechanical, kitchen, and living.  A single new secure connection is made into the house through the existing mudroom.  Clad with crisply detailed ship lap cedar, it draws on the existing material palate of the house and nods to the boat aesthetic in expression and efficiency.  With pocketing glass walls the pool house is both the utility building needed, and an expansion of the vibrant pool scene itself, inside and outside, along the poolside.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          Edina, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

A family that spends a lot of time in and around their beautiful saltwater pool, did not have a place in their home that provided them a visual or physical connection.  They also lacked any storage for all their pool “stuff”.  With small children and a love for entertaining, they needed a room that served and supported their watery lifestyle.  We took over an empty and unused notch along the back of the house adjacent to the pool patio to create a new bright and airy pool house.

The new out building attempts to unify 4 areas; an existing deck, an upper master bedroom balcony, a lower lawn, and the pool itself, and provide the missing storage.  By locating the pool house at the juxtaposition of these areas, the new room was able to provide a new expanded rooftop balcony for the master, anchor and define the dining and barbeque deck, extend and connect to the pool and patio, and create a new access to integrate the lower lawn – and carve out the much needed storage for the variety of pool toys and equipment. 

The building itself is 400 sf with bath, laundry, storage, mechanical, kitchen, and living.  A single new secure connection is made into the house through the existing mudroom.  Clad with crisply detailed ship lap cedar, it draws on the existing material palate of the house and nods to the boat aesthetic in expression and efficiency.  With pocketing glass walls the pool house is both the utility building needed, and an expansion of the vibrant pool scene itself, inside and outside, along the poolside.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          Edina, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

A family that spends a lot of time in and around their beautiful saltwater pool, did not have a place in their home that provided them a visual or physical connection.  They also lacked any storage for all their pool “stuff”.  With small children and a love for entertaining, they needed a room that served and supported their watery lifestyle.  We took over an empty and unused notch along the back of the house adjacent to the pool patio to create a new bright and airy pool house.

The new out building attempts to unify 4 areas; an existing deck, an upper master bedroom balcony, a lower lawn, and the pool itself, and provide the missing storage.  By locating the pool house at the juxtaposition of these areas, the new room was able to provide a new expanded rooftop balcony for the master, anchor and define the dining and barbeque deck, extend and connect to the pool and patio, and create a new access to integrate the lower lawn – and carve out the much needed storage for the variety of pool toys and equipment. 

The building itself is 400 sf with bath, laundry, storage, mechanical, kitchen, and living.  A single new secure connection is made into the house through the existing mudroom.  Clad with crisply detailed ship lap cedar, it draws on the existing material palate of the house and nods to the boat aesthetic in expression and efficiency.  With pocketing glass walls the pool house is both the utility building needed, and an expansion of the vibrant pool scene itself, inside and outside, along the poolside.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          Edina, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

INSIDE OUTSIDE POOLSIDE

A family that spends a lot of time in and around their beautiful saltwater pool, did not have a place in their home that provided them a visual or physical connection.  They also lacked any storage for all their pool “stuff”.  With small children and a love for entertaining, they needed a room that served and supported their watery lifestyle.  We took over an empty and unused notch along the back of the house adjacent to the pool patio to create a new bright and airy pool house.

The new out building attempts to unify 4 areas; an existing deck, an upper master bedroom balcony, a lower lawn, and the pool itself, and provide the missing storage.  By locating the pool house at the juxtaposition of these areas, the new room was able to provide a new expanded rooftop balcony for the master, anchor and define the dining and barbeque deck, extend and connect to the pool and patio, and create a new access to integrate the lower lawn – and carve out the much needed storage for the variety of pool toys and equipment. 

The building itself is 400 sf with bath, laundry, storage, mechanical, kitchen, and living.  A single new secure connection is made into the house through the existing mudroom.  Clad with crisply detailed ship lap cedar, it draws on the existing material palate of the house and nods to the boat aesthetic in expression and efficiency.  With pocketing glass walls the pool house is both the utility building needed, and an expansion of the vibrant pool scene itself, inside and outside, along the poolside.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          Edina, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

INSIDE OUTSIDE POOLSIDE

A family that spends a lot of time in and around their beautiful saltwater pool, did not have a place in their home that provided them a visual or physical connection.  They also lacked any storage for all their pool “stuff”.  With small children and a love for entertaining, they needed a room that served and supported their watery lifestyle.  We took over an empty and unused notch along the back of the house adjacent to the pool patio to create a new bright and airy pool house.

The new out building attempts to unify 4 areas; an existing deck, an upper master bedroom balcony, a lower lawn, and the pool itself, and provide the missing storage.  By locating the pool house at the juxtaposition of these areas, the new room was able to provide a new expanded rooftop balcony for the master, anchor and define the dining and barbeque deck, extend and connect to the pool and patio, and create a new access to integrate the lower lawn – and carve out the much needed storage for the variety of pool toys and equipment. 

The building itself is 400 sf with bath, laundry, storage, mechanical, kitchen, and living.  A single new secure connection is made into the house through the existing mudroom.  Clad with crisply detailed ship lap cedar, it draws on the existing material palate of the house and nods to the boat aesthetic in expression and efficiency.  With pocketing glass walls the pool house is both the utility building needed, and an expansion of the vibrant pool scene itself, inside and outside, along the poolside.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          Edina, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

Built in the mid 60’s, this wonderful split level home had been updated over the years.  Unusual to this era of home, the kitchen, living, and dining are in an area 40’ long by 16’ wide, creating an experience of being close to the outdoors.  The one space that was never updated was the entry.  Small and cramped, it was the only place in the house that was on “ground level”, yet also the most disconnected from the outside. Three elements were identified and distilled to respond to this condition, connecting the house to the ground through the entry experience.

The floor plane:  Here we built a new raised front patio and paved the surface, including the entry landing, and the treads and risers, with a course bluestone ceramic paver.  The continuation of this surface, flowing inside and out, highlights the “split” in the home as the place of connection to the outside. 

The wrapper:  We struck two lines marking this in-between zone of the landing; a strong existing window line of the basement level, and the new ceiling plane of the entry aligned with the top of the new interior railing.  Below this zone is glass, drawing your attention to the ground, allowing the floor to visually move inside and out.  Above, a wood surface wraps the interior and defines the entry.  The pattern, laser etched into the wood, references the ashlar of the existing stone and transforms from wall to screen as it moves around the space.

The sky:  The old entry was short, dim, and confined.  The new entry rises up and brings light over the full entry stairwell, filling the center of the house.  The front monumental window is always dappled by the mature oak that anchors the site.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          St. Louis Park, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

Built in the mid 60’s, this wonderful split level home had been updated over the years.  Unusual to this era of home, the kitchen, living, and dining are in an area 40’ long by 16’ wide, creating an experience of being close to the outdoors.  The one space that was never updated was the entry.  Small and cramped, it was the only place in the house that was on “ground level”, yet also the most disconnected from the outside. Three elements were identified and distilled to respond to this condition, connecting the house to the ground through the entry experience.

The floor plane:  Here we built a new raised front patio and paved the surface, including the entry landing, and the treads and risers, with a course bluestone ceramic paver.  The continuation of this surface, flowing inside and out, highlights the “split” in the home as the place of connection to the outside. 

The wrapper:  We struck two lines marking this in-between zone of the landing; a strong existing window line of the basement level, and the new ceiling plane of the entry aligned with the top of the new interior railing.  Below this zone is glass, drawing your attention to the ground, allowing the floor to visually move inside and out.  Above, a wood surface wraps the interior and defines the entry.  The pattern, laser etched into the wood, references the ashlar of the existing stone and transforms from wall to screen as it moves around the space.

The sky:  The old entry was short, dim, and confined.  The new entry rises up and brings light over the full entry stairwell, filling the center of the house.  The front monumental window is always dappled by the mature oak that anchors the site.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          St. Louis Park, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

Built in the mid 60’s, this wonderful split level home had been updated over the years.  Unusual to this era of home, the kitchen, living, and dining are in an area 40’ long by 16’ wide, creating an experience of being close to the outdoors.  The one space that was never updated was the entry.  Small and cramped, it was the only place in the house that was on “ground level”, yet also the most disconnected from the outside. Three elements were identified and distilled to respond to this condition, connecting the house to the ground through the entry experience.

The floor plane:  Here we built a new raised front patio and paved the surface, including the entry landing, and the treads and risers, with a course bluestone ceramic paver.  The continuation of this surface, flowing inside and out, highlights the “split” in the home as the place of connection to the outside. 

The wrapper:  We struck two lines marking this in-between zone of the landing; a strong existing window line of the basement level, and the new ceiling plane of the entry aligned with the top of the new interior railing.  Below this zone is glass, drawing your attention to the ground, allowing the floor to visually move inside and out.  Above, a wood surface wraps the interior and defines the entry.  The pattern, laser etched into the wood, references the ashlar of the existing stone and transforms from wall to screen as it moves around the space.

The sky:  The old entry was short, dim, and confined.  The new entry rises up and brings light over the full entry stairwell, filling the center of the house.  The front monumental window is always dappled by the mature oak that anchors the site.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          St. Louis Park, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

Built in the mid 60’s, this wonderful split level home had been updated over the years.  Unusual to this era of home, the kitchen, living, and dining are in an area 40’ long by 16’ wide, creating an experience of being close to the outdoors.  The one space that was never updated was the entry.  Small and cramped, it was the only place in the house that was on “ground level”, yet also the most disconnected from the outside. Three elements were identified and distilled to respond to this condition, connecting the house to the ground through the entry experience.

The floor plane:  Here we built a new raised front patio and paved the surface, including the entry landing, and the treads and risers, with a course bluestone ceramic paver.  The continuation of this surface, flowing inside and out, highlights the “split” in the home as the place of connection to the outside. 

The wrapper:  We struck two lines marking this in-between zone of the landing; a strong existing window line of the basement level, and the new ceiling plane of the entry aligned with the top of the new interior railing.  Below this zone is glass, drawing your attention to the ground, allowing the floor to visually move inside and out.  Above, a wood surface wraps the interior and defines the entry.  The pattern, laser etched into the wood, references the ashlar of the existing stone and transforms from wall to screen as it moves around the space.

The sky:  The old entry was short, dim, and confined.  The new entry rises up and brings light over the full entry stairwell, filling the center of the house.  The front monumental window is always dappled by the mature oak that anchors the site.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          St. Louis Park, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

Built in the mid 60’s, this wonderful split level home had been updated over the years.  Unusual to this era of home, the kitchen, living, and dining are in an area 40’ long by 16’ wide, creating an experience of being close to the outdoors.  The one space that was never updated was the entry.  Small and cramped, it was the only place in the house that was on “ground level”, yet also the most disconnected from the outside. Three elements were identified and distilled to respond to this condition, connecting the house to the ground through the entry experience.

The floor plane:  Here we built a new raised front patio and paved the surface, including the entry landing, and the treads and risers, with a course bluestone ceramic paver.  The continuation of this surface, flowing inside and out, highlights the “split” in the home as the place of connection to the outside. 

The wrapper:  We struck two lines marking this in-between zone of the landing; a strong existing window line of the basement level, and the new ceiling plane of the entry aligned with the top of the new interior railing.  Below this zone is glass, drawing your attention to the ground, allowing the floor to visually move inside and out.  Above, a wood surface wraps the interior and defines the entry.  The pattern, laser etched into the wood, references the ashlar of the existing stone and transforms from wall to screen as it moves around the space.

The sky:  The old entry was short, dim, and confined.  The new entry rises up and brings light over the full entry stairwell, filling the center of the house.  The front monumental window is always dappled by the mature oak that anchors the site.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          St. Louis Park, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

Built in the mid 60’s, this wonderful split level home had been updated over the years.  Unusual to this era of home, the kitchen, living, and dining are in an area 40’ long by 16’ wide, creating an experience of being close to the outdoors.  The one space that was never updated was the entry.  Small and cramped, it was the only place in the house that was on “ground level”, yet also the most disconnected from the outside. Three elements were identified and distilled to respond to this condition, connecting the house to the ground through the entry experience.

The floor plane:  Here we built a new raised front patio and paved the surface, including the entry landing, and the treads and risers, with a course bluestone ceramic paver.  The continuation of this surface, flowing inside and out, highlights the “split” in the home as the place of connection to the outside. 

The wrapper:  We struck two lines marking this in-between zone of the landing; a strong existing window line of the basement level, and the new ceiling plane of the entry aligned with the top of the new interior railing.  Below this zone is glass, drawing your attention to the ground, allowing the floor to visually move inside and out.  Above, a wood surface wraps the interior and defines the entry.  The pattern, laser etched into the wood, references the ashlar of the existing stone and transforms from wall to screen as it moves around the space.

The sky:  The old entry was short, dim, and confined.  The new entry rises up and brings light over the full entry stairwell, filling the center of the house.  The front monumental window is always dappled by the mature oak that anchors the site.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          St. Louis Park, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

Built in the mid 60’s, this wonderful split level home had been updated over the years.  Unusual to this era of home, the kitchen, living, and dining are in an area 40’ long by 16’ wide, creating an experience of being close to the outdoors.  The one space that was never updated was the entry.  Small and cramped, it was the only place in the house that was on “ground level”, yet also the most disconnected from the outside. Three elements were identified and distilled to respond to this condition, connecting the house to the ground through the entry experience.

The floor plane:  Here we built a new raised front patio and paved the surface, including the entry landing, and the treads and risers, with a course bluestone ceramic paver.  The continuation of this surface, flowing inside and out, highlights the “split” in the home as the place of connection to the outside. 

The wrapper:  We struck two lines marking this in-between zone of the landing; a strong existing window line of the basement level, and the new ceiling plane of the entry aligned with the top of the new interior railing.  Below this zone is glass, drawing your attention to the ground, allowing the floor to visually move inside and out.  Above, a wood surface wraps the interior and defines the entry.  The pattern, laser etched into the wood, references the ashlar of the existing stone and transforms from wall to screen as it moves around the space.

The sky:  The old entry was short, dim, and confined.  The new entry rises up and brings light over the full entry stairwell, filling the center of the house.  The front monumental window is always dappled by the mature oak that anchors the site.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          St. Louis Park, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

Built in the mid 60’s, this wonderful split level home had been updated over the years.  Unusual to this era of home, the kitchen, living, and dining are in an area 40’ long by 16’ wide, creating an experience of being close to the outdoors.  The one space that was never updated was the entry.  Small and cramped, it was the only place in the house that was on “ground level”, yet also the most disconnected from the outside. Three elements were identified and distilled to respond to this condition, connecting the house to the ground through the entry experience.

The floor plane:  Here we built a new raised front patio and paved the surface, including the entry landing, and the treads and risers, with a course bluestone ceramic paver.  The continuation of this surface, flowing inside and out, highlights the “split” in the home as the place of connection to the outside. 

The wrapper:  We struck two lines marking this in-between zone of the landing; a strong existing window line of the basement level, and the new ceiling plane of the entry aligned with the top of the new interior railing.  Below this zone is glass, drawing your attention to the ground, allowing the floor to visually move inside and out.  Above, a wood surface wraps the interior and defines the entry.  The pattern, laser etched into the wood, references the ashlar of the existing stone and transforms from wall to screen as it moves around the space.

The sky:  The old entry was short, dim, and confined.  The new entry rises up and brings light over the full entry stairwell, filling the center of the house.  The front monumental window is always dappled by the mature oak that anchors the site.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          St. Louis Park, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

Built in the mid 60’s, this wonderful split level home had been updated over the years.  Unusual to this era of home, the kitchen, living, and dining are in an area 40’ long by 16’ wide, creating an experience of being close to the outdoors.  The one space that was never updated was the entry.  Small and cramped, it was the only place in the house that was on “ground level”, yet also the most disconnected from the outside. Three elements were identified and distilled to respond to this condition, connecting the house to the ground through the entry experience.

The floor plane:  Here we built a new raised front patio and paved the surface, including the entry landing, and the treads and risers, with a course bluestone ceramic paver.  The continuation of this surface, flowing inside and out, highlights the “split” in the home as the place of connection to the outside. 

The wrapper:  We struck two lines marking this in-between zone of the landing; a strong existing window line of the basement level, and the new ceiling plane of the entry aligned with the top of the new interior railing.  Below this zone is glass, drawing your attention to the ground, allowing the floor to visually move inside and out.  Above, a wood surface wraps the interior and defines the entry.  The pattern, laser etched into the wood, references the ashlar of the existing stone and transforms from wall to screen as it moves around the space.

The sky:  The old entry was short, dim, and confined.  The new entry rises up and brings light over the full entry stairwell, filling the center of the house.  The front monumental window is always dappled by the mature oak that anchors the site.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          St. Louis Park, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

Built in the mid 60’s, this wonderful split level home had been updated over the years.  Unusual to this era of home, the kitchen, living, and dining are in an area 40’ long by 16’ wide, creating an experience of being close to the outdoors.  The one space that was never updated was the entry.  Small and cramped, it was the only place in the house that was on “ground level”, yet also the most disconnected from the outside. Three elements were identified and distilled to respond to this condition, connecting the house to the ground through the entry experience.

The floor plane:  Here we built a new raised front patio and paved the surface, including the entry landing, and the treads and risers, with a course bluestone ceramic paver.  The continuation of this surface, flowing inside and out, highlights the “split” in the home as the place of connection to the outside. 

The wrapper:  We struck two lines marking this in-between zone of the landing; a strong existing window line of the basement level, and the new ceiling plane of the entry aligned with the top of the new interior railing.  Below this zone is glass, drawing your attention to the ground, allowing the floor to visually move inside and out.  Above, a wood surface wraps the interior and defines the entry.  The pattern, laser etched into the wood, references the ashlar of the existing stone and transforms from wall to screen as it moves around the space.

The sky:  The old entry was short, dim, and confined.  The new entry rises up and brings light over the full entry stairwell, filling the center of the house.  The front monumental window is always dappled by the mature oak that anchors the site.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          St. Louis Park, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

Built in the mid 60’s, this wonderful split level home had been updated over the years.  Unusual to this era of home, the kitchen, living, and dining are in an area 40’ long by 16’ wide, creating an experience of being close to the outdoors.  The one space that was never updated was the entry.  Small and cramped, it was the only place in the house that was on “ground level”, yet also the most disconnected from the outside. Three elements were identified and distilled to respond to this condition, connecting the house to the ground through the entry experience.

The floor plane:  Here we built a new raised front patio and paved the surface, including the entry landing, and the treads and risers, with a course bluestone ceramic paver.  The continuation of this surface, flowing inside and out, highlights the “split” in the home as the place of connection to the outside. 

The wrapper:  We struck two lines marking this in-between zone of the landing; a strong existing window line of the basement level, and the new ceiling plane of the entry aligned with the top of the new interior railing.  Below this zone is glass, drawing your attention to the ground, allowing the floor to visually move inside and out.  Above, a wood surface wraps the interior and defines the entry.  The pattern, laser etched into the wood, references the ashlar of the existing stone and transforms from wall to screen as it moves around the space.

The sky:  The old entry was short, dim, and confined.  The new entry rises up and brings light over the full entry stairwell, filling the center of the house.  The front monumental window is always dappled by the mature oak that anchors the site.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          St. Louis Park, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

Built in the mid 60’s, this wonderful split level home had been updated over the years.  Unusual to this era of home, the kitchen, living, and dining are in an area 40’ long by 16’ wide, creating an experience of being close to the outdoors.  The one space that was never updated was the entry.  Small and cramped, it was the only place in the house that was on “ground level”, yet also the most disconnected from the outside. Three elements were identified and distilled to respond to this condition, connecting the house to the ground through the entry experience.

The floor plane:  Here we built a new raised front patio and paved the surface, including the entry landing, and the treads and risers, with a course bluestone ceramic paver.  The continuation of this surface, flowing inside and out, highlights the “split” in the home as the place of connection to the outside. 

The wrapper:  We struck two lines marking this in-between zone of the landing; a strong existing window line of the basement level, and the new ceiling plane of the entry aligned with the top of the new interior railing.  Below this zone is glass, drawing your attention to the ground, allowing the floor to visually move inside and out.  Above, a wood surface wraps the interior and defines the entry.  The pattern, laser etched into the wood, references the ashlar of the existing stone and transforms from wall to screen as it moves around the space.

The sky:  The old entry was short, dim, and confined.  The new entry rises up and brings light over the full entry stairwell, filling the center of the house.  The front monumental window is always dappled by the mature oak that anchors the site.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          St. Louis Park, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

Built in the mid 60’s, this wonderful split level home had been updated over the years.  Unusual to this era of home, the kitchen, living, and dining are in an area 40’ long by 16’ wide, creating an experience of being close to the outdoors.  The one space that was never updated was the entry.  Small and cramped, it was the only place in the house that was on “ground level”, yet also the most disconnected from the outside. Three elements were identified and distilled to respond to this condition, connecting the house to the ground through the entry experience.

The floor plane:  Here we built a new raised front patio and paved the surface, including the entry landing, and the treads and risers, with a course bluestone ceramic paver.  The continuation of this surface, flowing inside and out, highlights the “split” in the home as the place of connection to the outside. 

The wrapper:  We struck two lines marking this in-between zone of the landing; a strong existing window line of the basement level, and the new ceiling plane of the entry aligned with the top of the new interior railing.  Below this zone is glass, drawing your attention to the ground, allowing the floor to visually move inside and out.  Above, a wood surface wraps the interior and defines the entry.  The pattern, laser etched into the wood, references the ashlar of the existing stone and transforms from wall to screen as it moves around the space.

The sky:  The old entry was short, dim, and confined.  The new entry rises up and brings light over the full entry stairwell, filling the center of the house.  The front monumental window is always dappled by the mature oak that anchors the site.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Location:          St. Louis Park, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

The Gathering Kitchen - re-placing eating at the center of the home.  We’ve all had the common experience of guests gathering in the kitchen.  It seems the kitchen has replaced the hearth as the center of the modern home.  Often in this shift is the loss of gathering around the table. 

This client has a passion for cooking and has lived for 20 years with a kitchen that’s fallen short of her needs, and a dining room that is never used.  She also has a passion for hosting her family & friends – large groups, lively and animated!

We combined the space of both rooms to make one large gathering kitchen.  The centerpiece is the island which was split open and pulled apart to make place again for gathering around the meal.  The island provides functioning countertops and ample storage, as well as enclosure for the full dining table.  An adjustable 6-legged table base, as well as unique Marinace granite, cherry red cabinets, and Manganese Ironspot brick highlight the material palate.

Photographer:  Alyssa Lee

www.alyssaleephotography.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Nate Dodge

The Gathering Kitchen - re-placing eating at the center of the home.  We’ve all had the common experience of guests gathering in the kitchen.  It seems the kitchen has replaced the hearth as the center of the modern home.  Often in this shift is the loss of gathering around the table. 

This client has a passion for cooking and has lived for 20 years with a kitchen that’s fallen short of her needs, and a dining room that is never used.  She also has a passion for hosting her family & friends – large groups, lively and animated!

We combined the space of both rooms to make one large gathering kitchen.  The centerpiece is the island which was split open and pulled apart to make place again for gathering around the meal.  The island provides functioning countertops and ample storage, as well as enclosure for the full dining table.  An adjustable 6-legged table base, as well as unique Marinace granite, cherry red cabinets, and Manganese Ironspot brick highlight the material palate.

Photographer:  Alyssa Lee

www.alyssaleephotography.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Nate Dodge

The Gathering Kitchen - re-placing eating at the center of the home.  We’ve all had the common experience of guests gathering in the kitchen.  It seems the kitchen has replaced the hearth as the center of the modern home.  Often in this shift is the loss of gathering around the table. 

This client has a passion for cooking and has lived for 20 years with a kitchen that’s fallen short of her needs, and a dining room that is never used.  She also has a passion for hosting her family & friends – large groups, lively and animated!

We combined the space of both rooms to make one large gathering kitchen.  The centerpiece is the island which was split open and pulled apart to make place again for gathering around the meal.  The island provides functioning countertops and ample storage, as well as enclosure for the full dining table.  An adjustable 6-legged table base, as well as unique Marinace granite, cherry red cabinets, and Manganese Ironspot brick highlight the material palate.

Photographer:  Alyssa Lee

www.alyssaleephotography.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Nate Dodge

The Gathering Kitchen - re-placing eating at the center of the home.  We’ve all had the common experience of guests gathering in the kitchen.  It seems the kitchen has replaced the hearth as the center of the modern home.  Often in this shift is the loss of gathering around the table. 

This client has a passion for cooking and has lived for 20 years with a kitchen that’s fallen short of her needs, and a dining room that is never used.  She also has a passion for hosting her family & friends – large groups, lively and animated!

We combined the space of both rooms to make one large gathering kitchen.  The centerpiece is the island which was split open and pulled apart to make place again for gathering around the meal.  The island provides functioning countertops and ample storage, as well as enclosure for the full dining table.  An adjustable 6-legged table base, as well as unique Marinace granite, cherry red cabinets, and Manganese Ironspot brick highlight the material palate.

Photographer:  Alyssa Lee

www.alyssaleephotography.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Nate Dodge

The Gathering Kitchen - re-placing eating at the center of the home.  We’ve all had the common experience of guests gathering in the kitchen.  It seems the kitchen has replaced the hearth as the center of the modern home.  Often in this shift is the loss of gathering around the table. 

This client has a passion for cooking and has lived for 20 years with a kitchen that’s fallen short of her needs, and a dining room that is never used.  She also has a passion for hosting her family & friends – large groups, lively and animated!

We combined the space of both rooms to make one large gathering kitchen.  The centerpiece is the island which was split open and pulled apart to make place again for gathering around the meal.  The island provides functioning countertops and ample storage, as well as enclosure for the full dining table.  An adjustable 6-legged table base, as well as unique Marinace granite, cherry red cabinets, and Manganese Ironspot brick highlight the material palate.

Photographer:  Alyssa Lee

www.alyssaleephotography.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Nate Dodge

The Gathering Kitchen - re-placing eating at the center of the home.  We’ve all had the common experience of guests gathering in the kitchen.  It seems the kitchen has replaced the hearth as the center of the modern home.  Often in this shift is the loss of gathering around the table. 

This client has a passion for cooking and has lived for 20 years with a kitchen that’s fallen short of her needs, and a dining room that is never used.  She also has a passion for hosting her family & friends – large groups, lively and animated!

We combined the space of both rooms to make one large gathering kitchen.  The centerpiece is the island which was split open and pulled apart to make place again for gathering around the meal.  The island provides functioning countertops and ample storage, as well as enclosure for the full dining table.  An adjustable 6-legged table base, as well as unique Marinace granite, cherry red cabinets, and Manganese Ironspot brick highlight the material palate.

Photographer:  Alyssa Lee

www.alyssaleephotography.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Nate Dodge

The Gathering Kitchen - re-placing eating at the center of the home.  We’ve all had the common experience of guests gathering in the kitchen.  It seems the kitchen has replaced the hearth as the center of the modern home.  Often in this shift is the loss of gathering around the table. 

This client has a passion for cooking and has lived for 20 years with a kitchen that’s fallen short of her needs, and a dining room that is never used.  She also has a passion for hosting her family & friends – large groups, lively and animated!

We combined the space of both rooms to make one large gathering kitchen.  The centerpiece is the island which was split open and pulled apart to make place again for gathering around the meal.  The island provides functioning countertops and ample storage, as well as enclosure for the full dining table.  An adjustable 6-legged table base, as well as unique Marinace granite, cherry red cabinets, and Manganese Ironspot brick highlight the material palate.

Photographer:  Alyssa Lee

www.alyssaleephotography.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Nate Dodge

The Gathering Kitchen - re-placing eating at the center of the home.  We’ve all had the common experience of guests gathering in the kitchen.  It seems the kitchen has replaced the hearth as the center of the modern home.  Often in this shift is the loss of gathering around the table. 

This client has a passion for cooking and has lived for 20 years with a kitchen that’s fallen short of her needs, and a dining room that is never used.  She also has a passion for hosting her family & friends – large groups, lively and animated!

We combined the space of both rooms to make one large gathering kitchen.  The centerpiece is the island which was split open and pulled apart to make place again for gathering around the meal.  The island provides functioning countertops and ample storage, as well as enclosure for the full dining table.  An adjustable 6-legged table base, as well as unique Marinace granite, cherry red cabinets, and Manganese Ironspot brick highlight the material palate.

Photographer:  Alyssa Lee

www.alyssaleephotography.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Nate Dodge

The Gathering Kitchen - re-placing eating at the center of the home.  We’ve all had the common experience of guests gathering in the kitchen.  It seems the kitchen has replaced the hearth as the center of the modern home.  Often in this shift is the loss of gathering around the table. 

This client has a passion for cooking and has lived for 20 years with a kitchen that’s fallen short of her needs, and a dining room that is never used.  She also has a passion for hosting her family & friends – large groups, lively and animated!

We combined the space of both rooms to make one large gathering kitchen.  The centerpiece is the island which was split open and pulled apart to make place again for gathering around the meal.  The island provides functioning countertops and ample storage, as well as enclosure for the full dining table.  An adjustable 6-legged table base, as well as unique Marinace granite, cherry red cabinets, and Manganese Ironspot brick highlight the material palate.

Photographer:  Alyssa Lee

www.alyssaleephotography.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Nate Dodge

Project Team:
Ben Awes AIA, Principal-In-Charge
Chistian Dean AIA
Bob Ganser AIA

The owners of this 1980’s era home were looking for a strikingly modern and natural light filled addition / renovation that would both accommodate a kitchen extension and create open flowing main floor living space connecting their formerly enclosed and separate kitchen and dining areas to their existing vaulted living room.  The design reflects the homeowners clean modern aesthetic and reinforces their desire for open living areas with abundant daylight and exterior views.

The design solution encourages a sense of place and responds to the surrounding context by emphasizing visual connections between the exterior and interior, culminating in the orientation of a new kitchen / dining space toward a tree top view to the south-east at the back of the house.  It features a new front entry expansion which formally foreshadows the new kitchen addition at the rear.  It includes a new modern kitchen and master bath, as well as a new mud room and laundry room.  Natural daylight and access to exterior views were increased thru the addition of floor to ceiling windows & sliding doors, skylights, cable rails, and strategically re-built exterior decks.

Location:  Minnetonka, MN
Original Size:  1,828 SF
Size with Addition:  2,007 SF
Completed:  June 2012

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA
Nate Dodge

2014 RAVE AWARD WINNER

The owners of this 1980’s era home were looking for a strikingly modern and natural light filled addition / renovation that would both accommodate a kitchen extension and create open flowing main floor living space connecting their formerly enclosed and separate kitchen and dining areas to their existing vaulted living room.  The design reflects the homeowners clean modern aesthetic and reinforces their desire for open living areas with abundant daylight and exterior views.

The design solution encourages a sense of place and responds to the surrounding context by emphasizing visual connections between the exterior and interior, culminating in the orientation of a new kitchen / dining space toward a tree top view to the south-east at the back of the house.  It features a new front entry expansion which formally foreshadows the new kitchen addition at the rear.  It includes a new modern kitchen and master bath, as well as a new mud room and laundry room.  Natural daylight and access to exterior views were increased thru the addition of floor to ceiling windows & sliding doors, skylights, cable rails, and strategically re-built exterior decks.

Location:  Minnetonka, MN
Original Size:  1,828 SF
Size with Addition:  2,007 SF
Completed:  June 2012

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA
Nate Dodge

2014 RAVE AWARD WINNER

The owners of this 1980’s era home were looking for a strikingly modern and natural light filled addition / renovation that would both accommodate a kitchen extension and create open flowing main floor living space connecting their formerly enclosed and separate kitchen and dining areas to their existing vaulted living room.  The design reflects the homeowners clean modern aesthetic and reinforces their desire for open living areas with abundant daylight and exterior views.

The design solution encourages a sense of place and responds to the surrounding context by emphasizing visual connections between the exterior and interior, culminating in the orientation of a new kitchen / dining space toward a tree top view to the south-east at the back of the house.  It features a new front entry expansion which formally foreshadows the new kitchen addition at the rear.  It includes a new modern kitchen and master bath, as well as a new mud room and laundry room.  Natural daylight and access to exterior views were increased thru the addition of floor to ceiling windows & sliding doors, skylights, cable rails, and strategically re-built exterior decks.

Location:  Minnetonka, MN
Original Size:  1,828 SF
Size with Addition:  2,007 SF
Completed:  June 2012

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA
Nate Dodge

2014 RAVE AWARD WINNER

The owners of this 1980’s era home were looking for a strikingly modern and natural light filled addition / renovation that would both accommodate a kitchen extension and create open flowing main floor living space connecting their formerly enclosed and separate kitchen and dining areas to their existing vaulted living room.  The design reflects the homeowners clean modern aesthetic and reinforces their desire for open living areas with abundant daylight and exterior views.

The design solution encourages a sense of place and responds to the surrounding context by emphasizing visual connections between the exterior and interior, culminating in the orientation of a new kitchen / dining space toward a tree top view to the south-east at the back of the house.  It features a new front entry expansion which formally foreshadows the new kitchen addition at the rear.  It includes a new modern kitchen and master bath, as well as a new mud room and laundry room.  Natural daylight and access to exterior views were increased thru the addition of floor to ceiling windows & sliding doors, skylights, cable rails, and strategically re-built exterior decks.

Location:  Minnetonka, MN
Original Size:  1,828 SF
Size with Addition:  2,007 SF
Completed:  June 2012

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA
Nate Dodge

2014 RAVE AWARD WINNER

The owners of this 1980’s era home were looking for a strikingly modern and natural light filled addition / renovation that would both accommodate a kitchen extension and create open flowing main floor living space connecting their formerly enclosed and separate kitchen and dining areas to their existing vaulted living room.  The design reflects the homeowners clean modern aesthetic and reinforces their desire for open living areas with abundant daylight and exterior views.

The design solution encourages a sense of place and responds to the surrounding context by emphasizing visual connections between the exterior and interior, culminating in the orientation of a new kitchen / dining space toward a tree top view to the south-east at the back of the house.  It features a new front entry expansion which formally foreshadows the new kitchen addition at the rear.  It includes a new modern kitchen and master bath, as well as a new mud room and laundry room.  Natural daylight and access to exterior views were increased thru the addition of floor to ceiling windows & sliding doors, skylights, cable rails, and strategically re-built exterior decks.

Location:  Minnetonka, MN
Original Size:  1,828 SF
Size with Addition:  2,007 SF
Completed:  June 2012

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA
Nate Dodge

2014 RAVE AWARD WINNER

The owners of this 1980’s era home were looking for a strikingly modern and natural light filled addition / renovation that would both accommodate a kitchen extension and create open flowing main floor living space connecting their formerly enclosed and separate kitchen and dining areas to their existing vaulted living room.  The design reflects the homeowners clean modern aesthetic and reinforces their desire for open living areas with abundant daylight and exterior views.

The design solution encourages a sense of place and responds to the surrounding context by emphasizing visual connections between the exterior and interior, culminating in the orientation of a new kitchen / dining space toward a tree top view to the south-east at the back of the house.  It features a new front entry expansion which formally foreshadows the new kitchen addition at the rear.  It includes a new modern kitchen and master bath, as well as a new mud room and laundry room.  Natural daylight and access to exterior views were increased thru the addition of floor to ceiling windows & sliding doors, skylights, cable rails, and strategically re-built exterior decks.

Location:  Minnetonka, MN
Original Size:  1,828 SF
Size with Addition:  2,007 SF
Completed:  June 2012

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA
Nate Dodge

2014 RAVE AWARD WINNER

The owners of this 1980’s era home were looking for a strikingly modern and natural light filled addition / renovation that would both accommodate a kitchen extension and create open flowing main floor living space connecting their formerly enclosed and separate kitchen and dining areas to their existing vaulted living room.  The design reflects the homeowners clean modern aesthetic and reinforces their desire for open living areas with abundant daylight and exterior views.

The design solution encourages a sense of place and responds to the surrounding context by emphasizing visual connections between the exterior and interior, culminating in the orientation of a new kitchen / dining space toward a tree top view to the south-east at the back of the house.  It features a new front entry expansion which formally foreshadows the new kitchen addition at the rear.  It includes a new modern kitchen and master bath, as well as a new mud room and laundry room.  Natural daylight and access to exterior views were increased thru the addition of floor to ceiling windows & sliding doors, skylights, cable rails, and strategically re-built exterior decks.

Location:  Minnetonka, MN
Original Size:  1,828 SF
Size with Addition:  2,007 SF
Completed:  June 2012

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA
Nate Dodge

2014 RAVE AWARD WINNER

The owners of this 1980’s era home were looking for a strikingly modern and natural light filled addition / renovation that would both accommodate a kitchen extension and create open flowing main floor living space connecting their formerly enclosed and separate kitchen and dining areas to their existing vaulted living room.  The design reflects the homeowners clean modern aesthetic and reinforces their desire for open living areas with abundant daylight and exterior views.

The design solution encourages a sense of place and responds to the surrounding context by emphasizing visual connections between the exterior and interior, culminating in the orientation of a new kitchen / dining space toward a tree top view to the south-east at the back of the house.  It features a new front entry expansion which formally foreshadows the new kitchen addition at the rear.  It includes a new modern kitchen and master bath, as well as a new mud room and laundry room.  Natural daylight and access to exterior views were increased thru the addition of floor to ceiling windows & sliding doors, skylights, cable rails, and strategically re-built exterior decks.

Location:  Minnetonka, MN
Original Size:  1,828 SF
Size with Addition:  2,007 SF
Completed:  June 2012

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA
Nate Dodge

2014 RAVE AWARD WINNER

The owners of this 1980’s era home were looking for a strikingly modern and natural light filled addition / renovation that would both accommodate a kitchen extension and create open flowing main floor living space connecting their formerly enclosed and separate kitchen and dining areas to their existing vaulted living room.  The design reflects the homeowners clean modern aesthetic and reinforces their desire for open living areas with abundant daylight and exterior views.

The design solution encourages a sense of place and responds to the surrounding context by emphasizing visual connections between the exterior and interior, culminating in the orientation of a new kitchen / dining space toward a tree top view to the south-east at the back of the house.  It features a new front entry expansion which formally foreshadows the new kitchen addition at the rear.  It includes a new modern kitchen and master bath, as well as a new mud room and laundry room.  Natural daylight and access to exterior views were increased thru the addition of floor to ceiling windows & sliding doors, skylights, cable rails, and strategically re-built exterior decks.

Location:  Minnetonka, MN
Original Size:  1,828 SF
Size with Addition:  2,007 SF
Completed:  June 2012

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA
Nate Dodge

2014 RAVE AWARD WINNER

The owners of this 1980’s era home were looking for a strikingly modern and natural light filled addition / renovation that would both accommodate a kitchen extension and create open flowing main floor living space connecting their formerly enclosed and separate kitchen and dining areas to their existing vaulted living room.  The design reflects the homeowners clean modern aesthetic and reinforces their desire for open living areas with abundant daylight and exterior views.

The design solution encourages a sense of place and responds to the surrounding context by emphasizing visual connections between the exterior and interior, culminating in the orientation of a new kitchen / dining space toward a tree top view to the south-east at the back of the house.  It features a new front entry expansion which formally foreshadows the new kitchen addition at the rear.  It includes a new modern kitchen and master bath, as well as a new mud room and laundry room.  Natural daylight and access to exterior views were increased thru the addition of floor to ceiling windows & sliding doors, skylights, cable rails, and strategically re-built exterior decks.

Location:  Minnetonka, MN
Original Size:  1,828 SF
Size with Addition:  2,007 SF
Completed:  June 2012

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA
Nate Dodge

2014 RAVE AWARD WINNER

The owners of this 1980’s era home were looking for a strikingly modern and natural light filled addition / renovation that would both accommodate a kitchen extension and create open flowing main floor living space connecting their formerly enclosed and separate kitchen and dining areas to their existing vaulted living room.  The design reflects the homeowners clean modern aesthetic and reinforces their desire for open living areas with abundant daylight and exterior views.

The design solution encourages a sense of place and responds to the surrounding context by emphasizing visual connections between the exterior and interior, culminating in the orientation of a new kitchen / dining space toward a tree top view to the south-east at the back of the house.  It features a new front entry expansion which formally foreshadows the new kitchen addition at the rear.  It includes a new modern kitchen and master bath, as well as a new mud room and laundry room.  Natural daylight and access to exterior views were increased thru the addition of floor to ceiling windows & sliding doors, skylights, cable rails, and strategically re-built exterior decks.

Location:  Minnetonka, MN
Original Size:  1,828 SF
Size with Addition:  2,007 SF
Completed:  June 2012

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA
Nate Dodge

2014 RAVE AWARD WINNER

The owners of this 1980’s era home were looking for a strikingly modern and natural light filled addition / renovation that would both accommodate a kitchen extension and create open flowing main floor living space connecting their formerly enclosed and separate kitchen and dining areas to their existing vaulted living room.  The design reflects the homeowners clean modern aesthetic and reinforces their desire for open living areas with abundant daylight and exterior views.

The design solution encourages a sense of place and responds to the surrounding context by emphasizing visual connections between the exterior and interior, culminating in the orientation of a new kitchen / dining space toward a tree top view to the south-east at the back of the house.  It features a new front entry expansion which formally foreshadows the new kitchen addition at the rear.  It includes a new modern kitchen and master bath, as well as a new mud room and laundry room.  Natural daylight and access to exterior views were increased thru the addition of floor to ceiling windows & sliding doors, skylights, cable rails, and strategically re-built exterior decks.

Location:  Minnetonka, MN
Original Size:  1,828 SF
Size with Addition:  2,007 SF
Completed:  June 2012

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA
Nate Dodge

2014 RAVE AWARD WINNER

The owners of this 1980’s era home were looking for a strikingly modern and natural light filled addition / renovation that would both accommodate a kitchen extension and create open flowing main floor living space connecting their formerly enclosed and separate kitchen and dining areas to their existing vaulted living room.  The design reflects the homeowners clean modern aesthetic and reinforces their desire for open living areas with abundant daylight and exterior views.

The design solution encourages a sense of place and responds to the surrounding context by emphasizing visual connections between the exterior and interior, culminating in the orientation of a new kitchen / dining space toward a tree top view to the south-east at the back of the house.  It features a new front entry expansion which formally foreshadows the new kitchen addition at the rear.  It includes a new modern kitchen and master bath, as well as a new mud room and laundry room.  Natural daylight and access to exterior views were increased thru the addition of floor to ceiling windows & sliding doors, skylights, cable rails, and strategically re-built exterior decks.

Location:  Minnetonka, MN
Original Size:  1,828 SF
Size with Addition:  2,007 SF
Completed:  June 2012

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA
Nate Dodge

2014 RAVE AWARD WINNER

The owners of this 1980’s era home were looking for a strikingly modern and natural light filled addition / renovation that would both accommodate a kitchen extension and create open flowing main floor living space connecting their formerly enclosed and separate kitchen and dining areas to their existing vaulted living room.  The design reflects the homeowners clean modern aesthetic and reinforces their desire for open living areas with abundant daylight and exterior views.

The design solution encourages a sense of place and responds to the surrounding context by emphasizing visual connections between the exterior and interior, culminating in the orientation of a new kitchen / dining space toward a tree top view to the south-east at the back of the house.  It features a new front entry expansion which formally foreshadows the new kitchen addition at the rear.  It includes a new modern kitchen and master bath, as well as a new mud room and laundry room.  Natural daylight and access to exterior views were increased thru the addition of floor to ceiling windows & sliding doors, skylights, cable rails, and strategically re-built exterior decks.

Location:  Minnetonka, MN
Original Size:  1,828 SF
Size with Addition:  2,007 SF
Completed:  June 2012

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA
Nate Dodge

2014 RAVE AWARD WINNER

The owners of this 1980’s era home were looking for a strikingly modern and natural light filled addition / renovation that would both accommodate a kitchen extension and create open flowing main floor living space connecting their formerly enclosed and separate kitchen and dining areas to their existing vaulted living room.  The design reflects the homeowners clean modern aesthetic and reinforces their desire for open living areas with abundant daylight and exterior views.

The design solution encourages a sense of place and responds to the surrounding context by emphasizing visual connections between the exterior and interior, culminating in the orientation of a new kitchen / dining space toward a tree top view to the south-east at the back of the house.  It features a new front entry expansion which formally foreshadows the new kitchen addition at the rear.  It includes a new modern kitchen and master bath, as well as a new mud room and laundry room.  Natural daylight and access to exterior views were increased thru the addition of floor to ceiling windows & sliding doors, skylights, cable rails, and strategically re-built exterior decks.

Location:  Minnetonka, MN
Original Size:  1,828 SF
Size with Addition:  2,007 SF
Completed:  June 2012

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA
Nate Dodge

2014 RAVE AWARD WINNER

The owners of this 1980’s era home were looking for a strikingly modern and natural light filled addition / renovation that would both accommodate a kitchen extension and create open flowing main floor living space connecting their formerly enclosed and separate kitchen and dining areas to their existing vaulted living room.  The design reflects the homeowners clean modern aesthetic and reinforces their desire for open living areas with abundant daylight and exterior views.

The design solution encourages a sense of place and responds to the surrounding context by emphasizing visual connections between the exterior and interior, culminating in the orientation of a new kitchen / dining space toward a tree top view to the south-east at the back of the house.  It features a new front entry expansion which formally foreshadows the new kitchen addition at the rear.  It includes a new modern kitchen and master bath, as well as a new mud room and laundry room.  Natural daylight and access to exterior views were increased thru the addition of floor to ceiling windows & sliding doors, skylights, cable rails, and strategically re-built exterior decks.

Location:  Minnetonka, MN
Original Size:  1,828 SF
Size with Addition:  2,007 SF
Completed:  June 2012

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA
Nate Dodge

2014 RAVE AWARD WINNER

The owners of this 1980’s era home were looking for a strikingly modern and natural light filled addition / renovation that would both accommodate a kitchen extension and create open flowing main floor living space connecting their formerly enclosed and separate kitchen and dining areas to their existing vaulted living room.  The design reflects the homeowners clean modern aesthetic and reinforces their desire for open living areas with abundant daylight and exterior views.

The design solution encourages a sense of place and responds to the surrounding context by emphasizing visual connections between the exterior and interior, culminating in the orientation of a new kitchen / dining space toward a tree top view to the south-east at the back of the house.  It features a new front entry expansion which formally foreshadows the new kitchen addition at the rear.  It includes a new modern kitchen and master bath, as well as a new mud room and laundry room.  Natural daylight and access to exterior views were increased thru the addition of floor to ceiling windows & sliding doors, skylights, cable rails, and strategically re-built exterior decks.

Location:  Minnetonka, MN
Original Size:  1,828 SF
Size with Addition:  2,007 SF
Completed:  June 2012

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA
Nate Dodge

2014 RAVE AWARD WINNER

This home enjoys stunning views of Sweeney Lake from almost anywhere in the home; however it was in need of repair and a significant reorganization of the plan to take full advantage of site.  The project is about the complete restoration and rethinking of this vintage 1965 mid-century gem.  The house is deceivingly large with a full finished lower level and an indoor pool room; however it lived cramped and broken up.  The entry was uninviting and small, the poolroom unused and poorly heated, the kitchen undersized, and the bedrooms and baths poorly accessed. 

Our task was to open up the home through the rethinking of the floor plan and the introduction of a new central axis connecting and organizing the homes functions and spaces around view corridors and existing or new focal points.  The home had beautiful features to build upon; the central brick fireplace, the raised roofs over the living and pool rooms, and the view to the lake itself.  A fully redone exterior and interior preserve the homes proportion and scale, while at the same time bring greater connection to the site and a much needed clarity to the homes organization.

Location:          Golden Valley, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

This home enjoys stunning views of Sweeney Lake from almost anywhere in the home; however it was in need of repair and a significant reorganization of the plan to take full advantage of site.  The project is about the complete restoration and rethinking of this vintage 1965 mid-century gem.  The house is deceivingly large with a full finished lower level and an indoor pool room; however it lived cramped and broken up.  The entry was uninviting and small, the poolroom unused and poorly heated, the kitchen undersized, and the bedrooms and baths poorly accessed. 

Our task was to open up the home through the rethinking of the floor plan and the introduction of a new central axis connecting and organizing the homes functions and spaces around view corridors and existing or new focal points.  The home had beautiful features to build upon; the central brick fireplace, the raised roofs over the living and pool rooms, and the view to the lake itself.  A fully redone exterior and interior preserve the homes proportion and scale, while at the same time bring greater connection to the site and a much needed clarity to the homes organization.

Location:          Golden Valley, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

This home enjoys stunning views of Sweeney Lake from almost anywhere in the home; however it was in need of repair and a significant reorganization of the plan to take full advantage of site.  The project is about the complete restoration and rethinking of this vintage 1965 mid-century gem.  The house is deceivingly large with a full finished lower level and an indoor pool room; however it lived cramped and broken up.  The entry was uninviting and small, the poolroom unused and poorly heated, the kitchen undersized, and the bedrooms and baths poorly accessed. 

Our task was to open up the home through the rethinking of the floor plan and the introduction of a new central axis connecting and organizing the homes functions and spaces around view corridors and existing or new focal points.  The home had beautiful features to build upon; the central brick fireplace, the raised roofs over the living and pool rooms, and the view to the lake itself.  A fully redone exterior and interior preserve the homes proportion and scale, while at the same time bring greater connection to the site and a much needed clarity to the homes organization.

Location:          Golden Valley, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

This home enjoys stunning views of Sweeney Lake from almost anywhere in the home; however it was in need of repair and a significant reorganization of the plan to take full advantage of site.  The project is about the complete restoration and rethinking of this vintage 1965 mid-century gem.  The house is deceivingly large with a full finished lower level and an indoor pool room; however it lived cramped and broken up.  The entry was uninviting and small, the poolroom unused and poorly heated, the kitchen undersized, and the bedrooms and baths poorly accessed. 

Our task was to open up the home through the rethinking of the floor plan and the introduction of a new central axis connecting and organizing the homes functions and spaces around view corridors and existing or new focal points.  The home had beautiful features to build upon; the central brick fireplace, the raised roofs over the living and pool rooms, and the view to the lake itself.  A fully redone exterior and interior preserve the homes proportion and scale, while at the same time bring greater connection to the site and a much needed clarity to the homes organization.

Location:          Golden Valley, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

This home enjoys stunning views of Sweeney Lake from almost anywhere in the home; however it was in need of repair and a significant reorganization of the plan to take full advantage of site.  The project is about the complete restoration and rethinking of this vintage 1965 mid-century gem.  The house is deceivingly large with a full finished lower level and an indoor pool room; however it lived cramped and broken up.  The entry was uninviting and small, the poolroom unused and poorly heated, the kitchen undersized, and the bedrooms and baths poorly accessed. 

Our task was to open up the home through the rethinking of the floor plan and the introduction of a new central axis connecting and organizing the homes functions and spaces around view corridors and existing or new focal points.  The home had beautiful features to build upon; the central brick fireplace, the raised roofs over the living and pool rooms, and the view to the lake itself.  A fully redone exterior and interior preserve the homes proportion and scale, while at the same time bring greater connection to the site and a much needed clarity to the homes organization.

Location:          Golden Valley, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

This home enjoys stunning views of Sweeney Lake from almost anywhere in the home; however it was in need of repair and a significant reorganization of the plan to take full advantage of site.  The project is about the complete restoration and rethinking of this vintage 1965 mid-century gem.  The house is deceivingly large with a full finished lower level and an indoor pool room; however it lived cramped and broken up.  The entry was uninviting and small, the poolroom unused and poorly heated, the kitchen undersized, and the bedrooms and baths poorly accessed. 

Our task was to open up the home through the rethinking of the floor plan and the introduction of a new central axis connecting and organizing the homes functions and spaces around view corridors and existing or new focal points.  The home had beautiful features to build upon; the central brick fireplace, the raised roofs over the living and pool rooms, and the view to the lake itself.  A fully redone exterior and interior preserve the homes proportion and scale, while at the same time bring greater connection to the site and a much needed clarity to the homes organization.

Location:          Golden Valley, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

This home enjoys stunning views of Sweeney Lake from almost anywhere in the home; however it was in need of repair and a significant reorganization of the plan to take full advantage of site.  The project is about the complete restoration and rethinking of this vintage 1965 mid-century gem.  The house is deceivingly large with a full finished lower level and an indoor pool room; however it lived cramped and broken up.  The entry was uninviting and small, the poolroom unused and poorly heated, the kitchen undersized, and the bedrooms and baths poorly accessed. 

Our task was to open up the home through the rethinking of the floor plan and the introduction of a new central axis connecting and organizing the homes functions and spaces around view corridors and existing or new focal points.  The home had beautiful features to build upon; the central brick fireplace, the raised roofs over the living and pool rooms, and the view to the lake itself.  A fully redone exterior and interior preserve the homes proportion and scale, while at the same time bring greater connection to the site and a much needed clarity to the homes organization.

Location:          Golden Valley, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

This home enjoys stunning views of Sweeney Lake from almost anywhere in the home; however it was in need of repair and a significant reorganization of the plan to take full advantage of site.  The project is about the complete restoration and rethinking of this vintage 1965 mid-century gem.  The house is deceivingly large with a full finished lower level and an indoor pool room; however it lived cramped and broken up.  The entry was uninviting and small, the poolroom unused and poorly heated, the kitchen undersized, and the bedrooms and baths poorly accessed. 

Our task was to open up the home through the rethinking of the floor plan and the introduction of a new central axis connecting and organizing the homes functions and spaces around view corridors and existing or new focal points.  The home had beautiful features to build upon; the central brick fireplace, the raised roofs over the living and pool rooms, and the view to the lake itself.  A fully redone exterior and interior preserve the homes proportion and scale, while at the same time bring greater connection to the site and a much needed clarity to the homes organization.

Location:          Golden Valley, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

This home enjoys stunning views of Sweeney Lake from almost anywhere in the home; however it was in need of repair and a significant reorganization of the plan to take full advantage of site.  The project is about the complete restoration and rethinking of this vintage 1965 mid-century gem.  The house is deceivingly large with a full finished lower level and an indoor pool room; however it lived cramped and broken up.  The entry was uninviting and small, the poolroom unused and poorly heated, the kitchen undersized, and the bedrooms and baths poorly accessed. 

Our task was to open up the home through the rethinking of the floor plan and the introduction of a new central axis connecting and organizing the homes functions and spaces around view corridors and existing or new focal points.  The home had beautiful features to build upon; the central brick fireplace, the raised roofs over the living and pool rooms, and the view to the lake itself.  A fully redone exterior and interior preserve the homes proportion and scale, while at the same time bring greater connection to the site and a much needed clarity to the homes organization.

Location:          Golden Valley, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

This home enjoys stunning views of Sweeney Lake from almost anywhere in the home; however it was in need of repair and a significant reorganization of the plan to take full advantage of site.  The project is about the complete restoration and rethinking of this vintage 1965 mid-century gem.  The house is deceivingly large with a full finished lower level and an indoor pool room; however it lived cramped and broken up.  The entry was uninviting and small, the poolroom unused and poorly heated, the kitchen undersized, and the bedrooms and baths poorly accessed. 

Our task was to open up the home through the rethinking of the floor plan and the introduction of a new central axis connecting and organizing the homes functions and spaces around view corridors and existing or new focal points.  The home had beautiful features to build upon; the central brick fireplace, the raised roofs over the living and pool rooms, and the view to the lake itself.  A fully redone exterior and interior preserve the homes proportion and scale, while at the same time bring greater connection to the site and a much needed clarity to the homes organization.

Location:          Golden Valley, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

This home enjoys stunning views of Sweeney Lake from almost anywhere in the home; however it was in need of repair and a significant reorganization of the plan to take full advantage of site.  The project is about the complete restoration and rethinking of this vintage 1965 mid-century gem.  The house is deceivingly large with a full finished lower level and an indoor pool room; however it lived cramped and broken up.  The entry was uninviting and small, the poolroom unused and poorly heated, the kitchen undersized, and the bedrooms and baths poorly accessed. 

Our task was to open up the home through the rethinking of the floor plan and the introduction of a new central axis connecting and organizing the homes functions and spaces around view corridors and existing or new focal points.  The home had beautiful features to build upon; the central brick fireplace, the raised roofs over the living and pool rooms, and the view to the lake itself.  A fully redone exterior and interior preserve the homes proportion and scale, while at the same time bring greater connection to the site and a much needed clarity to the homes organization.

Location:          Golden Valley, MN

Completed:     2013

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

Built in 1963, the house was originally designed by Lorenzo Williams. Phase one of this project focused on the master bedroom and bath which had experienced a number of remodels over the years. The area had been broken up into small spaces, many of which were cramped and dark, and some unused. We attempted to honor and highlight the strong architectural details already present. Notable was the architectural “box” expression of the exterior, each box separated by a full height recessed window. The interior walls floated between the floor and ceiling by use of a deep black reveal. The experience of the “boxes” and your understanding of where you were in the space were lost in the labyrinth of walls.

We combined the spaces on the west side of the house to create a master wing. We removed walls and millwork to fully reveal the exquisite living room fireplace, and then used the fireplace to reinforce a natural movement spine through the house. You no longer have to walk through the middle of the living room to get the master bedroom.

 A new walnut clad “interior” box placed at the end of the central hallway highlights the master suite.  The box contains the bath and separates the bedroom from the changing room. The box, while filling the central part of the space, serves to unify the space by being an object within it. The position of the bath re-aligns the space around the full height vertical windows that now define the edge of the bath and the bedroom, and cast light along both the exterior and interior walls.  A broad skylight is cut into the ceiling bringing a new quality of light to the room. We liken the bath to a coconut, dark and woodsy on the outside, crisp and white on the inside.

2014 RAVE AWARD WINNER

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

Built in 1963, the house was originally designed by Lorenzo Williams. Phase one of this project focused on the master bedroom and bath which had experienced a number of remodels over the years. The area had been broken up into small spaces, many of which were cramped and dark, and some unused. We attempted to honor and highlight the strong architectural details already present. Notable was the architectural “box” expression of the exterior, each box separated by a full height recessed window. The interior walls floated between the floor and ceiling by use of a deep black reveal. The experience of the “boxes” and your understanding of where you were in the space were lost in the labyrinth of walls.

We combined the spaces on the west side of the house to create a master wing. We removed walls and millwork to fully reveal the exquisite living room fireplace, and then used the fireplace to reinforce a natural movement spine through the house. You no longer have to walk through the middle of the living room to get the master bedroom.

 A new walnut clad “interior” box placed at the end of the central hallway highlights the master suite.  The box contains the bath and separates the bedroom from the changing room. The box, while filling the central part of the space, serves to unify the space by being an object within it. The position of the bath re-aligns the space around the full height vertical windows that now define the edge of the bath and the bedroom, and cast light along both the exterior and interior walls.  A broad skylight is cut into the ceiling bringing a new quality of light to the room. We liken the bath to a coconut, dark and woodsy on the outside, crisp and white on the inside.

2014 RAVE AWARD WINNER

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

Built in 1963, the house was originally designed by Lorenzo Williams. Phase one of this project focused on the master bedroom and bath which had experienced a number of remodels over the years. The area had been broken up into small spaces, many of which were cramped and dark, and some unused. We attempted to honor and highlight the strong architectural details already present. Notable was the architectural “box” expression of the exterior, each box separated by a full height recessed window. The interior walls floated between the floor and ceiling by use of a deep black reveal. The experience of the “boxes” and your understanding of where you were in the space were lost in the labyrinth of walls.

We combined the spaces on the west side of the house to create a master wing. We removed walls and millwork to fully reveal the exquisite living room fireplace, and then used the fireplace to reinforce a natural movement spine through the house. You no longer have to walk through the middle of the living room to get the master bedroom.

 A new walnut clad “interior” box placed at the end of the central hallway highlights the master suite.  The box contains the bath and separates the bedroom from the changing room. The box, while filling the central part of the space, serves to unify the space by being an object within it. The position of the bath re-aligns the space around the full height vertical windows that now define the edge of the bath and the bedroom, and cast light along both the exterior and interior walls.  A broad skylight is cut into the ceiling bringing a new quality of light to the room. We liken the bath to a coconut, dark and woodsy on the outside, crisp and white on the inside.

2014 RAVE AWARD WINNER

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

Built in 1963, the house was originally designed by Lorenzo Williams. Phase one of this project focused on the master bedroom and bath which had experienced a number of remodels over the years. The area had been broken up into small spaces, many of which were cramped and dark, and some unused. We attempted to honor and highlight the strong architectural details already present. Notable was the architectural “box” expression of the exterior, each box separated by a full height recessed window. The interior walls floated between the floor and ceiling by use of a deep black reveal. The experience of the “boxes” and your understanding of where you were in the space were lost in the labyrinth of walls.

We combined the spaces on the west side of the house to create a master wing. We removed walls and millwork to fully reveal the exquisite living room fireplace, and then used the fireplace to reinforce a natural movement spine through the house. You no longer have to walk through the middle of the living room to get the master bedroom.

 A new walnut clad “interior” box placed at the end of the central hallway highlights the master suite.  The box contains the bath and separates the bedroom from the changing room. The box, while filling the central part of the space, serves to unify the space by being an object within it. The position of the bath re-aligns the space around the full height vertical windows that now define the edge of the bath and the bedroom, and cast light along both the exterior and interior walls.  A broad skylight is cut into the ceiling bringing a new quality of light to the room. We liken the bath to a coconut, dark and woodsy on the outside, crisp and white on the inside.

2014 RAVE AWARD WINNER

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

Built in 1963, the house was originally designed by Lorenzo Williams. Phase one of this project focused on the master bedroom and bath which had experienced a number of remodels over the years. The area had been broken up into small spaces, many of which were cramped and dark, and some unused. We attempted to honor and highlight the strong architectural details already present. Notable was the architectural “box” expression of the exterior, each box separated by a full height recessed window. The interior walls floated between the floor and ceiling by use of a deep black reveal. The experience of the “boxes” and your understanding of where you were in the space were lost in the labyrinth of walls.

We combined the spaces on the west side of the house to create a master wing. We removed walls and millwork to fully reveal the exquisite living room fireplace, and then used the fireplace to reinforce a natural movement spine through the house. You no longer have to walk through the middle of the living room to get the master bedroom.

 A new walnut clad “interior” box placed at the end of the central hallway highlights the master suite.  The box contains the bath and separates the bedroom from the changing room. The box, while filling the central part of the space, serves to unify the space by being an object within it. The position of the bath re-aligns the space around the full height vertical windows that now define the edge of the bath and the bedroom, and cast light along both the exterior and interior walls.  A broad skylight is cut into the ceiling bringing a new quality of light to the room. We liken the bath to a coconut, dark and woodsy on the outside, crisp and white on the inside.

2014 RAVE AWARD WINNER

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

Built in 1963, the house was originally designed by Lorenzo Williams. Phase one of this project focused on the master bedroom and bath which had experienced a number of remodels over the years. The area had been broken up into small spaces, many of which were cramped and dark, and some unused. We attempted to honor and highlight the strong architectural details already present. Notable was the architectural “box” expression of the exterior, each box separated by a full height recessed window. The interior walls floated between the floor and ceiling by use of a deep black reveal. The experience of the “boxes” and your understanding of where you were in the space were lost in the labyrinth of walls.

We combined the spaces on the west side of the house to create a master wing. We removed walls and millwork to fully reveal the exquisite living room fireplace, and then used the fireplace to reinforce a natural movement spine through the house. You no longer have to walk through the middle of the living room to get the master bedroom.

 A new walnut clad “interior” box placed at the end of the central hallway highlights the master suite.  The box contains the bath and separates the bedroom from the changing room. The box, while filling the central part of the space, serves to unify the space by being an object within it. The position of the bath re-aligns the space around the full height vertical windows that now define the edge of the bath and the bedroom, and cast light along both the exterior and interior walls.  A broad skylight is cut into the ceiling bringing a new quality of light to the room. We liken the bath to a coconut, dark and woodsy on the outside, crisp and white on the inside.

2014 RAVE AWARD WINNER

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

Built in 1963, the house was originally designed by Lorenzo Williams. Phase one of this project focused on the master bedroom and bath which had experienced a number of remodels over the years. The area had been broken up into small spaces, many of which were cramped and dark, and some unused. We attempted to honor and highlight the strong architectural details already present. Notable was the architectural “box” expression of the exterior, each box separated by a full height recessed window. The interior walls floated between the floor and ceiling by use of a deep black reveal. The experience of the “boxes” and your understanding of where you were in the space were lost in the labyrinth of walls.

We combined the spaces on the west side of the house to create a master wing. We removed walls and millwork to fully reveal the exquisite living room fireplace, and then used the fireplace to reinforce a natural movement spine through the house. You no longer have to walk through the middle of the living room to get the master bedroom.

 A new walnut clad “interior” box placed at the end of the central hallway highlights the master suite.  The box contains the bath and separates the bedroom from the changing room. The box, while filling the central part of the space, serves to unify the space by being an object within it. The position of the bath re-aligns the space around the full height vertical windows that now define the edge of the bath and the bedroom, and cast light along both the exterior and interior walls.  A broad skylight is cut into the ceiling bringing a new quality of light to the room. We liken the bath to a coconut, dark and woodsy on the outside, crisp and white on the inside.

2014 RAVE AWARD WINNER

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

Built in 1963, the house was originally designed by Lorenzo Williams. Phase one of this project focused on the master bedroom and bath which had experienced a number of remodels over the years. The area had been broken up into small spaces, many of which were cramped and dark, and some unused. We attempted to honor and highlight the strong architectural details already present. Notable was the architectural “box” expression of the exterior, each box separated by a full height recessed window. The interior walls floated between the floor and ceiling by use of a deep black reveal. The experience of the “boxes” and your understanding of where you were in the space were lost in the labyrinth of walls.

We combined the spaces on the west side of the house to create a master wing. We removed walls and millwork to fully reveal the exquisite living room fireplace, and then used the fireplace to reinforce a natural movement spine through the house. You no longer have to walk through the middle of the living room to get the master bedroom.

 A new walnut clad “interior” box placed at the end of the central hallway highlights the master suite.  The box contains the bath and separates the bedroom from the changing room. The box, while filling the central part of the space, serves to unify the space by being an object within it. The position of the bath re-aligns the space around the full height vertical windows that now define the edge of the bath and the bedroom, and cast light along both the exterior and interior walls.  A broad skylight is cut into the ceiling bringing a new quality of light to the room. We liken the bath to a coconut, dark and woodsy on the outside, crisp and white on the inside.

2014 RAVE AWARD WINNER

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

Built in 1963, the house was originally designed by Lorenzo Williams. Phase one of this project focused on the master bedroom and bath which had experienced a number of remodels over the years. The area had been broken up into small spaces, many of which were cramped and dark, and some unused. We attempted to honor and highlight the strong architectural details already present. Notable was the architectural “box” expression of the exterior, each box separated by a full height recessed window. The interior walls floated between the floor and ceiling by use of a deep black reveal. The experience of the “boxes” and your understanding of where you were in the space were lost in the labyrinth of walls.

We combined the spaces on the west side of the house to create a master wing. We removed walls and millwork to fully reveal the exquisite living room fireplace, and then used the fireplace to reinforce a natural movement spine through the house. You no longer have to walk through the middle of the living room to get the master bedroom.

 A new walnut clad “interior” box placed at the end of the central hallway highlights the master suite.  The box contains the bath and separates the bedroom from the changing room. The box, while filling the central part of the space, serves to unify the space by being an object within it. The position of the bath re-aligns the space around the full height vertical windows that now define the edge of the bath and the bedroom, and cast light along both the exterior and interior walls.  A broad skylight is cut into the ceiling bringing a new quality of light to the room. We liken the bath to a coconut, dark and woodsy on the outside, crisp and white on the inside.

2014 RAVE AWARD WINNER

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

Built in 1963, the house was originally designed by Lorenzo Williams. Phase one of this project focused on the master bedroom and bath which had experienced a number of remodels over the years. The area had been broken up into small spaces, many of which were cramped and dark, and some unused. We attempted to honor and highlight the strong architectural details already present. Notable was the architectural “box” expression of the exterior, each box separated by a full height recessed window. The interior walls floated between the floor and ceiling by use of a deep black reveal. The experience of the “boxes” and your understanding of where you were in the space were lost in the labyrinth of walls.

We combined the spaces on the west side of the house to create a master wing. We removed walls and millwork to fully reveal the exquisite living room fireplace, and then used the fireplace to reinforce a natural movement spine through the house. You no longer have to walk through the middle of the living room to get the master bedroom.

 A new walnut clad “interior” box placed at the end of the central hallway highlights the master suite.  The box contains the bath and separates the bedroom from the changing room. The box, while filling the central part of the space, serves to unify the space by being an object within it. The position of the bath re-aligns the space around the full height vertical windows that now define the edge of the bath and the bedroom, and cast light along both the exterior and interior walls.  A broad skylight is cut into the ceiling bringing a new quality of light to the room. We liken the bath to a coconut, dark and woodsy on the outside, crisp and white on the inside.

2014 RAVE AWARD WINNER

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

Photographer:  Chad Holder                           www.chadholder.com
 

Christian Dean AIA, Principal-In-Charge

"Before" photograph
 

"Before" photograph

Photographer:  Chad Holder                           www.chadholder.com
 

Christian Dean AIA, Principal-In-Charge

Photographer:  Chad Holder                           www.chadholder.com
 

Christian Dean AIA, Principal-In-Charge

Photographer:  Chad Holder                           www.chadholder.com
 

Christian Dean AIA, Principal-In-Charge

Photographer:  Chad Holder                           www.chadholder.com
 

Christian Dean AIA, Principal-In-Charge

Photographer:  Chad Holder                           www.chadholder.com
 

Christian Dean AIA, Principal-In-Charge

Photographer:  Chad Holder                           www.chadholder.com
 

Christian Dean AIA, Principal-In-Charge

Photographer:  Chad Holder                           www.chadholder.com
 

Christian Dean AIA, Principal-In-Charge

Photographer:  Chad Holder                           www.chadholder.com
 

Christian Dean AIA, Principal-In-Charge

Photographer:  Chad Holder                           www.chadholder.com
 

Christian Dean AIA, Principal-In-Charge

Photographer:  Chad Holder                           www.chadholder.com
 

Christian Dean AIA, Principal-In-Charge

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA
 

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

The clients desires: connecting, merging, transitioning, inside and outside, nature and built form, bold, graphic, vertical in expression, welcoming and private.

She is a gardener and he a graphic designer. The gardener is engaged when the house subtly reaches out to nature, and recedes in to accept it by directing views to the yard, inflecting to enclose a tiny rock garden, and projecting private window boxes, each responding to the site and to the owner. The graphic designer is engaged when the materiality of the house begins to read as a bold interplay of dark and light, reflecting the material palette found to exist on the site itself.

The use of materials: concrete, steel, glass, wood, the play of sunlight, the rituals of daily life, the creation of space, are all studied in an attempt to make a home that provides an authentic place of sanctuary.

Location: Roseville, MN
Project Size: 3500 sf
Completed: 2006

Photographer:  Karen Melvin                          

www.karenmelvin.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

The clients desires: connecting, merging, transitioning, inside and outside, nature and built form, bold, graphic, vertical in expression, welcoming and private.

She is a gardener and he a graphic designer. The gardener is engaged when the house subtly reaches out to nature, and recedes in to accept it by directing views to the yard, inflecting to enclose a tiny rock garden, and projecting private window boxes, each responding to the site and to the owner. The graphic designer is engaged when the materiality of the house begins to read as a bold interplay of dark and light, reflecting the material palette found to exist on the site itself.

The use of materials: concrete, steel, glass, wood, the play of sunlight, the rituals of daily life, the creation of space, are all studied in an attempt to make a home that provides an authentic place of sanctuary.

Location: Roseville, MN
Project Size: 3500 sf
Completed: 2006

Photographer:  Karen Melvin                          

www.karenmelvin.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

The clients desires: connecting, merging, transitioning, inside and outside, nature and built form, bold, graphic, vertical in expression, welcoming and private.

She is a gardener and he a graphic designer. The gardener is engaged when the house subtly reaches out to nature, and recedes in to accept it by directing views to the yard, inflecting to enclose a tiny rock garden, and projecting private window boxes, each responding to the site and to the owner. The graphic designer is engaged when the materiality of the house begins to read as a bold interplay of dark and light, reflecting the material palette found to exist on the site itself.

The use of materials: concrete, steel, glass, wood, the play of sunlight, the rituals of daily life, the creation of space, are all studied in an attempt to make a home that provides an authentic place of sanctuary.

Location: Roseville, MN
Project Size: 3500 sf
Completed: 2006

Photographer:  Karen Melvin                          

www.karenmelvin.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

The clients desires: connecting, merging, transitioning, inside and outside, nature and built form, bold, graphic, vertical in expression, welcoming and private.

She is a gardener and he a graphic designer. The gardener is engaged when the house subtly reaches out to nature, and recedes in to accept it by directing views to the yard, inflecting to enclose a tiny rock garden, and projecting private window boxes, each responding to the site and to the owner. The graphic designer is engaged when the materiality of the house begins to read as a bold interplay of dark and light, reflecting the material palette found to exist on the site itself.

The use of materials: concrete, steel, glass, wood, the play of sunlight, the rituals of daily life, the creation of space, are all studied in an attempt to make a home that provides an authentic place of sanctuary.

Location: Roseville, MN
Project Size: 3500 sf
Completed: 2006

Photographer:  Karen Melvin                          

www.karenmelvin.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

The clients desires: connecting, merging, transitioning, inside and outside, nature and built form, bold, graphic, vertical in expression, welcoming and private.

She is a gardener and he a graphic designer. The gardener is engaged when the house subtly reaches out to nature, and recedes in to accept it by directing views to the yard, inflecting to enclose a tiny rock garden, and projecting private window boxes, each responding to the site and to the owner. The graphic designer is engaged when the materiality of the house begins to read as a bold interplay of dark and light, reflecting the material palette found to exist on the site itself.

The use of materials: concrete, steel, glass, wood, the play of sunlight, the rituals of daily life, the creation of space, are all studied in an attempt to make a home that provides an authentic place of sanctuary.

Location: Roseville, MN
Project Size: 3500 sf
Completed: 2006

Photographer:  Karen Melvin                          

www.karenmelvin.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

The clients desires: connecting, merging, transitioning, inside and outside, nature and built form, bold, graphic, vertical in expression, welcoming and private.

She is a gardener and he a graphic designer. The gardener is engaged when the house subtly reaches out to nature, and recedes in to accept it by directing views to the yard, inflecting to enclose a tiny rock garden, and projecting private window boxes, each responding to the site and to the owner. The graphic designer is engaged when the materiality of the house begins to read as a bold interplay of dark and light, reflecting the material palette found to exist on the site itself.

The use of materials: concrete, steel, glass, wood, the play of sunlight, the rituals of daily life, the creation of space, are all studied in an attempt to make a home that provides an authentic place of sanctuary.

Location: Roseville, MN
Project Size: 3500 sf
Completed: 2006

Photographer:  Karen Melvin                          

www.karenmelvin.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

The clients desires: connecting, merging, transitioning, inside and outside, nature and built form, bold, graphic, vertical in expression, welcoming and private.

She is a gardener and he a graphic designer. The gardener is engaged when the house subtly reaches out to nature, and recedes in to accept it by directing views to the yard, inflecting to enclose a tiny rock garden, and projecting private window boxes, each responding to the site and to the owner. The graphic designer is engaged when the materiality of the house begins to read as a bold interplay of dark and light, reflecting the material palette found to exist on the site itself.

The use of materials: concrete, steel, glass, wood, the play of sunlight, the rituals of daily life, the creation of space, are all studied in an attempt to make a home that provides an authentic place of sanctuary.

Location: Roseville, MN
Project Size: 3500 sf
Completed: 2006

Photographer:  Karen Melvin                          

www.karenmelvin.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

The clients desires: connecting, merging, transitioning, inside and outside, nature and built form, bold, graphic, vertical in expression, welcoming and private.

She is a gardener and he a graphic designer. The gardener is engaged when the house subtly reaches out to nature, and recedes in to accept it by directing views to the yard, inflecting to enclose a tiny rock garden, and projecting private window boxes, each responding to the site and to the owner. The graphic designer is engaged when the materiality of the house begins to read as a bold interplay of dark and light, reflecting the material palette found to exist on the site itself.

The use of materials: concrete, steel, glass, wood, the play of sunlight, the rituals of daily life, the creation of space, are all studied in an attempt to make a home that provides an authentic place of sanctuary.

Location: Roseville, MN
Project Size: 3500 sf
Completed: 2006

Photographer:  Karen Melvin                          

www.karenmelvin.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

The clients desires: connecting, merging, transitioning, inside and outside, nature and built form, bold, graphic, vertical in expression, welcoming and private.

She is a gardener and he a graphic designer. The gardener is engaged when the house subtly reaches out to nature, and recedes in to accept it by directing views to the yard, inflecting to enclose a tiny rock garden, and projecting private window boxes, each responding to the site and to the owner. The graphic designer is engaged when the materiality of the house begins to read as a bold interplay of dark and light, reflecting the material palette found to exist on the site itself.

The use of materials: concrete, steel, glass, wood, the play of sunlight, the rituals of daily life, the creation of space, are all studied in an attempt to make a home that provides an authentic place of sanctuary.

Location: Roseville, MN
Project Size: 3500 sf
Completed: 2006

Photographer:  Karen Melvin                          

www.karenmelvin.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

The clients desires: connecting, merging, transitioning, inside and outside, nature and built form, bold, graphic, vertical in expression, welcoming and private.

She is a gardener and he a graphic designer. The gardener is engaged when the house subtly reaches out to nature, and recedes in to accept it by directing views to the yard, inflecting to enclose a tiny rock garden, and projecting private window boxes, each responding to the site and to the owner. The graphic designer is engaged when the materiality of the house begins to read as a bold interplay of dark and light, reflecting the material palette found to exist on the site itself.

The use of materials: concrete, steel, glass, wood, the play of sunlight, the rituals of daily life, the creation of space, are all studied in an attempt to make a home that provides an authentic place of sanctuary.

Location: Roseville, MN
Project Size: 3500 sf
Completed: 2006

Photographer:  Karen Melvin                          

www.karenmelvin.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

The clients desires: connecting, merging, transitioning, inside and outside, nature and built form, bold, graphic, vertical in expression, welcoming and private.

She is a gardener and he a graphic designer. The gardener is engaged when the house subtly reaches out to nature, and recedes in to accept it by directing views to the yard, inflecting to enclose a tiny rock garden, and projecting private window boxes, each responding to the site and to the owner. The graphic designer is engaged when the materiality of the house begins to read as a bold interplay of dark and light, reflecting the material palette found to exist on the site itself.

The use of materials: concrete, steel, glass, wood, the play of sunlight, the rituals of daily life, the creation of space, are all studied in an attempt to make a home that provides an authentic place of sanctuary.

Location: Roseville, MN
Project Size: 3500 sf
Completed: 2006

Photographer:  Karen Melvin                          

www.karenmelvin.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

The clients desires: connecting, merging, transitioning, inside and outside, nature and built form, bold, graphic, vertical in expression, welcoming and private.

She is a gardener and he a graphic designer. The gardener is engaged when the house subtly reaches out to nature, and recedes in to accept it by directing views to the yard, inflecting to enclose a tiny rock garden, and projecting private window boxes, each responding to the site and to the owner. The graphic designer is engaged when the materiality of the house begins to read as a bold interplay of dark and light, reflecting the material palette found to exist on the site itself.

The use of materials: concrete, steel, glass, wood, the play of sunlight, the rituals of daily life, the creation of space, are all studied in an attempt to make a home that provides an authentic place of sanctuary.

Location: Roseville, MN
Project Size: 3500 sf
Completed: 2006

Photographer:  Karen Melvin                          

www.karenmelvin.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

The clients desires: connecting, merging, transitioning, inside and outside, nature and built form, bold, graphic, vertical in expression, welcoming and private.

She is a gardener and he a graphic designer. The gardener is engaged when the house subtly reaches out to nature, and recedes in to accept it by directing views to the yard, inflecting to enclose a tiny rock garden, and projecting private window boxes, each responding to the site and to the owner. The graphic designer is engaged when the materiality of the house begins to read as a bold interplay of dark and light, reflecting the material palette found to exist on the site itself.

The use of materials: concrete, steel, glass, wood, the play of sunlight, the rituals of daily life, the creation of space, are all studied in an attempt to make a home that provides an authentic place of sanctuary.

Location: Roseville, MN
Project Size: 3500 sf
Completed: 2006

Photographer:  Karen Melvin                          

www.karenmelvin.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

The clients desires: connecting, merging, transitioning, inside and outside, nature and built form, bold, graphic, vertical in expression, welcoming and private.

She is a gardener and he a graphic designer. The gardener is engaged when the house subtly reaches out to nature, and recedes in to accept it by directing views to the yard, inflecting to enclose a tiny rock garden, and projecting private window boxes, each responding to the site and to the owner. The graphic designer is engaged when the materiality of the house begins to read as a bold interplay of dark and light, reflecting the material palette found to exist on the site itself.

The use of materials: concrete, steel, glass, wood, the play of sunlight, the rituals of daily life, the creation of space, are all studied in an attempt to make a home that provides an authentic place of sanctuary.

Location: Roseville, MN
Project Size: 3500 sf
Completed: 2006

Photographer:  Karen Melvin                          

www.karenmelvin.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

The clients desires: connecting, merging, transitioning, inside and outside, nature and built form, bold, graphic, vertical in expression, welcoming and private.

She is a gardener and he a graphic designer. The gardener is engaged when the house subtly reaches out to nature, and recedes in to accept it by directing views to the yard, inflecting to enclose a tiny rock garden, and projecting private window boxes, each responding to the site and to the owner. The graphic designer is engaged when the materiality of the house begins to read as a bold interplay of dark and light, reflecting the material palette found to exist on the site itself.

The use of materials: concrete, steel, glass, wood, the play of sunlight, the rituals of daily life, the creation of space, are all studied in an attempt to make a home that provides an authentic place of sanctuary.

Location: Roseville, MN
Project Size: 3500 sf
Completed: 2006

Photographer:  Karen Melvin                          

www.karenmelvin.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

The clients desires: connecting, merging, transitioning, inside and outside, nature and built form, bold, graphic, vertical in expression, welcoming and private.

She is a gardener and he a graphic designer. The gardener is engaged when the house subtly reaches out to nature, and recedes in to accept it by directing views to the yard, inflecting to enclose a tiny rock garden, and projecting private window boxes, each responding to the site and to the owner. The graphic designer is engaged when the materiality of the house begins to read as a bold interplay of dark and light, reflecting the material palette found to exist on the site itself.

The use of materials: concrete, steel, glass, wood, the play of sunlight, the rituals of daily life, the creation of space, are all studied in an attempt to make a home that provides an authentic place of sanctuary.

Location: Roseville, MN
Project Size: 3500 sf
Completed: 2006

Photographer:  Karen Melvin                          

www.karenmelvin.com

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

Drawing on utility farm buildings, the design of this house is direct in it’s form and organization.  Located in a dense St. Paul neighborhood on a narrow 39’ wide lot, the house draws equally from it’s turn of the century neighbors for scale and materiality.  

The 20’ wide shotgun structure allowed the house to be pushed to the east, opening up the west wall for large windows and the opportunity for an outdoor room. This changed what is normally “nowhere” space between houses into an active extension of the home used to BBQ, play catch, and afford pleasant transition from front to back. 

Life plays out in the home within three space, the living/dining, the kitchen/breakfast, and the porch/outdoor room.  All three are used daily either actively or borrowed.  Each is clearly defined and connected to the others through the careful placement or absence of walls or corners, and made more expansive by increased height, defined sightlines, and exposed structure.

Location: St. Paul, Minnesota
Project Size: 2,080 sf
Completed: 2000

Photographer:  Sara Rubinstein

www.rubinsteinphoto.com

Architect:
Ben Awes AIA

Drawing on utility farm buildings, the design of this house is direct in it’s form and organization.  Located in a dense St. Paul neighborhood on a narrow 39’ wide lot, the house draws equally from it’s turn of the century neighbors for scale and materiality.  

The 20’ wide shotgun structure allowed the house to be pushed to the east, opening up the west wall for large windows and the opportunity for an outdoor room. This changed what is normally “nowhere” space between houses into an active extension of the home used to BBQ, play catch, and afford pleasant transition from front to back. 

Life plays out in the home within three space, the living/dining, the kitchen/breakfast, and the porch/outdoor room.  All three are used daily either actively or borrowed.  Each is clearly defined and connected to the others through the careful placement or absence of walls or corners, and made more expansive by increased height, defined sightlines, and exposed structure.

Location: St. Paul, Minnesota
Project Size: 2,080 sf
Completed: 2000

Photographer:  Sara Rubinstein

www.rubinsteinphoto.com

Architect:
Ben Awes AIA

Drawing on utility farm buildings, the design of this house is direct in it’s form and organization.  Located in a dense St. Paul neighborhood on a narrow 39’ wide lot, the house draws equally from it’s turn of the century neighbors for scale and materiality.  

The 20’ wide shotgun structure allowed the house to be pushed to the east, opening up the west wall for large windows and the opportunity for an outdoor room. This changed what is normally “nowhere” space between houses into an active extension of the home used to BBQ, play catch, and afford pleasant transition from front to back. 

Life plays out in the home within three space, the living/dining, the kitchen/breakfast, and the porch/outdoor room.  All three are used daily either actively or borrowed.  Each is clearly defined and connected to the others through the careful placement or absence of walls or corners, and made more expansive by increased height, defined sightlines, and exposed structure.

Location: St. Paul, Minnesota
Project Size: 2,080 sf
Completed: 2000

Photographer:  Sara Rubinstein

www.rubinsteinphoto.com

Architect:
Ben Awes AIA

Drawing on utility farm buildings, the design of this house is direct in it’s form and organization.  Located in a dense St. Paul neighborhood on a narrow 39’ wide lot, the house draws equally from it’s turn of the century neighbors for scale and materiality.  

The 20’ wide shotgun structure allowed the house to be pushed to the east, opening up the west wall for large windows and the opportunity for an outdoor room. This changed what is normally “nowhere” space between houses into an active extension of the home used to BBQ, play catch, and afford pleasant transition from front to back. 

Life plays out in the home within three space, the living/dining, the kitchen/breakfast, and the porch/outdoor room.  All three are used daily either actively or borrowed.  Each is clearly defined and connected to the others through the careful placement or absence of walls or corners, and made more expansive by increased height, defined sightlines, and exposed structure.

Location: St. Paul, Minnesota
Project Size: 2,080 sf
Completed: 2000

Photographer:  Sara Rubinstein

www.rubinsteinphoto.com

Architect:
Ben Awes AIA

Drawing on utility farm buildings, the design of this house is direct in it’s form and organization.  Located in a dense St. Paul neighborhood on a narrow 39’ wide lot, the house draws equally from it’s turn of the century neighbors for scale and materiality.  

The 20’ wide shotgun structure allowed the house to be pushed to the east, opening up the west wall for large windows and the opportunity for an outdoor room. This changed what is normally “nowhere” space between houses into an active extension of the home used to BBQ, play catch, and afford pleasant transition from front to back. 

Life plays out in the home within three space, the living/dining, the kitchen/breakfast, and the porch/outdoor room.  All three are used daily either actively or borrowed.  Each is clearly defined and connected to the others through the careful placement or absence of walls or corners, and made more expansive by increased height, defined sightlines, and exposed structure.

Location: St. Paul, Minnesota
Project Size: 2,080 sf
Completed: 2000

Photographer:  Sara Rubinstein

www.rubinsteinphoto.com

Architect:
Ben Awes AIA

Drawing on utility farm buildings, the design of this house is direct in it’s form and organization.  Located in a dense St. Paul neighborhood on a narrow 39’ wide lot, the house draws equally from it’s turn of the century neighbors for scale and materiality.  

The 20’ wide shotgun structure allowed the house to be pushed to the east, opening up the west wall for large windows and the opportunity for an outdoor room. This changed what is normally “nowhere” space between houses into an active extension of the home used to BBQ, play catch, and afford pleasant transition from front to back. 

Life plays out in the home within three space, the living/dining, the kitchen/breakfast, and the porch/outdoor room.  All three are used daily either actively or borrowed.  Each is clearly defined and connected to the others through the careful placement or absence of walls or corners, and made more expansive by increased height, defined sightlines, and exposed structure.

Location: St. Paul, Minnesota
Project Size: 2,080 sf
Completed: 2000

Photographer:  Sara Rubinstein

www.rubinsteinphoto.com

Architect:
Ben Awes AIA

Drawing on utility farm buildings, the design of this house is direct in it’s form and organization.  Located in a dense St. Paul neighborhood on a narrow 39’ wide lot, the house draws equally from it’s turn of the century neighbors for scale and materiality.  

The 20’ wide shotgun structure allowed the house to be pushed to the east, opening up the west wall for large windows and the opportunity for an outdoor room. This changed what is normally “nowhere” space between houses into an active extension of the home used to BBQ, play catch, and afford pleasant transition from front to back. 

Life plays out in the home within three space, the living/dining, the kitchen/breakfast, and the porch/outdoor room.  All three are used daily either actively or borrowed.  Each is clearly defined and connected to the others through the careful placement or absence of walls or corners, and made more expansive by increased height, defined sightlines, and exposed structure.

Location: St. Paul, Minnesota
Project Size: 2,080 sf
Completed: 2000

Photographer:  Sara Rubinstein

www.rubinsteinphoto.com

Architect:
Ben Awes AIA

Drawing on utility farm buildings, the design of this house is direct in it’s form and organization.  Located in a dense St. Paul neighborhood on a narrow 39’ wide lot, the house draws equally from it’s turn of the century neighbors for scale and materiality.  

The 20’ wide shotgun structure allowed the house to be pushed to the east, opening up the west wall for large windows and the opportunity for an outdoor room. This changed what is normally “nowhere” space between houses into an active extension of the home used to BBQ, play catch, and afford pleasant transition from front to back. 

Life plays out in the home within three space, the living/dining, the kitchen/breakfast, and the porch/outdoor room.  All three are used daily either actively or borrowed.  Each is clearly defined and connected to the others through the careful placement or absence of walls or corners, and made more expansive by increased height, defined sightlines, and exposed structure.

Location: St. Paul, Minnesota
Project Size: 2,080 sf
Completed: 2000

Photographer:  Sara Rubinstein

www.rubinsteinphoto.com

Architect:
Ben Awes AIA

Drawing on utility farm buildings, the design of this house is direct in it’s form and organization.  Located in a dense St. Paul neighborhood on a narrow 39’ wide lot, the house draws equally from it’s turn of the century neighbors for scale and materiality.  

The 20’ wide shotgun structure allowed the house to be pushed to the east, opening up the west wall for large windows and the opportunity for an outdoor room. This changed what is normally “nowhere” space between houses into an active extension of the home used to BBQ, play catch, and afford pleasant transition from front to back. 

Life plays out in the home within three space, the living/dining, the kitchen/breakfast, and the porch/outdoor room.  All three are used daily either actively or borrowed.  Each is clearly defined and connected to the others through the careful placement or absence of walls or corners, and made more expansive by increased height, defined sightlines, and exposed structure.

Location: St. Paul, Minnesota
Project Size: 2,080 sf
Completed: 2000

Photographer:  Sara Rubinstein

www.rubinsteinphoto.com

Architect:
Ben Awes AIA

Drawing on utility farm buildings, the design of this house is direct in it’s form and organization.  Located in a dense St. Paul neighborhood on a narrow 39’ wide lot, the house draws equally from it’s turn of the century neighbors for scale and materiality.  

The 20’ wide shotgun structure allowed the house to be pushed to the east, opening up the west wall for large windows and the opportunity for an outdoor room. This changed what is normally “nowhere” space between houses into an active extension of the home used to BBQ, play catch, and afford pleasant transition from front to back. 

Life plays out in the home within three space, the living/dining, the kitchen/breakfast, and the porch/outdoor room.  All three are used daily either actively or borrowed.  Each is clearly defined and connected to the others through the careful placement or absence of walls or corners, and made more expansive by increased height, defined sightlines, and exposed structure.

Location: St. Paul, Minnesota
Project Size: 2,080 sf
Completed: 2000

Photographer:  Sara Rubinstein

www.rubinsteinphoto.com

Architect:
Ben Awes AIA

Drawing on utility farm buildings, the design of this house is direct in it’s form and organization.  Located in a dense St. Paul neighborhood on a narrow 39’ wide lot, the house draws equally from it’s turn of the century neighbors for scale and materiality.  

The 20’ wide shotgun structure allowed the house to be pushed to the east, opening up the west wall for large windows and the opportunity for an outdoor room. This changed what is normally “nowhere” space between houses into an active extension of the home used to BBQ, play catch, and afford pleasant transition from front to back. 

Life plays out in the home within three space, the living/dining, the kitchen/breakfast, and the porch/outdoor room.  All three are used daily either actively or borrowed.  Each is clearly defined and connected to the others through the careful placement or absence of walls or corners, and made more expansive by increased height, defined sightlines, and exposed structure.

Location: St. Paul, Minnesota
Project Size: 2,080 sf
Completed: 2000

Photographer:  Sara Rubinstein

www.rubinsteinphoto.com

Architect:
Ben Awes AIA

Drawing on utility farm buildings, the design of this house is direct in it’s form and organization.  Located in a dense St. Paul neighborhood on a narrow 39’ wide lot, the house draws equally from it’s turn of the century neighbors for scale and materiality.  

The 20’ wide shotgun structure allowed the house to be pushed to the east, opening up the west wall for large windows and the opportunity for an outdoor room. This changed what is normally “nowhere” space between houses into an active extension of the home used to BBQ, play catch, and afford pleasant transition from front to back. 

Life plays out in the home within three space, the living/dining, the kitchen/breakfast, and the porch/outdoor room.  All three are used daily either actively or borrowed.  Each is clearly defined and connected to the others through the careful placement or absence of walls or corners, and made more expansive by increased height, defined sightlines, and exposed structure.

Location: St. Paul, Minnesota
Project Size: 2,080 sf
Completed: 2000

Photographer:  Sara Rubinstein

www.rubinsteinphoto.com

Architect:
Ben Awes AIA

This cabin was first imagined in 1970 when the family of four made their first trip to Lake Superior. They have loved the informal feel of the simple buildings, their intimate and direct connection to the land, the filtered views of the lake through the birch, the rugged permanence of the shoreline and the boundless horizon across the water. A new cabin needed to comfortably accommodate 15 people and the more typical two to five.

This cabin expresses and supports the ongoing ritual of renewal. Two buildings separate functions and allow for “smaller living” for fewer people. Both buildings use copper clad roof forms to shelter and shape the space and direct views opening to the immediate and distant landscape. The main building celebrates the immediate landscape along the south with a wall of stainless steel window frames forming internal shelves to hold favorite things. To the east the ground slopes away and the deck extends out providing a place for a direct connection to the powerful lake and endless horizon.

The “link” between is an unexpected space.  While sheltered between the two buildings, there is a sence of stepping outside each time you pass.  It has become a favorite spot for quite time and conversation. 

The bunkhouse first floor is protective and enclosing. Upstairs creates a totally new experience for the family with a panoramic “in the tree canopy” view. The playful ceiling stiffens the building and echoes the lake and the sky reminding them that the lake will each time wear them down, smooth and soften them again.

Location: Knife River, Minnesota
Project Size: 2150 sf.
Completed: 2004

Photographer:  Don Wong                          www.donwongphoto.com

Architect:
Ben Awes AIA

This cabin was first imagined in 1970 when the family of four made their first trip to Lake Superior. They have loved the informal feel of the simple buildings, their intimate and direct connection to the land, the filtered views of the lake through the birch, the rugged permanence of the shoreline and the boundless horizon across the water. A new cabin needed to comfortably accommodate 15 people and the more typical two to five.

This cabin expresses and supports the ongoing ritual of renewal. Two buildings separate functions and allow for “smaller living” for fewer people. Both buildings use copper clad roof forms to shelter and shape the space and direct views opening to the immediate and distant landscape. The main building celebrates the immediate landscape along the south with a wall of stainless steel window frames forming internal shelves to hold favorite things. To the east the ground slopes away and the deck extends out providing a place for a direct connection to the powerful lake and endless horizon.

The “link” between is an unexpected space.  While sheltered between the two buildings, there is a sence of stepping outside each time you pass.  It has become a favorite spot for quite time and conversation. 

The bunkhouse first floor is protective and enclosing. Upstairs creates a totally new experience for the family with a panoramic “in the tree canopy” view. The playful ceiling stiffens the building and echoes the lake and the sky reminding them that the lake will each time wear them down, smooth and soften them again.

Location: Knife River, Minnesota
Project Size: 2150 sf.
Completed: 2004

Photographer:  Don Wong                          www.donwongphoto.com

Architect:
Ben Awes AIA

This cabin was first imagined in 1970 when the family of four made their first trip to Lake Superior. They have loved the informal feel of the simple buildings, their intimate and direct connection to the land, the filtered views of the lake through the birch, the rugged permanence of the shoreline and the boundless horizon across the water. A new cabin needed to comfortably accommodate 15 people and the more typical two to five.

This cabin expresses and supports the ongoing ritual of renewal. Two buildings separate functions and allow for “smaller living” for fewer people. Both buildings use copper clad roof forms to shelter and shape the space and direct views opening to the immediate and distant landscape. The main building celebrates the immediate landscape along the south with a wall of stainless steel window frames forming internal shelves to hold favorite things. To the east the ground slopes away and the deck extends out providing a place for a direct connection to the powerful lake and endless horizon.

The “link” between is an unexpected space.  While sheltered between the two buildings, there is a sence of stepping outside each time you pass.  It has become a favorite spot for quite time and conversation. 

The bunkhouse first floor is protective and enclosing. Upstairs creates a totally new experience for the family with a panoramic “in the tree canopy” view. The playful ceiling stiffens the building and echoes the lake and the sky reminding them that the lake will each time wear them down, smooth and soften them again.

Location: Knife River, Minnesota
Project Size: 2150 sf.
Completed: 2004

Photographer:  Don Wong                          www.donwongphoto.com

Architect:
Ben Awes AIA

This cabin was first imagined in 1970 when the family of four made their first trip to Lake Superior. They have loved the informal feel of the simple buildings, their intimate and direct connection to the land, the filtered views of the lake through the birch, the rugged permanence of the shoreline and the boundless horizon across the water. A new cabin needed to comfortably accommodate 15 people and the more typical two to five.

This cabin expresses and supports the ongoing ritual of renewal. Two buildings separate functions and allow for “smaller living” for fewer people. Both buildings use copper clad roof forms to shelter and shape the space and direct views opening to the immediate and distant landscape. The main building celebrates the immediate landscape along the south with a wall of stainless steel window frames forming internal shelves to hold favorite things. To the east the ground slopes away and the deck extends out providing a place for a direct connection to the powerful lake and endless horizon.

The “link” between is an unexpected space.  While sheltered between the two buildings, there is a sence of stepping outside each time you pass.  It has become a favorite spot for quite time and conversation. 

The bunkhouse first floor is protective and enclosing. Upstairs creates a totally new experience for the family with a panoramic “in the tree canopy” view. The playful ceiling stiffens the building and echoes the lake and the sky reminding them that the lake will each time wear them down, smooth and soften them again.

Location: Knife River, Minnesota
Project Size: 2150 sf.
Completed: 2004

Photographer:  Don Wong                          www.donwongphoto.com

Architect:
Ben Awes AIA

This cabin was first imagined in 1970 when the family of four made their first trip to Lake Superior. They have loved the informal feel of the simple buildings, their intimate and direct connection to the land, the filtered views of the lake through the birch, the rugged permanence of the shoreline and the boundless horizon across the water. A new cabin needed to comfortably accommodate 15 people and the more typical two to five.

This cabin expresses and supports the ongoing ritual of renewal. Two buildings separate functions and allow for “smaller living” for fewer people. Both buildings use copper clad roof forms to shelter and shape the space and direct views opening to the immediate and distant landscape. The main building celebrates the immediate landscape along the south with a wall of stainless steel window frames forming internal shelves to hold favorite things. To the east the ground slopes away and the deck extends out providing a place for a direct connection to the powerful lake and endless horizon.

The “link” between is an unexpected space.  While sheltered between the two buildings, there is a sence of stepping outside each time you pass.  It has become a favorite spot for quite time and conversation. 

The bunkhouse first floor is protective and enclosing. Upstairs creates a totally new experience for the family with a panoramic “in the tree canopy” view. The playful ceiling stiffens the building and echoes the lake and the sky reminding them that the lake will each time wear them down, smooth and soften them again.

Location: Knife River, Minnesota
Project Size: 2150 sf.
Completed: 2004

Photographer:  Don Wong                          www.donwongphoto.com

Architect:
Ben Awes AIA

This cabin was first imagined in 1970 when the family of four made their first trip to Lake Superior. They have loved the informal feel of the simple buildings, their intimate and direct connection to the land, the filtered views of the lake through the birch, the rugged permanence of the shoreline and the boundless horizon across the water. A new cabin needed to comfortably accommodate 15 people and the more typical two to five.

This cabin expresses and supports the ongoing ritual of renewal. Two buildings separate functions and allow for “smaller living” for fewer people. Both buildings use copper clad roof forms to shelter and shape the space and direct views opening to the immediate and distant landscape. The main building celebrates the immediate landscape along the south with a wall of stainless steel window frames forming internal shelves to hold favorite things. To the east the ground slopes away and the deck extends out providing a place for a direct connection to the powerful lake and endless horizon.

The “link” between is an unexpected space.  While sheltered between the two buildings, there is a sence of stepping outside each time you pass.  It has become a favorite spot for quite time and conversation. 

The bunkhouse first floor is protective and enclosing. Upstairs creates a totally new experience for the family with a panoramic “in the tree canopy” view. The playful ceiling stiffens the building and echoes the lake and the sky reminding them that the lake will each time wear them down, smooth and soften them again.

Location: Knife River, Minnesota
Project Size: 2150 sf.
Completed: 2004

Photographer:  Don Wong                          www.donwongphoto.com

Architect:
Ben Awes AIA

This cabin was first imagined in 1970 when the family of four made their first trip to Lake Superior. They have loved the informal feel of the simple buildings, their intimate and direct connection to the land, the filtered views of the lake through the birch, the rugged permanence of the shoreline and the boundless horizon across the water. A new cabin needed to comfortably accommodate 15 people and the more typical two to five.

This cabin expresses and supports the ongoing ritual of renewal. Two buildings separate functions and allow for “smaller living” for fewer people. Both buildings use copper clad roof forms to shelter and shape the space and direct views opening to the immediate and distant landscape. The main building celebrates the immediate landscape along the south with a wall of stainless steel window frames forming internal shelves to hold favorite things. To the east the ground slopes away and the deck extends out providing a place for a direct connection to the powerful lake and endless horizon.

The “link” between is an unexpected space.  While sheltered between the two buildings, there is a sence of stepping outside each time you pass.  It has become a favorite spot for quite time and conversation. 

The bunkhouse first floor is protective and enclosing. Upstairs creates a totally new experience for the family with a panoramic “in the tree canopy” view. The playful ceiling stiffens the building and echoes the lake and the sky reminding them that the lake will each time wear them down, smooth and soften them again.

Location: Knife River, Minnesota
Project Size: 2150 sf.
Completed: 2004

Photographer:  Don Wong                          www.donwongphoto.com

Architect:
Ben Awes AIA

This cabin was first imagined in 1970 when the family of four made their first trip to Lake Superior. They have loved the informal feel of the simple buildings, their intimate and direct connection to the land, the filtered views of the lake through the birch, the rugged permanence of the shoreline and the boundless horizon across the water. A new cabin needed to comfortably accommodate 15 people and the more typical two to five.

This cabin expresses and supports the ongoing ritual of renewal. Two buildings separate functions and allow for “smaller living” for fewer people. Both buildings use copper clad roof forms to shelter and shape the space and direct views opening to the immediate and distant landscape. The main building celebrates the immediate landscape along the south with a wall of stainless steel window frames forming internal shelves to hold favorite things. To the east the ground slopes away and the deck extends out providing a place for a direct connection to the powerful lake and endless horizon.

The “link” between is an unexpected space.  While sheltered between the two buildings, there is a sence of stepping outside each time you pass.  It has become a favorite spot for quite time and conversation. 

The bunkhouse first floor is protective and enclosing. Upstairs creates a totally new experience for the family with a panoramic “in the tree canopy” view. The playful ceiling stiffens the building and echoes the lake and the sky reminding them that the lake will each time wear them down, smooth and soften them again.

Location: Knife River, Minnesota
Project Size: 2150 sf.
Completed: 2004

Photographer:  Don Wong                          www.donwongphoto.com

Architect:
Ben Awes AIA

This cabin was first imagined in 1970 when the family of four made their first trip to Lake Superior. They have loved the informal feel of the simple buildings, their intimate and direct connection to the land, the filtered views of the lake through the birch, the rugged permanence of the shoreline and the boundless horizon across the water. A new cabin needed to comfortably accommodate 15 people and the more typical two to five.

This cabin expresses and supports the ongoing ritual of renewal. Two buildings separate functions and allow for “smaller living” for fewer people. Both buildings use copper clad roof forms to shelter and shape the space and direct views opening to the immediate and distant landscape. The main building celebrates the immediate landscape along the south with a wall of stainless steel window frames forming internal shelves to hold favorite things. To the east the ground slopes away and the deck extends out providing a place for a direct connection to the powerful lake and endless horizon.

The “link” between is an unexpected space.  While sheltered between the two buildings, there is a sence of stepping outside each time you pass.  It has become a favorite spot for quite time and conversation. 

The bunkhouse first floor is protective and enclosing. Upstairs creates a totally new experience for the family with a panoramic “in the tree canopy” view. The playful ceiling stiffens the building and echoes the lake and the sky reminding them that the lake will each time wear them down, smooth and soften them again.

Location: Knife River, Minnesota
Project Size: 2150 sf.
Completed: 2004

Photographer:  Don Wong                          www.donwongphoto.com

Architect:
Ben Awes AIA

This cabin was first imagined in 1970 when the family of four made their first trip to Lake Superior. They have loved the informal feel of the simple buildings, their intimate and direct connection to the land, the filtered views of the lake through the birch, the rugged permanence of the shoreline and the boundless horizon across the water. A new cabin needed to comfortably accommodate 15 people and the more typical two to five.

This cabin expresses and supports the ongoing ritual of renewal. Two buildings separate functions and allow for “smaller living” for fewer people. Both buildings use copper clad roof forms to shelter and shape the space and direct views opening to the immediate and distant landscape. The main building celebrates the immediate landscape along the south with a wall of stainless steel window frames forming internal shelves to hold favorite things. To the east the ground slopes away and the deck extends out providing a place for a direct connection to the powerful lake and endless horizon.

The “link” between is an unexpected space.  While sheltered between the two buildings, there is a sence of stepping outside each time you pass.  It has become a favorite spot for quite time and conversation. 

The bunkhouse first floor is protective and enclosing. Upstairs creates a totally new experience for the family with a panoramic “in the tree canopy” view. The playful ceiling stiffens the building and echoes the lake and the sky reminding them that the lake will each time wear them down, smooth and soften them again.

Location: Knife River, Minnesota
Project Size: 2150 sf.
Completed: 2004

Photographer:  Don Wong                          www.donwongphoto.com

Architect:
Ben Awes AIA

This cabin was first imagined in 1970 when the family of four made their first trip to Lake Superior. They have loved the informal feel of the simple buildings, their intimate and direct connection to the land, the filtered views of the lake through the birch, the rugged permanence of the shoreline and the boundless horizon across the water. A new cabin needed to comfortably accommodate 15 people and the more typical two to five.

This cabin expresses and supports the ongoing ritual of renewal. Two buildings separate functions and allow for “smaller living” for fewer people. Both buildings use copper clad roof forms to shelter and shape the space and direct views opening to the immediate and distant landscape. The main building celebrates the immediate landscape along the south with a wall of stainless steel window frames forming internal shelves to hold favorite things. To the east the ground slopes away and the deck extends out providing a place for a direct connection to the powerful lake and endless horizon.

The “link” between is an unexpected space.  While sheltered between the two buildings, there is a sence of stepping outside each time you pass.  It has become a favorite spot for quite time and conversation. 

The bunkhouse first floor is protective and enclosing. Upstairs creates a totally new experience for the family with a panoramic “in the tree canopy” view. The playful ceiling stiffens the building and echoes the lake and the sky reminding them that the lake will each time wear them down, smooth and soften them again.

Location: Knife River, Minnesota
Project Size: 2150 sf.
Completed: 2004

Photographer:  Don Wong                          www.donwongphoto.com

Architect:
Ben Awes AIA

This cabin was first imagined in 1970 when the family of four made their first trip to Lake Superior. They have loved the informal feel of the simple buildings, their intimate and direct connection to the land, the filtered views of the lake through the birch, the rugged permanence of the shoreline and the boundless horizon across the water. A new cabin needed to comfortably accommodate 15 people and the more typical two to five.

This cabin expresses and supports the ongoing ritual of renewal. Two buildings separate functions and allow for “smaller living” for fewer people. Both buildings use copper clad roof forms to shelter and shape the space and direct views opening to the immediate and distant landscape. The main building celebrates the immediate landscape along the south with a wall of stainless steel window frames forming internal shelves to hold favorite things. To the east the ground slopes away and the deck extends out providing a place for a direct connection to the powerful lake and endless horizon.

The “link” between is an unexpected space.  While sheltered between the two buildings, there is a sence of stepping outside each time you pass.  It has become a favorite spot for quite time and conversation. 

The bunkhouse first floor is protective and enclosing. Upstairs creates a totally new experience for the family with a panoramic “in the tree canopy” view. The playful ceiling stiffens the building and echoes the lake and the sky reminding them that the lake will each time wear them down, smooth and soften them again.

Location: Knife River, Minnesota
Project Size: 2150 sf.
Completed: 2004

Photographer:  Don Wong                          www.donwongphoto.com

Architect:
Ben Awes AIA

This cabin was first imagined in 1970 when the family of four made their first trip to Lake Superior. They have loved the informal feel of the simple buildings, their intimate and direct connection to the land, the filtered views of the lake through the birch, the rugged permanence of the shoreline and the boundless horizon across the water. A new cabin needed to comfortably accommodate 15 people and the more typical two to five.

This cabin expresses and supports the ongoing ritual of renewal. Two buildings separate functions and allow for “smaller living” for fewer people. Both buildings use copper clad roof forms to shelter and shape the space and direct views opening to the immediate and distant landscape. The main building celebrates the immediate landscape along the south with a wall of stainless steel window frames forming internal shelves to hold favorite things. To the east the ground slopes away and the deck extends out providing a place for a direct connection to the powerful lake and endless horizon.

The “link” between is an unexpected space.  While sheltered between the two buildings, there is a sence of stepping outside each time you pass.  It has become a favorite spot for quite time and conversation. 

The bunkhouse first floor is protective and enclosing. Upstairs creates a totally new experience for the family with a panoramic “in the tree canopy” view. The playful ceiling stiffens the building and echoes the lake and the sky reminding them that the lake will each time wear them down, smooth and soften them again.

Location: Knife River, Minnesota
Project Size: 2150 sf.
Completed: 2004

Photographer:  Don Wong                          www.donwongphoto.com

Architect:
Ben Awes AIA

This cabin was first imagined in 1970 when the family of four made their first trip to Lake Superior. They have loved the informal feel of the simple buildings, their intimate and direct connection to the land, the filtered views of the lake through the birch, the rugged permanence of the shoreline and the boundless horizon across the water. A new cabin needed to comfortably accommodate 15 people and the more typical two to five.

This cabin expresses and supports the ongoing ritual of renewal. Two buildings separate functions and allow for “smaller living” for fewer people. Both buildings use copper clad roof forms to shelter and shape the space and direct views opening to the immediate and distant landscape. The main building celebrates the immediate landscape along the south with a wall of stainless steel window frames forming internal shelves to hold favorite things. To the east the ground slopes away and the deck extends out providing a place for a direct connection to the powerful lake and endless horizon.

The “link” between is an unexpected space.  While sheltered between the two buildings, there is a sence of stepping outside each time you pass.  It has become a favorite spot for quite time and conversation. 

The bunkhouse first floor is protective and enclosing. Upstairs creates a totally new experience for the family with a panoramic “in the tree canopy” view. The playful ceiling stiffens the building and echoes the lake and the sky reminding them that the lake will each time wear them down, smooth and soften them again.

Location: Knife River, Minnesota
Project Size: 2150 sf.
Completed: 2004

Photographer:  Don Wong                          www.donwongphoto.com

Architect:
Ben Awes AIA

This cabin was first imagined in 1970 when the family of four made their first trip to Lake Superior. They have loved the informal feel of the simple buildings, their intimate and direct connection to the land, the filtered views of the lake through the birch, the rugged permanence of the shoreline and the boundless horizon across the water. A new cabin needed to comfortably accommodate 15 people and the more typical two to five.

This cabin expresses and supports the ongoing ritual of renewal. Two buildings separate functions and allow for “smaller living” for fewer people. Both buildings use copper clad roof forms to shelter and shape the space and direct views opening to the immediate and distant landscape. The main building celebrates the immediate landscape along the south with a wall of stainless steel window frames forming internal shelves to hold favorite things. To the east the ground slopes away and the deck extends out providing a place for a direct connection to the powerful lake and endless horizon.

The “link” between is an unexpected space.  While sheltered between the two buildings, there is a sence of stepping outside each time you pass.  It has become a favorite spot for quite time and conversation. 

The bunkhouse first floor is protective and enclosing. Upstairs creates a totally new experience for the family with a panoramic “in the tree canopy” view. The playful ceiling stiffens the building and echoes the lake and the sky reminding them that the lake will each time wear them down, smooth and soften them again.

Location: Knife River, Minnesota
Project Size: 2150 sf.
Completed: 2004

Photographer:  Don Wong                          www.donwongphoto.com

Architect:
Ben Awes AIA

Location: Minneapolis, MN.

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge

Location: Minneapolis, MN.

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge

Location: Minneapolis, MN.

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge

Location: Minneapolis, MN.

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge

Location: Minneapolis, MN.

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge

Location: Minneapolis, MN.

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge

Location: Minneapolis, MN.

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge

Location: Minneapolis, MN.

Project Team:
Ben Awes, AIA, Principal- in- Charge
Nate Dodge

A beautiful, steeply sloped property provides this 1960’s home with wonderful views and secluded privacy.  In addition to their day jobs she is an award winning gardener, and he a self-taught home remodeler.  Over time they have transformed this home into a place of retreat.  However, the home lacked connection to the garden in the rear – their pride and joy.  The final wish for the home was a place to capture the views, bringing the garden inside, and to take advantage of the dramatic height towards the street and the natural pond beyond. 

Entering below, the main floor is one level above, set on grade with the rear garden.  The new level was to be up another floor still.  The program for the space included a spare bedroom, a home office, and the main goal of an entertainment room and rooftop terrace. 

The home already had a strong modern boxy aesthetic and the homeowners hoped to extend and heighten this feel.  The new level pushes this to the limit with crisp white cladding made distinctive with contrasted black reveals, creating a digital high definition image.  In contrast, the garden is referenced in the artificial turf used for the terrace – a remarkably comfortable surface that has proven to be one of the most enjoyed elements of the project.  A new stair was inserted top to bottom within the existing central stair footprint. The walls, once closed and confined, were opened up both internally to the spaces around, and also to the outside, with a two story glass wall facing the garden, bringing news view and needed light deep into the house.

Location:          Golden Valley, MN

Completed:     2012

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

A beautiful, steeply sloped property provides this 1960’s home with wonderful views and secluded privacy.  In addition to their day jobs she is an award winning gardener, and he a self-taught home remodeler.  Over time they have transformed this home into a place of retreat.  However, the home lacked connection to the garden in the rear – their pride and joy.  The final wish for the home was a place to capture the views, bringing the garden inside, and to take advantage of the dramatic height towards the street and the natural pond beyond. 

Entering below, the main floor is one level above, set on grade with the rear garden.  The new level was to be up another floor still.  The program for the space included a spare bedroom, a home office, and the main goal of an entertainment room and rooftop terrace. 

The home already had a strong modern boxy aesthetic and the homeowners hoped to extend and heighten this feel.  The new level pushes this to the limit with crisp white cladding made distinctive with contrasted black reveals, creating a digital high definition image.  In contrast, the garden is referenced in the artificial turf used for the terrace – a remarkably comfortable surface that has proven to be one of the most enjoyed elements of the project.  A new stair was inserted top to bottom within the existing central stair footprint. The walls, once closed and confined, were opened up both internally to the spaces around, and also to the outside, with a two story glass wall facing the garden, bringing news view and needed light deep into the house.

Location:          Golden Valley, MN

Completed:     2012

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

A beautiful, steeply sloped property provides this 1960’s home with wonderful views and secluded privacy.  In addition to their day jobs she is an award winning gardener, and he a self-taught home remodeler.  Over time they have transformed this home into a place of retreat.  However, the home lacked connection to the garden in the rear – their pride and joy.  The final wish for the home was a place to capture the views, bringing the garden inside, and to take advantage of the dramatic height towards the street and the natural pond beyond. 

Entering below, the main floor is one level above, set on grade with the rear garden.  The new level was to be up another floor still.  The program for the space included a spare bedroom, a home office, and the main goal of an entertainment room and rooftop terrace. 

The home already had a strong modern boxy aesthetic and the homeowners hoped to extend and heighten this feel.  The new level pushes this to the limit with crisp white cladding made distinctive with contrasted black reveals, creating a digital high definition image.  In contrast, the garden is referenced in the artificial turf used for the terrace – a remarkably comfortable surface that has proven to be one of the most enjoyed elements of the project.  A new stair was inserted top to bottom within the existing central stair footprint. The walls, once closed and confined, were opened up both internally to the spaces around, and also to the outside, with a two story glass wall facing the garden, bringing news view and needed light deep into the house.

Location:          Golden Valley, MN

Completed:     2012

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

A beautiful, steeply sloped property provides this 1960’s home with wonderful views and secluded privacy.  In addition to their day jobs she is an award winning gardener, and he a self-taught home remodeler.  Over time they have transformed this home into a place of retreat.  However, the home lacked connection to the garden in the rear – their pride and joy.  The final wish for the home was a place to capture the views, bringing the garden inside, and to take advantage of the dramatic height towards the street and the natural pond beyond. 

Entering below, the main floor is one level above, set on grade with the rear garden.  The new level was to be up another floor still.  The program for the space included a spare bedroom, a home office, and the main goal of an entertainment room and rooftop terrace. 

The home already had a strong modern boxy aesthetic and the homeowners hoped to extend and heighten this feel.  The new level pushes this to the limit with crisp white cladding made distinctive with contrasted black reveals, creating a digital high definition image.  In contrast, the garden is referenced in the artificial turf used for the terrace – a remarkably comfortable surface that has proven to be one of the most enjoyed elements of the project.  A new stair was inserted top to bottom within the existing central stair footprint. The walls, once closed and confined, were opened up both internally to the spaces around, and also to the outside, with a two story glass wall facing the garden, bringing news view and needed light deep into the house.

Location:          Golden Valley, MN

Completed:     2012

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

A beautiful, steeply sloped property provides this 1960’s home with wonderful views and secluded privacy.  In addition to their day jobs she is an award winning gardener, and he a self-taught home remodeler.  Over time they have transformed this home into a place of retreat.  However, the home lacked connection to the garden in the rear – their pride and joy.  The final wish for the home was a place to capture the views, bringing the garden inside, and to take advantage of the dramatic height towards the street and the natural pond beyond. 

Entering below, the main floor is one level above, set on grade with the rear garden.  The new level was to be up another floor still.  The program for the space included a spare bedroom, a home office, and the main goal of an entertainment room and rooftop terrace. 

The home already had a strong modern boxy aesthetic and the homeowners hoped to extend and heighten this feel.  The new level pushes this to the limit with crisp white cladding made distinctive with contrasted black reveals, creating a digital high definition image.  In contrast, the garden is referenced in the artificial turf used for the terrace – a remarkably comfortable surface that has proven to be one of the most enjoyed elements of the project.  A new stair was inserted top to bottom within the existing central stair footprint. The walls, once closed and confined, were opened up both internally to the spaces around, and also to the outside, with a two story glass wall facing the garden, bringing news view and needed light deep into the house.

Location:          Golden Valley, MN

Completed:     2012

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

A beautiful, steeply sloped property provides this 1960’s home with wonderful views and secluded privacy.  In addition to their day jobs she is an award winning gardener, and he a self-taught home remodeler.  Over time they have transformed this home into a place of retreat.  However, the home lacked connection to the garden in the rear – their pride and joy.  The final wish for the home was a place to capture the views, bringing the garden inside, and to take advantage of the dramatic height towards the street and the natural pond beyond. 

Entering below, the main floor is one level above, set on grade with the rear garden.  The new level was to be up another floor still.  The program for the space included a spare bedroom, a home office, and the main goal of an entertainment room and rooftop terrace. 

The home already had a strong modern boxy aesthetic and the homeowners hoped to extend and heighten this feel.  The new level pushes this to the limit with crisp white cladding made distinctive with contrasted black reveals, creating a digital high definition image.  In contrast, the garden is referenced in the artificial turf used for the terrace – a remarkably comfortable surface that has proven to be one of the most enjoyed elements of the project.  A new stair was inserted top to bottom within the existing central stair footprint. The walls, once closed and confined, were opened up both internally to the spaces around, and also to the outside, with a two story glass wall facing the garden, bringing news view and needed light deep into the house.

Location:          Golden Valley, MN

Completed:     2012

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

A beautiful, steeply sloped property provides this 1960’s home with wonderful views and secluded privacy.  In addition to their day jobs she is an award winning gardener, and he a self-taught home remodeler.  Over time they have transformed this home into a place of retreat.  However, the home lacked connection to the garden in the rear – their pride and joy.  The final wish for the home was a place to capture the views, bringing the garden inside, and to take advantage of the dramatic height towards the street and the natural pond beyond. 

Entering below, the main floor is one level above, set on grade with the rear garden.  The new level was to be up another floor still.  The program for the space included a spare bedroom, a home office, and the main goal of an entertainment room and rooftop terrace. 

The home already had a strong modern boxy aesthetic and the homeowners hoped to extend and heighten this feel.  The new level pushes this to the limit with crisp white cladding made distinctive with contrasted black reveals, creating a digital high definition image.  In contrast, the garden is referenced in the artificial turf used for the terrace – a remarkably comfortable surface that has proven to be one of the most enjoyed elements of the project.  A new stair was inserted top to bottom within the existing central stair footprint. The walls, once closed and confined, were opened up both internally to the spaces around, and also to the outside, with a two story glass wall facing the garden, bringing news view and needed light deep into the house.

Location:          Golden Valley, MN

Completed:     2012

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

A beautiful, steeply sloped property provides this 1960’s home with wonderful views and secluded privacy.  In addition to their day jobs she is an award winning gardener, and he a self-taught home remodeler.  Over time they have transformed this home into a place of retreat.  However, the home lacked connection to the garden in the rear – their pride and joy.  The final wish for the home was a place to capture the views, bringing the garden inside, and to take advantage of the dramatic height towards the street and the natural pond beyond. 

Entering below, the main floor is one level above, set on grade with the rear garden.  The new level was to be up another floor still.  The program for the space included a spare bedroom, a home office, and the main goal of an entertainment room and rooftop terrace. 

The home already had a strong modern boxy aesthetic and the homeowners hoped to extend and heighten this feel.  The new level pushes this to the limit with crisp white cladding made distinctive with contrasted black reveals, creating a digital high definition image.  In contrast, the garden is referenced in the artificial turf used for the terrace – a remarkably comfortable surface that has proven to be one of the most enjoyed elements of the project.  A new stair was inserted top to bottom within the existing central stair footprint. The walls, once closed and confined, were opened up both internally to the spaces around, and also to the outside, with a two story glass wall facing the garden, bringing news view and needed light deep into the house.

Location:          Golden Valley, MN

Completed:     2012

Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA

Location:          Minneapolis, MN

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge
 

Photographer: Farm Kid Studios

Location:          Minneapolis, MN

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge
 

Photographer: Farm Kid Studios

Location:          Minneapolis, MN

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge
 

Photographer: Farm Kid Studios

Location:          Minneapolis, MN

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge
 

Photographer: Farm Kid Studios

Location:          Minneapolis, MN

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge
 

Photographer: Farm Kid Studios

Location:          Minneapolis, MN

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge
 

Photographer: Farm Kid Studios

Location:          Minneapolis, MN

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge
 

Photographer: Farm Kid Studios

Location:          Minneapolis, MN

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Nate Dodge
 

Photographer: Farm Kid Studios

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

MID-CENTURY REMODEL

This design is the final and unifying renovation in a series of updates to a dated mid-century home along the Mississippi River in Minneapolis. The project features a flexible multi-purpose basement family room, a new floating stair visually connecting the formerly isolated and dark basement to the main floor living space, three updated bathrooms, and a new mudroom / laundry room.

Expanding upon the material palette and design language of a very refined and modern kitchen renovation and exterior update (completed previously by a different architect and landscape designer and featured in Better Homes and Gardens and Midwest Home), this final phase of work emphasizes brightening the interior space and the use of natural daylight throughout. Strategies include the use of increased window opening sizes, translucent glass walls, and skylights to allow natural light deeper into formerly dark interior spaces. The material palette features light colored bamboo floors and Baltic birch paneling (to match the existing Scandinavian blonde woodwork) as well as highly reflective glossy material selections for the bathroom wall tile, cabinetry, and powder coated steel stair structure.

This renovation project builds on the homeowners adventurous, elegant, modern design sensibility with the use of translucent glass bathroom walls and doors, which transform bathrooms into light transmitting filters between the home exterior and formerly dark interior spaces.  The refined and subtle design sensibility of previous renovations is carried forward with a quiet, neutral palette that emphasizes lightness, reflectivity, and textural variation.

Photographer:  Brandon Stengelwww.farmkidstudios.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                             www.chadholder.com

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA
Krista Jensen
Gayla Lindt

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA
Krista Jensen
Gayla Lindt

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA
Krista Jensen
Gayla Lindt

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA
Krista Jensen
Gayla Lindt

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA
Krista Jensen
Gayla Lindt

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA
Krista Jensen
Gayla Lindt

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA
Krista Jensen
Gayla Lindt

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA
Krista Jensen
Gayla Lindt

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Chistian Dean AIA, Principal-In-Charge
Ben Awes AIA
Bob Ganser AIA
Krista Jensen
Gayla Lindt

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Bob Ganser AIA
Ben Awes AIA
Nate Dodge

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Bob Ganser AIA
Ben Awes AIA
Nate Dodge

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Bob Ganser AIA
Ben Awes AIA
Nate Dodge

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Bob Ganser AIA
Ben Awes AIA
Nate Dodge

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Bob Ganser AIA
Ben Awes AIA
Nate Dodge

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Bob Ganser AIA
Ben Awes AIA
Nate Dodge

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Bob Ganser AIA
Ben Awes AIA
Nate Dodge

Photographer:  Chad Holder                           www.chadholder.com

Project Team:
Christian Dean AIA, Principal-In-Charge
Bob Ganser AIA
Ben Awes AIA
Nate Dodge

Growing out of the need for a 21st century expansion and update to their 1938 Southwest Minneapolis bungalow, this addition/renovation is the result of a new balance between interior experience and exterior form. Taking cues from the clean modern aesthetic that had been fostered by the residents on the interior, this home transformation results in a distinct and reduced house form that references both the modern and the vernacular. The sharp, distilled domestic exterior form encloses a contrasting white, light-filled and diffuse interior space - resulting in something taut and modern that fits comfortably within the scale and character of the ‘traditional’ neighborhood. New direct and indirect connections between inside and outside abound with the addition of window boxes, privacy louvers, translucent glass, clerestory windows and skylights - allowing light in and views out from multiple heights and perspectives, transforming inside spaces that previously felt cellular and inwardly focused to flowing, open and connected to the outside.

Photographer: 
James Schwartz www.schwartzpictures.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
Christian Dean AIA

Growing out of the need for a 21st century expansion and update to their 1938 Southwest Minneapolis bungalow, this addition/renovation is the result of a new balance between interior experience and exterior form. Taking cues from the clean modern aesthetic that had been fostered by the residents on the interior, this home transformation results in a distinct and reduced house form that references both the modern and the vernacular. The sharp, distilled domestic exterior form encloses a contrasting white, light-filled and diffuse interior space - resulting in something taut and modern that fits comfortably within the scale and character of the ‘traditional’ neighborhood. New direct and indirect connections between inside and outside abound with the addition of window boxes, privacy louvers, translucent glass, clerestory windows and skylights - allowing light in and views out from multiple heights and perspectives, transforming inside spaces that previously felt cellular and inwardly focused to flowing, open and connected to the outside.

Photographer: 
James Schwartz www.schwartzpictures.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA

Growing out of the need for a 21st century expansion and update to their 1938 Southwest Minneapolis bungalow, this addition/renovation is the result of a new balance between interior experience and exterior form. Taking cues from the clean modern aesthetic that had been fostered by the residents on the interior, this home transformation results in a distinct and reduced house form that references both the modern and the vernacular. The sharp, distilled domestic exterior form encloses a contrasting white, light-filled and diffuse interior space - resulting in something taut and modern that fits comfortably within the scale and character of the ‘traditional’ neighborhood. New direct and indirect connections between inside and outside abound with the addition of window boxes, privacy louvers, translucent glass, clerestory windows and skylights - allowing light in and views out from multiple heights and perspectives, transforming inside spaces that previously felt cellular and inwardly focused to flowing, open and connected to the outside.

Photographer: 
James Schwartz www.schwartzpictures.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA

Growing out of the need for a 21st century expansion and update to their 1938 Southwest Minneapolis bungalow, this addition/renovation is the result of a new balance between interior experience and exterior form. Taking cues from the clean modern aesthetic that had been fostered by the residents on the interior, this home transformation results in a distinct and reduced house form that references both the modern and the vernacular. The sharp, distilled domestic exterior form encloses a contrasting white, light-filled and diffuse interior space - resulting in something taut and modern that fits comfortably within the scale and character of the ‘traditional’ neighborhood. New direct and indirect connections between inside and outside abound with the addition of window boxes, privacy louvers, translucent glass, clerestory windows and skylights - allowing light in and views out from multiple heights and perspectives, transforming inside spaces that previously felt cellular and inwardly focused to flowing, open and connected to the outside.

Photographer: 
James Schwartz www.schwartzpictures.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA

Growing out of the need for a 21st century expansion and update to their 1938 Southwest Minneapolis bungalow, this addition/renovation is the result of a new balance between interior experience and exterior form. Taking cues from the clean modern aesthetic that had been fostered by the residents on the interior, this home transformation results in a distinct and reduced house form that references both the modern and the vernacular. The sharp, distilled domestic exterior form encloses a contrasting white, light-filled and diffuse interior space - resulting in something taut and modern that fits comfortably within the scale and character of the ‘traditional’ neighborhood. New direct and indirect connections between inside and outside abound with the addition of window boxes, privacy louvers, translucent glass, clerestory windows and skylights - allowing light in and views out from multiple heights and perspectives, transforming inside spaces that previously felt cellular and inwardly focused to flowing, open and connected to the outside.

Photographer: 
James Schwartz www.schwartzpictures.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA

Growing out of the need for a 21st century expansion and update to their 1938 Southwest Minneapolis bungalow, this addition/renovation is the result of a new balance between interior experience and exterior form. Taking cues from the clean modern aesthetic that had been fostered by the residents on the interior, this home transformation results in a distinct and reduced house form that references both the modern and the vernacular. The sharp, distilled domestic exterior form encloses a contrasting white, light-filled and diffuse interior space - resulting in something taut and modern that fits comfortably within the scale and character of the ‘traditional’ neighborhood. New direct and indirect connections between inside and outside abound with the addition of window boxes, privacy louvers, translucent glass, clerestory windows and skylights - allowing light in and views out from multiple heights and perspectives, transforming inside spaces that previously felt cellular and inwardly focused to flowing, open and connected to the outside.

Photographer: 
James Schwartz www.schwartzpictures.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA

Growing out of the need for a 21st century expansion and update to their 1938 Southwest Minneapolis bungalow, this addition/renovation is the result of a new balance between interior experience and exterior form. Taking cues from the clean modern aesthetic that had been fostered by the residents on the interior, this home transformation results in a distinct and reduced house form that references both the modern and the vernacular. The sharp, distilled domestic exterior form encloses a contrasting white, light-filled and diffuse interior space - resulting in something taut and modern that fits comfortably within the scale and character of the ‘traditional’ neighborhood. New direct and indirect connections between inside and outside abound with the addition of window boxes, privacy louvers, translucent glass, clerestory windows and skylights - allowing light in and views out from multiple heights and perspectives, transforming inside spaces that previously felt cellular and inwardly focused to flowing, open and connected to the outside.

Photographer: 
James Schwartz www.schwartzpictures.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA

Growing out of the need for a 21st century expansion and update to their 1938 Southwest Minneapolis bungalow, this addition/renovation is the result of a new balance between interior experience and exterior form. Taking cues from the clean modern aesthetic that had been fostered by the residents on the interior, this home transformation results in a distinct and reduced house form that references both the modern and the vernacular. The sharp, distilled domestic exterior form encloses a contrasting white, light-filled and diffuse interior space - resulting in something taut and modern that fits comfortably within the scale and character of the ‘traditional’ neighborhood. New direct and indirect connections between inside and outside abound with the addition of window boxes, privacy louvers, translucent glass, clerestory windows and skylights - allowing light in and views out from multiple heights and perspectives, transforming inside spaces that previously felt cellular and inwardly focused to flowing, open and connected to the outside.

Photographer: 
James Schwartz www.schwartzpictures.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA

Growing out of the need for a 21st century expansion and update to their 1938 Southwest Minneapolis bungalow, this addition/renovation is the result of a new balance between interior experience and exterior form. Taking cues from the clean modern aesthetic that had been fostered by the residents on the interior, this home transformation results in a distinct and reduced house form that references both the modern and the vernacular. The sharp, distilled domestic exterior form encloses a contrasting white, light-filled and diffuse interior space - resulting in something taut and modern that fits comfortably within the scale and character of the ‘traditional’ neighborhood. New direct and indirect connections between inside and outside abound with the addition of window boxes, privacy louvers, translucent glass, clerestory windows and skylights - allowing light in and views out from multiple heights and perspectives, transforming inside spaces that previously felt cellular and inwardly focused to flowing, open and connected to the outside.

Photographer: 
James Schwartz www.schwartzpictures.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA

Growing out of the need for a 21st century expansion and update to their 1938 Southwest Minneapolis bungalow, this addition/renovation is the result of a new balance between interior experience and exterior form. Taking cues from the clean modern aesthetic that had been fostered by the residents on the interior, this home transformation results in a distinct and reduced house form that references both the modern and the vernacular. The sharp, distilled domestic exterior form encloses a contrasting white, light-filled and diffuse interior space - resulting in something taut and modern that fits comfortably within the scale and character of the ‘traditional’ neighborhood. New direct and indirect connections between inside and outside abound with the addition of window boxes, privacy louvers, translucent glass, clerestory windows and skylights - allowing light in and views out from multiple heights and perspectives, transforming inside spaces that previously felt cellular and inwardly focused to flowing, open and connected to the outside.

Photographer: 
James Schwartz www.schwartzpictures.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA

Growing out of the need for a 21st century expansion and update to their 1938 Southwest Minneapolis bungalow, this addition/renovation is the result of a new balance between interior experience and exterior form. Taking cues from the clean modern aesthetic that had been fostered by the residents on the interior, this home transformation results in a distinct and reduced house form that references both the modern and the vernacular. The sharp, distilled domestic exterior form encloses a contrasting white, light-filled and diffuse interior space - resulting in something taut and modern that fits comfortably within the scale and character of the ‘traditional’ neighborhood. New direct and indirect connections between inside and outside abound with the addition of window boxes, privacy louvers, translucent glass, clerestory windows and skylights - allowing light in and views out from multiple heights and perspectives, transforming inside spaces that previously felt cellular and inwardly focused to flowing, open and connected to the outside.

Photographer: 
James Schwartz www.schwartzpictures.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA

Growing out of the need for a 21st century expansion and update to their 1938 Southwest Minneapolis bungalow, this addition/renovation is the result of a new balance between interior experience and exterior form. Taking cues from the clean modern aesthetic that had been fostered by the residents on the interior, this home transformation results in a distinct and reduced house form that references both the modern and the vernacular. The sharp, distilled domestic exterior form encloses a contrasting white, light-filled and diffuse interior space - resulting in something taut and modern that fits comfortably within the scale and character of the ‘traditional’ neighborhood. New direct and indirect connections between inside and outside abound with the addition of window boxes, privacy louvers, translucent glass, clerestory windows and skylights - allowing light in and views out from multiple heights and perspectives, transforming inside spaces that previously felt cellular and inwardly focused to flowing, open and connected to the outside.

Photographer: 
James Schwartz www.schwartzpictures.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA

Growing out of the need for a 21st century expansion and update to their 1938 Southwest Minneapolis bungalow, this addition/renovation is the result of a new balance between interior experience and exterior form. Taking cues from the clean modern aesthetic that had been fostered by the residents on the interior, this home transformation results in a distinct and reduced house form that references both the modern and the vernacular. The sharp, distilled domestic exterior form encloses a contrasting white, light-filled and diffuse interior space - resulting in something taut and modern that fits comfortably within the scale and character of the ‘traditional’ neighborhood. New direct and indirect connections between inside and outside abound with the addition of window boxes, privacy louvers, translucent glass, clerestory windows and skylights - allowing light in and views out from multiple heights and perspectives, transforming inside spaces that previously felt cellular and inwardly focused to flowing, open and connected to the outside.

Photographer: 
James Schwartz www.schwartzpictures.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA

Growing out of the need for a 21st century expansion and update to their 1938 Southwest Minneapolis bungalow, this addition/renovation is the result of a new balance between interior experience and exterior form. Taking cues from the clean modern aesthetic that had been fostered by the residents on the interior, this home transformation results in a distinct and reduced house form that references both the modern and the vernacular. The sharp, distilled domestic exterior form encloses a contrasting white, light-filled and diffuse interior space - resulting in something taut and modern that fits comfortably within the scale and character of the ‘traditional’ neighborhood. New direct and indirect connections between inside and outside abound with the addition of window boxes, privacy louvers, translucent glass, clerestory windows and skylights - allowing light in and views out from multiple heights and perspectives, transforming inside spaces that previously felt cellular and inwardly focused to flowing, open and connected to the outside.

Photographer: 
James Schwartz www.schwartzpictures.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA

Growing out of the need for a 21st century expansion and update to their 1938 Southwest Minneapolis bungalow, this addition/renovation is the result of a new balance between interior experience and exterior form. Taking cues from the clean modern aesthetic that had been fostered by the residents on the interior, this home transformation results in a distinct and reduced house form that references both the modern and the vernacular. The sharp, distilled domestic exterior form encloses a contrasting white, light-filled and diffuse interior space - resulting in something taut and modern that fits comfortably within the scale and character of the ‘traditional’ neighborhood. New direct and indirect connections between inside and outside abound with the addition of window boxes, privacy louvers, translucent glass, clerestory windows and skylights - allowing light in and views out from multiple heights and perspectives, transforming inside spaces that previously felt cellular and inwardly focused to flowing, open and connected to the outside.

Photographer: 
James Schwartz www.schwartzpictures.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA

Growing out of the need for a 21st century expansion and update to their 1938 Southwest Minneapolis bungalow, this addition/renovation is the result of a new balance between interior experience and exterior form. Taking cues from the clean modern aesthetic that had been fostered by the residents on the interior, this home transformation results in a distinct and reduced house form that references both the modern and the vernacular. The sharp, distilled domestic exterior form encloses a contrasting white, light-filled and diffuse interior space - resulting in something taut and modern that fits comfortably within the scale and character of the ‘traditional’ neighborhood. New direct and indirect connections between inside and outside abound with the addition of window boxes, privacy louvers, translucent glass, clerestory windows and skylights - allowing light in and views out from multiple heights and perspectives, transforming inside spaces that previously felt cellular and inwardly focused to flowing, open and connected to the outside.

Photographer: 
James Schwartz www.schwartzpictures.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA

Growing out of the need for a 21st century expansion and update to their 1938 Southwest Minneapolis bungalow, this addition/renovation is the result of a new balance between interior experience and exterior form. Taking cues from the clean modern aesthetic that had been fostered by the residents on the interior, this home transformation results in a distinct and reduced house form that references both the modern and the vernacular. The sharp, distilled domestic exterior form encloses a contrasting white, light-filled and diffuse interior space - resulting in something taut and modern that fits comfortably within the scale and character of the ‘traditional’ neighborhood. New direct and indirect connections between inside and outside abound with the addition of window boxes, privacy louvers, translucent glass, clerestory windows and skylights - allowing light in and views out from multiple heights and perspectives, transforming inside spaces that previously felt cellular and inwardly focused to flowing, open and connected to the outside.

Photographer: 
James Schwartz www.schwartzpictures.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA

Growing out of the need for a 21st century expansion and update to their 1938 Southwest Minneapolis bungalow, this addition/renovation is the result of a new balance between interior experience and exterior form. Taking cues from the clean modern aesthetic that had been fostered by the residents on the interior, this home transformation results in a distinct and reduced house form that references both the modern and the vernacular. The sharp, distilled domestic exterior form encloses a contrasting white, light-filled and diffuse interior space - resulting in something taut and modern that fits comfortably within the scale and character of the ‘traditional’ neighborhood. New direct and indirect connections between inside and outside abound with the addition of window boxes, privacy louvers, translucent glass, clerestory windows and skylights - allowing light in and views out from multiple heights and perspectives, transforming inside spaces that previously felt cellular and inwardly focused to flowing, open and connected to the outside.

Photographer: 
James Schwartz www.schwartzpictures.com

Project Team:
Bob Ganser AIA, Principal-In-Charge
Ben Awes AIA
hristian Dean AIA